Category Archives: tea shops

Soul food restaurants

Before the 1960s, the term “soul food” wasn’t used in reference to food. Until then the words had religious connotations for Protestants.

What became known as edible soul food, such as chitterlings, pigs’ feet, greens, black-eyed peas, cornbread, and cobbler (to name just a few), had been popular in the South long before the words soul food were applied. But the diet gained a charged meaning in the 1960s when proponents of Black Power affirmed eating soul food as a political statement.

By any name, soul food was not often found in restaurants outside the South until African-Americans began migrating northward before, during, and after World Wars I and II. Walker’s Café in Wichita KS advertised chitterlings and catfish in 1910. That same year the Gopher Grill in St. Paul MN claimed to be “headquarters for chitterlings and corn bread.” Similar menus were often found at dinners at Black churches and homes. Women belonging to the Social and Literary society of a Baptist church in St. Paul MN dressed in Colonial costumes and hosted a chicken and chitterlings dinner in 1916 to celebrate Lincoln’s birthday, an event where the identity politics were quite different than what would develop in the Black Power movement.

There were also numerous restaurants owned and patronized by Blacks in the North that did not serve soul food, or at least didn’t specialize in it. It’s difficult to find menus from restaurants of the migration periods, but when their advertisements mentioned specialties, they were often similar to dishes in white restaurants. A Chester PA restaurant specialized in oysters in 1910. In Black’s Blue Book for 1923-1924 — which listed Chicago’s prominent African-American citizens, along with recommended businesses — there were only four restaurants that advertised what kinds of dishes they served. Those dishes were Barbecued Chicken, Duck, and Squab; Chicken Salad; Club Sandwiches; Sea Foods; and Chili Con Carne (at two restaurants).

The spectrum of eating places found in New York’s Harlem, Chicago’s Black Belt, and Black urban neighborhoods across the North ranged from down-home, all-night eateries serving factory shift workers to elegant tea rooms lodged in old mansions that hosted patrons with more money and leisure. In Chicago, leaders of the N.A.A.C.P., the Urban League, and visiting foreign dignitaries were inevitably entertained with dinners at top Black tea rooms such as The Ideal, the Bird Cage [pictured, 2018], and the University tea rooms. In Spring 1923, the University Tea Room (“The Most Beautiful Spot in Chicago”) advertised the following menu:

65c – Special Table de Hote Dinner – 65c
Cream of Tomato Soup
Roast Chicken with Dressing
Spring Lamb with Peas
Snowflake Potatoes
June Peas in Cases
Salad
Head Lettuce and Tomatoes
French Dressing
Dessert
Apple Pie with Cheese
Rice Pudding
Coffee
Strawberry Shortcake, 25c
Ice Cream, 10c

Strangely enough, the 1966-1967 version of the Green Book failed to list some prominent Black restaurants with barbecue such as Arthur Bryant and Gates in Kansas City, and soul food places such as Soul Queen and H & H in Chicago. For New York City, it broke restaurant listings into the categories Steaks, American Specialties, Seafood, and Chinese – but not Soul Food.

While some Northern Blacks slowly accepted soul food, others were more resistant. This seemed to hold especially true for those higher in social status. Some of Chicago’s Bronzeville residents who held themselves superior to migrants expressed criticism of newcomers’ food customs, such as eating chitterlings. A journalist writing in the New York Amsterdam News in 1931 claimed that Harlemites rejected the “Fried Chicken, Pork Chop, Hog Maw and Chitterlings Theories” that assumed all Blacks liked rural Southern food. He also disavowed any special attraction to watermelon.

In 1945 another reporter from the Amsterdam News set out to find chitterlings in Harlem restaurants. He found only one restaurant serving them (Rosalie’s and Frances’ Clam House and Restaurant). He reported that Harlemites were just as likely to eat Chock Full O’ Nuts’ nutted cream sandwiches, Chicken Fricassee, Weiner Schnitzel, or Oysters Casino. At the same time, he observed that whites visiting Harlem enjoyed spare ribs with red beans, concluding, “there are no fundamental points of difference between eating habits of Harlemites and those of the lighter-skinned folk downtown.”

