Category Archives: patrons

The smörgåsbord saga

Swedes began immigrating from rural Sweden to the United States in significant numbers in the 1870s, but it took a while before Swedish smörgåsbords were introduced to the American public. The earliest ones opened in cities in the 1910s, but even in the 1930s proprietors still found it necessary to explain the concept to Americans who were not of Swedish ancestry.

In 1912 a self-proclaimed high-class Swedish restaurant called Henry’s opened in New York City [advertisement 1918]. There had been earlier Swedish restaurants in the city but they appeared to serve workers and were unlikely to have offered smörgåsbord. In 1915 another first-class restaurant opened in New York, Scandia, headed by Gerda Simonson. It was the first known restaurant of its kind run by a woman.

It is somewhat surprising that these early examples were in New York City since both Chicago and Minneapolis had larger populations of Swedish immigrants. But it’s likely that at that time NYC restaurants were better able to attract travelers from abroad as well as Swedes living there.

Despite the presence of a Swedish restaurant with a smörgåsbord at the 1893 Columbian Exposition in Chicago, there do not seem to have been many such restaurants in Chicago until the 1920s. They were also evident in Rockford IL. As was true of tea rooms, many were run by women. The Bit of Sweden in Chicago, opened in 1925, billed itself as a tea room, but of course Prohibition was in effect, ruling out the smörgåsbord’s classic accompaniment to herring, a shot of Aquavit. The number of smörgåsbord restaurants increased during the 1930s, particularly after Prohibition ended. [pictured:Rococo House, run by the same woman who introduced Bit of Sweden]

At first it seemed that Swedish restaurants in the U.S. relied heavily on patrons of Swedish ancestry who enjoyed them on Sunday evenings. [above Rockford IL, 1928; kropkokn is a cake] Gradually they drew a non-Swedish clientele, many of whom had as much trouble with the concept of smörgåsbord as they did with its pronunciation.

At their finest, smörgåsbord restaurants achieved a high level of artistic beauty in food presentation as is evident in the above photograph of a New York restaurant in 1939.

Newspaper stories had appeared in the late 19th century explaining that Swedish steamships and hotels furnished smörgåsbord as appetizers before a meal. Patrons took a small plate with a slice of bread and then selected a few items to eat while standing, accompanied with a strong drink and beer. They might have seconds but they did not eat so much that they spoiled their appetite for a full meal which they would soon order from their table.

Non-Swedish Americans, however, tended to see the smörgåsbord as a meal in itself, piling their plates high and often returning for more. Soon restaurants adapted by pricing the smörgåsbord separately. For a higher price, patrons could precede a dinner with smörgåsbord if they chose to. In the 1930s the Bit of Sweden restaurant in Los Angeles went to some trouble to explain how it all worked, devoting a page of its menu to this, and instructing patrons that the correct pronunciation was SMIR-GOES-BOORD (rather than SMAR-GUS-BORD). The restaurant charged $1.50 for smörgåsbord with dinner, or $1.00 without, and included a warning on its instructions page that customers had better eat all they took or they would be charged extra.

Other stories also appeared in the 1930s with instructions on how to handle smörgåsbords. In 1948 well known food journalist Clementine Paddleford explained what she learned from the daughter of the manager of NY’s Three Crowns Restaurant — which made its debut at the 1939 NY World’s Fair. She was told there was a system to choosing from its famed 100 items. First, she wrote, take pickled herring and a bit of herring salad along with a boiled potato with sour cream. On the second visit, more fish – maybe shrimp, sardines, smoked salmon, and a marinated mussel. Trip three might be hot dishes, but alternatively could be cold meats, salads, and cheeses if the diner was planning a fourth trip for hot food.

Decades later, smörgåsbord restaurants could still be found, but it seems that the idea of freely choosing food from a spread was being taken over by low-price, no-frills, all-you-can-eat buffets. Some, such as the Sir George’s chain called themselves smörgåsbords, but others named themselves “smorgies.” I doubt many, if any, were owned or operated by Swedish-Americans. [above, Sir George’s in Hemet CA]

As for authenticity, Tracy Nicole Poe explained in her 1999 dissertation that even the early examples of smörgåsbords in the U.S. represented an “invented tradition.” She wrote: “Like other elements of Swedish-American ethnicity . . . the smorgasbord’s origins are more a product of the National Romantic Ideal, and its rituals more concocted from the imagination of community leaders, than they are manifestations of rural immigrant culture. The fact is, most Scandinavian immigrants would probably never have attended an actual smörgåsbord in the classic nineteenth century European sense.”