Most soul food histories note that some prominent Black leaders have rejected soul food, pointing to Eldridge Cleaver of the Black Panthers and Nation of Islam leader Elijah Muhammad. In his book Soul Food, Adrian Miller observed that Cleaver wrote in Soul on Ice (1968), “The emphasis on Soul Food is counter-revolutionary black bourgeois ideology.” Instead, wrote Cleaver, “The people in the ghetto want steaks. Beef Steaks.” Elijah Muhammad denounced soul food as a legacy of slavery that should be decisively rejected.

Miller laments the decline of restaurants that serve soul food, marked by the closure of landmarks such as Army and Lou’s and Soul Queen in Chicago. “Across the country, legendary soul food restaurants are disappearing at an alarming pace,” he writes, attributing it to health concerns and reduced business prospects due to the scattering of African-American communities and the popularity of fast food.

With a few exceptions, I don’t think the views of critics such as Cleaver are seen as valid now. And there seems to be a renaissance of interest in soul food among Black chefs and restaurateurs who celebrate it as part of a heritage of resilience and creativity under slavery. Somewhat surprisingly, even vegan soul food restaurants can be found now.

© Jan Whitaker, 2019

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Tea rooms for students

College and high school students of the 20th century led many eating-out trends and customs. Not only did they help make certain foods popular, they also influenced meal habits and adopted frequent restaurant-going as part of their social lives.

Drive-ins, coffee houses, and vegetarian restaurants were some of the types of eating places heavily shaped by student patrons in the middle and later decades of the last century. But a bit earlier, in the early 20th century, the eating places of choice for many college students were tea rooms that attracted women students. Not than men students didn’t also like tea rooms. An example was The Cactus Tea Room, built in 1917 with weird carvings of university types adorning its eaves, and serving both male and female students at the University of Texas in Austin.

Although tea rooms were more likely to be found near residential colleges, high school students also enjoyed them for after-school stops. In the 1920s students at Decatur High School in Decatur GA hung out at the Elite Tea Room, while Haverling High School students in Bath NY gravitated to the Chat-A-Wile Tea Room.

Rather than being stuffy and proper, many tea rooms that catered to students were relaxed and informal. They carried on college traditions such as midnight “spreads,” at which foods pilfered from the school’s dining halls were remade into chafing dish repasts. The feasts were occasions for casual attire, sprawling on the floor, and high spirits at the thought of evading detection while breaking college rules. [shown here is an Oberlin College dorm room spread, 1905]

Tea rooms also carried on the tradition of college dining clubs, which involved groups of friends joining together to hire a local woman to prepare their meals. The clubs adopted humorous names such as Vassar College’s Nine Nimble Nibblers, Grubbers, and Gobbling Goops of the late 19th century.

For example, a popular spot for students from Smith College was the Copper Kettle, which played a role much like the coffee shops of today. Students hung out there, read, chatted, and snacked on popcorn, ice cream, and tea. Its decor was cosy, shabby-chic style with mismatched furniture, wicker lounge chairs, posters, and window seats. Smith students were also enamored of the Rose Tree Inn, where full meals were served in a Bohemian atmosphere created by the intriguing Madame Anna de Naucaze.

Some colleges were almost surrounded by tea rooms. That was true in Western Massachusetts where both Smith College and Mount Holyoke College are located. Northampton, home of Smith College, was described in 1922 as having “more tea-houses than churches.” Not so far away, Mount Holyoke College was also well supplied with tea rooms, among them The Croysdale Inn, The Mary-Elin Tea Shop, and The Art Nook. I find it interesting that the Mary-Elin advertised in 1921 that it would stay open until 10 p.m., which was quite late for a tea room.

Parents did not always approve of their free-wheeling daughters’ behavior. In 1912, a mother wrote a critical article titled “One Disintegrant of Our Home Life,” about the typical college girl who socialized constantly, ignored rules of proper dress, and loved going to “the Green Coffee Pot or the Carnation Tea Urn.” “I tell my husband that college doesn’t breed home-building girls,” she wrote.

Among the most notable changes that tea rooms brought was simply that of providing a welcoming and friendly place for unescorted women to gather. This, of course, encouraged women and girls to spend more time eating away from home.

As for food, apart from popularizing eating cake and ice cream at any time of day or night, tea room food was a departure from typical lunch rooms and restaurants of the early 20th century that served fairly heavy meals based around meat. Although meat was certainly served in tea rooms, patrons also had many other choices. A 1920s menu from The Quinby Inn (shown above) — popular with students at Goucher College near Baltimore — offers Tenderloin Steak and Roast Pork, but also many other choices, with quite a few of them revealing the popularity of sweet food. Among them are 12 desserts, 22 salads, many of which involved mixed fruits and whipped cream, and 22 sandwiches, including Olive & Egg and Sliced Pineapple (no, not together!).

The list of specials clipped onto a 1920s menu from The Mary-Elin Tea Shop near Mount Holyoke College also shows its patrons’ fondness for sweets [thanks to Donna Albino for scans of the menu from her Mount Holyoke College collection].

A number of college women opened tea rooms of their own either as a summer project or after graduation. But that will be another post.

© Jan Whitaker, 2019

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Dining in a garden

Pleasure gardens of the 18th and early 19th centuries, sometimes called tea or mead gardens, typically opened on May 1 and offered relief from summer heat. Garden dining could be as simple as a tent in the back yard of an eating place or as elaborate as a larger garden with walkways, fruit trees, and arbors. A Philadelphia tea garden of 1798 furnished “tables, benches, boxes, bowers, etc.” The “etc.” might have included colored lights, or even small rustic cabins.

Garden guests ranged from families and young couples to “gentlemen farming parties.” In many of the gardens, menus were limited to delicacies such as ice cream, confectionery, lemonade, iced drinks, teas and coffees, and of course wines and liquors.

But others served more substantial food that fell under the heading “relishes.” Today relishes are condiments but then the word referred to a wide range of hot or cold edibles, including steaks and chops, oysters, rarebits, poached eggs, omelets, kidneys, sardines, anchovies, sandwiches, savory patties, tripe, pigs’ feet, and soup. Relishes tended to be salty, no doubt to encourage drinking, and were usually “available any time.”

The early 19th-century gardens were meant to attract genteel folks, though I’ve run across a couple of advertisements suggesting it wasn’t so easy to discourage problem guests. The owner of a garden in Wilmington DE advertised in 1803 that he was opening his “elegant Mead and Flower Garden” for those who would “observe the strictest order and decorum” and not “injure his garden or molest his flowers.” Nicholas Pierson, in 1827, was evidently concerned that unaccompanied women (understood to be prostitutes) would want to enter his mead garden.

Unlike other drinking places, gardens were acceptable for women (if escorted). According to one report, mead — a sweet concoction of fermented honey and spices — was one of their favorite drinks. Mead gardens were more popular before the temperance movement took hold in the 1830s.

Tea and mead gardens were fading when German beer gardens appeared on the scene in the 1850s and 1860s, usually consisting of rows of tables in an open air setting amidst groves of trees, but not really a garden — and not usually providing food.

Dining in a garden once again became popular in the early 1900s, only now, in addition to outdoor gardens such as New York’s Terrace Garden and others on the roofs of tall buildings, there were many indoors, making them available year round. Natural touches included pendulous boughs draped from ceiling lattices, burbling fountains, potted palm fronds that threatened to tickle guests’ necks, and sometimes blue-painted ceilings twinkling with tiny stars.

Department stores adopted garden motifs as did tea rooms where one could dine in an actual garden or, in rural New England, on the front lawn of the proprietor’s home. Tea rooms that chose a garden theme for indoors leaned heavily toward a Japanese style invoked rather simply with flower-strewn trellises and a bit of wicker or paper lanterns, as did Schrafft’s in Syracuse NY and the tea room at the Vantine store in NYC [above photo, 1906]. Actual Asian restaurants, on the other hand, were likely to include the word garden in their name, but that did not necessarily imply they had an actual garden.

Undoubtedly, one of the most flamboyant indoor garden restaurants was Clifton’s “Pacific Seas” Cafeteria in Los Angeles [pictured]. Indoor palm trees are always impressive, as are neon flowers, multiple waterfalls (12), and volcanic rock. Clifton’s was but one of the many restaurants with indoor gardens that proved eye-catching yet less than totally convincing in terms of their relation to nature. [below, Stouffer’s Top of the Mart, Atlanta]

Today a restaurant garden, while in many cases still a popular place to eat in nice weather, is as likely to be a place where vegetables or herbs are grown and harvested.

© Jan Whitaker, 2018

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Children’s menus

Children have always been present to some extent as guests in public eating places, but not until the 20th century did they have special menus and dishes designed just for them.