On the other hand, I think the all-you-can-eat smörgåsbord derivative, though invented, is a genuine representation of American culture.

© Jan Whitaker, 2023

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Meals along the way

On Monday, October 6, 1834, Charles Shipman and his two teenage daughters, Joanna and Betsey, left Athens, Ohio, for Philadelphia. Charles went there twice a year to buy goods for his general store. They traveled in their two-horse carriage and would not return until November 15, by which time they had been through the mountains, traveled by steamship, visited Washington and Baltimore, and met with President Andrew Jackson.

Their usual plan was to get up early, travel for a while and then stop for breakfast and dinner at an inn or tavern. Their main meal was mid-day dinner. They ate “supper” wherever they were staying for the night. They stayed at inns, hotels, and for their longest stay, in Philadelphia, at a boarding house where their meals were supplied.

The meals in taverns and inns in small towns were surely humble. Joanna kept a record of their travels, more of a log of times and distances than a diary of subjective impressions and descriptive details. It’s disappointing that she was not inclined to record much about what they ate on their travels, but there are some interesting bits.

On their fourth day of travel they stopped in Morristown OH for breakfast at 9 a.m. Joanna writes: “Found some tomato preserves on the table, at first thought they were very good, but after tasting again concluded to the contrary.” On Joanna’s initial recommendation, Betsey ate some of the preserves but later told her sister that they made her feel sick.

That evening they arrived in Wheeling – now in West Virginia, but then Virginia – and stayed in a “very good country tavern” where Joanna reported she “Ate too much supper, and that with rainy weather and miserable roads makes me feel a little homesick.”

In the journal it becomes clear that the sisters were prone to feeling homesick and anxious – about traveling through the mountains, staying in cities, meeting people, and being on steamboats. Joanna found Smithfield VA, and then Petersburg VA where they stayed overnight, depressing: “Have had the horrors all day.” Seeing a fire from their window in Philadelphia, Joanna recorded that she and Betsey were “frightened out of our wits.”

Did anything thrill the sisters on what was probably their first trip outside Ohio? Joanna certainly shows no excitement about meeting “Old Hickory,” the President, and simply records that after shaking hands, and “looking at him as long as we cared to, we left his August presence and went into the yard.”

Joanna writes with a restrained tone, yet it’s clear she has a sense of humor. The Shipmans met with various people along the way. After one of them, a man who “ogled his eyes” when he looked at the sisters, told them he planned a future visit to Ohio, Joanna writes, “So now look sharp, Miss Betsey.”

On the way to Fredericktown MD, they stayed overnight at an inn. Joanna recorded her simple breakfast the next morning as “a piece of bread, strong [i.e, rancid] butter, peach sauce and a cup of milk.”

At that point they were about to reach that part of their trip that took them to larger cities. But I feel certain that they had no interest in exploring urban dining as itemized on the 1834 bill of fare of the Adelphi Coffee House in Philadelphia [shown above]. It gives a good idea of choice dishes of that time, but since the coffee house was also a drinking place it would have been forbidden territory for this family. Charles Shipman was a dedicated temperance follower who refused to handle alcohol in his store.

Upon reaching Baltimore the next evening, they had trouble finding a hotel that was not full, but on the third try discovered a new place called Page’s that had just opened. Joanna described it as “the most splendid house my little eyes ever beheld.” They had a private parlor and meals brought to their room. But despite these positive aspects, she wrote “It nearly frightens us out of our wits to go all through [the hotel]. Betsey says she never thought she was raised in the woods to be scared at an owl, but she has found tonight that she was.”

Their 11-day stay in Philadelphia included some strange-sounding entertainments. At the Hall of Independence they viewed dogs powering cloth making, and an automaton that wrote. The next day they went to Washington Hall where they saw speaking and dancing puppets and “the exhibition of the burning of Moscow.”

Their father offered Joanna and Betsey a trip to New York City, but they turned it down, preferring to head for home.