Department stores and tea rooms, where unlike most restaurants the principal patrons were women, were the first to focus on children as guests. New York’s Mother Goose on 35th Street off Fifth Avenue was popular with children in 1911 because of its storybook theme and servers dressed in costumes. From these early days, tea rooms were also places available for children’s parties. The Brown Owl Tea Room in Marblehead MA made lunches for children whose mothers were away.

In 1918 the Rike-Kummler department store in Dayton OH advertised a “Special Lunch for Children” for 20 cents that demonstrated the belief of that time that children should be fed a bland diet. It consisted of Rice Baked in Cream, Peanut Butter Sandwich, Milk, and Ice Cream.

Printed children’s menus, based on the idea that children liked to choose their own meal, arrived in the 1920s, often at department stores and other restaurants patronized by women of comfortable means who were out shopping. In Boston, Filene’s and the Shepard Store offered children’s menus. In 1927 Shepard’s offered a children’s menu in its 6th floor Colonial Room with specials such as a 50-cent meal of Poached Egg with Creamed Spinach, Baked Potato, Bread & Butter, and Milk.

Vegetable plates were common on children’s menus from the 1920s through the 1940s, as shown on both a menu from St. Clairs’ in the 1920s and one from Macy’s [shown below] in 1936. Creamed chicken was also typical of children’s menus before the 1950s, as both the Macy’s and the 1947 Pig n’ Whistle [shown below Macy’s menu] menus illustrate. Hamburgers weren’t found much until after WWII.

Children’s menus went beyond food listings to include games, puzzles, and pictures to color. Some came in the form of masks or paper toys to be assembled. The Howard Johnson’s chain put its children’s menu in the centerfold of a comic book in which an adventure concluded with a hefty HoJo’s meal of fried clams and a “large charcoal-broiled steak.” Odd, since steak was not on the children’s menu.

The number of restaurants offering children’s menus continued to increase throughout the 20th century, intensifying in the 1970s and 80s. Reporting on a Gallup survey in 1975, Food Service Magazine observed that more working mothers, increased family income, and smaller families suggested “a more profitable family market than ever before.” And many more children’s menus.

The new era of child-centered restaurant patronage was kicked off by the 1977 opening in California of the first Chuck E. Cheese pizza and video game restaurant for children. It was chain restaurants in particular, both of the fast food and coffee shop types such as Sambo’s and Denny’s, that were perceived as the most family-friendly and also the ones that children preferred.

Blandness continued according to Consumer Reports, whose testers in 1984 attributed the lack of seasonings in fast food to child patrons, who are often the ones who choose where the family eats.

But it wasn’t just the increase in restaurants that catered to families with children that marked a change.

Unlike the 19th century and the early decades of the 20th, it was no longer somewhat upscale restaurants that attracted families. This was not only because of prices too high for mass patronage but also because they did not engage in family-friendly practices. Usually they did not furnish high chairs, did not advertise widely or offer coupons or specials, and failed to celebrate birthdays and family holidays such as Mothers’ Day, Fathers’ Day, and Thanksgiving. Nor did upscale restaurant menus feature dishes preferred by children. They typically lacked post-WWII children’s favorites such as hamburgers, french fries, and pizza. They had no children’s menus.

© Jan Whitaker, 2018

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The up-and-down life of a restaurant owner

The model tea room proprietor has generally been portrayed as a woman of taste and refinement who has a heightened aesthetic sense, is congenial, and knows good food. In short, she closely resembled the ideal of the early 20th-century wife. So it comes as something of a shock to discover a tea room proprietor whose life did not neatly conform to that ideal.

An interesting example of someone who only partially conformed to the ideal was Charleen Baker, proprietor of the Buttercup Hill Tea Room near Fitchburg MA from 1928 to 1943.

She had taste, she was a successful hostess, and she knew good food. Her menu, filled with dishes such as Duck a la King, Sauteed Sweetbreads, and Lobster Newberg, bears that out. Her tea room was recommended by Duncan Hines in the 1937 edition of Adventures in Good Eating.

But how successfully did she personify refinement?

On the one hand, she portrayed herself as a product of a patrician background. In her 1935 cookbook she subtly painted a picture of her life and world that began with childhood cooking lessons from her southern Mammy, Aunt Maria. She explained that her mother had taught her that thin biscuits revealed a family’s “fine lineage,” as was true in her family. Presenting herself as a dutiful young wife, she described how hard she had worked to please her husband, on one occasion baking three different “lemon sponge pies” before she produced one “good enough to set before the king.” And she included a chapter on “Sunday Night Suppers” which assumed that, even in the Depression, the lady of the house had a maid who cooked — and took Sundays off.

Yet – big surprise – I discovered that her “king” had tried to divorce her in 1923, resulting in a sensational headline in the Fitchburg Sentinel as well as the Boston Herald. Her husband also accused her of abandoning their hospitalized son while she vacationed in Florida.

She then filed a reply, producing another zinger headline, “District Attorney Charged With Unfaithfulness In Answer By Wife.” Each charged the other with having multiple partners.

Upon further research I learned that in 1900, far from enjoying a life of leisure and refinement in the South, the 13-year-old Charleen had lived in a miner’s boarding house in Tortilla Flat, Arizona Territory, with her mother and her stepfather (#2 of her mother’s four husbands) who ran the place. Upon her stepfather’s death in 1903, she and her mother moved to Fort Worth TX where they resided in a lodging house run by her mother.

How she made her way from a Texas boarding house to studying voice at the New England Conservatory of Music in Boston I don’t know. While in Boston she met her future husband, Emerson, then a Harvard law student. They married in 1907 and settled in the Fitchburg area where Emerson joined his father’s law firm and later the district attorney’s office.

Remarkably, Charleen and Emerson reconciled later in 1923 and he assisted her in enlarging her tea room, which by 1931, when the Early American Room was added, seated nearly 160. The couple’s marriage continued until his premature death in 1934.

Two years before that Charleen had taken over the Green Parrot Tea Room in Winter Park, Florida, redecorating it in blue and orchid and calling it Charleen’s Tea House. Buttercup Hill stayed open from May through October, while Charleen’s in Florida was open the other months.

Due to wartime gasoline rationing that caused a fall off in customers, and to difficulties getting staff, Charleen closed the Buttercup in early 1943. She auctioned off furnishings that included old cradles, antique clocks, hooked rugs, and Currier & Ives prints.

From everything I’ve read about her, Charleen was successful in winning status as an admired figure in Fitchburg society.

After she sold the Buttercup several other owners operated the complex of buildings as a tea room while continuing the practice of serving cocktails that Charleen had begun in 1938. After the WWII the name was changed to Buttercup Hill Steakhouse and Club and it continued into the 1970s.

© Jan Whitaker, 2018

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Find of the day: Aladdin Studio Tiffin Room

It is a rare day when I find a tea room postcard that I don’t already own or that I strongly want to buy. The Aladdin Studio Tiffin Room is an exception, a wonderful discovery.

The story of the Aladdin Studio and its owners, Hattie and Minnie Mooser [pictured seated on the postcard], turns out to be quite fascinating. The senior Moosers, the sisters’ parents, were German Jews who were part of the 1840s-1860s immigration, and who evidently inspired their four children to take up rather daring careers in the entertainment industry.

The San Francisco tea room combined many functions. In the daytime it was a fairly conventional tea room with lunch and afternoon tea, hosting women’s groups, bridal parties, and card parties. Patrons could also have their palms read by a “seeress” named Mme. Rabbas, learn to play mah-jongg, dance, take Charleston and St. Louis Hop lessons, and buy hats, batiks, and lingerie in the gift shop. In the evening, visiting performers from stage and screen offered entertainment or simply gathered there for dinner.

The Aladdin employed African American women cooks and young women from San Francisco’s Asian community as servers. The decor had a Chinese theme with lanterns and dragons, but the cuisine was strictly American. The photo postcard above shows the two sisters ca. 1927/1928, sitting under what I believe was used as the tea room’s “stage.”

It opened on Sutter Street, its main location, in 1920, after having spent several years as part tea room and part children’s theater on Post Street. In 1925 it proclaimed itself a “Nite Club” of the sort found in NYC, Paris, and London, despite the fact that it was Prohibition and no alcoholic beverages were sold, nor even allowed on the premises. Increasing competition with bootleg places was identified as the reason for the Aladdin’s closure in 1929.

Years after its closing, in 1941, the San Francisco Chronicle’s Herb Caen saluted the Aladdin, writing, “When THE spot-around-town for celebrities was the Aladdin Studios run by Hattie and Minnie Mooser, the jernt was for performers and their pals only, and man the shows they used to put on are still being gabbed about.”

Their main attraction was the celebrities who dropped by the Aladdin Studio. Hattie and Minnie were well connected to the entertainment world, since their brother George Mooser, as well as their late brother Leon, were tightly enmeshed in it as producers whose careers were anchored in Shanghai and New York City. In addition to bringing Chinese entertainers to the U.S., the brothers organized Western entertainments, such as circuses, in China. And they also brokered film distribution deals and a lawsuit against piracy in Asia for California motion picture studios.

As a result of their connections – and Hattie’s and Minnie’s skill as hostesses – many show business celebrities visited the Aladdin, among them Houdini, Douglas Fairbanks, and the Marx brothers.

Although the never-married sisters had other occupations to fall back on such as stenography and other secretarial services, they continued serving as hostesses in other clubs after the Aladdin Studio closed, among them the Beach Chalet in Golden Gate Park and the Club Trouville at the old Aladdin location. In 1931 they opened a new place, modeled on the Aladdin Studio but called Aladdin Tavern, on Van Ness Avenue. Now in their 50s [(l) Hattie and (r) Minnie in 1936], though still referred to by the columnists as “the delightful Mooser girls,” they could not make a go of it.

In 1965, a reporter found the sisters, now in their 90s, living in Daly City CA and reflecting about their friendship with Harry Houdini.

I’d love to find the Aladdin’s guest book, which Hattie and Minnie claimed contained “the signatures of practically all the ‘tops’ of stage, screen and radio.”

© Jan Whitaker, 2017

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Americans in Paris: The Chinese Umbrella

“Why do Americans stick to their own kind of food in France?” wondered an American aviator in Paris in 1917.

Good question, given that the Americans he was referring to were able to afford dining in the finest Paris restaurants. And that French cuisine had long enjoyed prestige in large American cities.

Perhaps it was simply longing for home that brought Americans to The Chinese Umbrella in the early 20th century. The Umbrella was a tea room serving American food that was located near the Bon Marché department store on Rue du Bac.

When it opened in 1905 it served only afternoon tea but soon expanded the menu and became a popular lunch spot. Shortly after its debut American newspapers took note and a story traveled around stating boldly that its luncheons “represent the finest cooking that can be obtained in Paris.” Although this seems unjustifiably boastful, The Chinese Umbrella was recommended in Baedeker and other travel guides.

Among its specialties were homey dishes, many associated with the American South where the proprietor’s mother was from. A journalist writing about The Umbrella in 1908 hailed its okra soup, chicken a la king, tomato and cucumber salad, fried hominy, sweet potatoes, roast lamb, corn fritters, cold asparagus, strawberry ice cream, and waffles with maple syrup. He declared, “Not one of these dishes, apart from the cold asparagus, can be had in any of the famous Paris restaurants.” [advertisement from NY Sun, 1907]

The Chinese Umbrella was the creation of Edith Fabris and her younger sisters, born in Shanghai of a father who was a British consul in Tientsin, China. While in China Edith gathered together a collection of Chinese artifacts that included embroidered satin hangings, delicate porcelain, and a four-yard-wide umbrella that formed a ceiling in one room of the restaurant. Her brother, who served with American-English forces to defeat the Boxer Rebellion, “picked up the valuable loot” that formed the tea room’s decorations. “Loot” is the correct word, since the aftermath of the anti-colonial, anti-Christian-missionary uprising has been described as “mad scenes of pillage.” [Douglas Rigby, The American Scholar, 1944]

Perhaps the looted items on display in The Chinese Umbrella explain why China’s ambassador to France who presided over the tea room’s opening was described in one account as seeming “a little bit dubious as to the dignity of the affair.”

Fabris also brought to Paris a recipe for Chinese vegetable curries that she described – with an authenticity claim that may strike us as odd today — as “true English-American colony China curries.” Fabris said that chefs from top Paris restaurants begged for her recipes. When she told them they could not be made without ingredients sent by her brother from China, they came to her tea room to sample curries and try to analyze how they were made.

Although most of the tea room’s customers were apparently American or English it also did a good business selling baked goods such as mincemeat pies, plum puddings, and gingerbread to French families. During World War I Fabris supplied cakes to American soldiers in French hospitals.

At some point the tea room moved to a new location as shown on the blue postcard shown above. I could find no trace of it after 1920.

© Jan Whitaker, 2017

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