Leaving Philadelphia they returned to Washington, beginning their journey homeward. They stayed in a large hotel, Brown’s Indian Queen Inn, but did not record anything about it. Traveling through Virginia they stopped at Warm Springs, where they were weighed so they could see how much they gained at dinner. Charles (119½), Betsey (109), and Joanna, (118½) each added from 1 to 1½ pounds to their slight frames. They stayed overnight in the springs region, eating “a real country breakfast” the next morning. Then, for dinner at White Sulphur Springs, they “were treated to some fresh pork fried, some fresh beef fried, some light bread and some milk, rather tough this, as I look at it,” recorded Joanna.

Only two days from home, they stopped at Wilson’s Hotel in Charleston for dinner. She reported “the way dinner was served was a ‘touch above the vulgar.’” I would not think that was a resounding compliment.

Joanna was more than thrilled to get back home to her mother and brother.

© Jan Whitaker, 2023

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Filed under patrons, roadside restaurants, women

Basic fare: pancakes

After a start in the 1950s, pancake houses made it big in the following decade.

Of course pancakes were not new to eating places. Far from it. They had long been a staple of short order restaurants, known variously as flapjacks, hoecakes, hot cakes, griddle cakes, flannel cakes, batter cakes, butter cakes, and just plain cakes. The mighty Childs chain had built its business by transfixing pedestrians with women flipping pancakes in its windows.

Cheap yet filling, it’s hardly surprising that pancakes grew in popularity during the 1930s Depression. The Childs Corporation reported in 1931 that pancakes with butter and syrup ranked as “the most typical American dish.” Pancakes were once again in the spotlight in the film Imitation of Life (1934) in which a white woman’s Black cook runs Aunt Delilah’s Pancake Shop which makes a hit on the Atlantic City boardwalk. The 1930s was also the decade in which The Pancake House opened in Portland OR – a restaurant which James Beard playfully nominated in the 1950s as one of the 10 best in America.

But what was new in the 1960s, with the spread of economic prosperity through (white) America, was the popularity of the “family restaurant.” Children, who had earlier been a minor element in eating out, became a new factor in restaurant success. Now included in dining plans, they often ascended to the role of lobbyist and de facto decision maker. And, while Mom might frown on high-calorie menus and Dad might wish for steak, the kids loved pancakes.

Pancake restaurants of the 1960s welcomed children with bright primary colors, cartoonish figures on menus and walls, and at least in one case with a rather alarming-looking costumed clown. If a child had not fully satisfied their sweet tooth with pancakes, they could raid the “old-time” candy barrels at Florida’s Kissin’ Cousins Pancake Inns. Meanwhile, an adjoining cocktail lounge beckoned parents with beer and bourbon.

What else was new about pancake restaurants? They were part of the advent of eating places focused on single foods, such as hamburgers or pizza. Like pizza, pancakes held special charm for restaurant owners because their ingredients were cheap and no skilled cooks were needed. Plus, they weren’t just for breakfast — customers were ready to order them all day and through the night. The trade journal American Restaurant mused in 1960, “Who ever dreamed that the lowly pancake would build a fortune . . .?”

Restaurant consultant George Wenzel asserted that pancake houses proved “that any one item, prepared with great care, and basically popular, can lead to fortunes especially if the menu price is reasonably low.” While regular service restaurants had food costs up to 48%, he figured they were only 35% in specialty restaurants such as pancake houses.

Chains built around pancakes spread rapidly. By 1961 the International House of Pancakes had opened 25 units in just three years, and was poised to expand into the Northeast. Uncle John’s Pancake Houses, begun in 1956, were doing business with 60 units in more than 20 states. Each of these chains may have been inspired by Aunt Jemima’s Pancake House that opened in Disneyland in 1955.

Despite the development of dozens and dozens of pancake varieties and their high profit margins, pancake restaurants gradually broadened their menus. The trade magazine Cooking for Profit noted in 1964 that pancake restaurants had found it necessary to put steak on the menu. The growing menus meant that the pancake restaurant boom would soon give way to a more general sort of family restaurant in the 1970s. Like pancake restaurants, full-service family restaurant chains such as Denny’s and Country Kitchen were also expanding.

Eating in restaurants continued to be popular with families in the 1970s. Reporting on a Gallup survey in 1975, Food Service Magazine observed that more working mothers, increased family income, and smaller families suggested “a more profitable family market than ever before.” The survey also found that preferences included table service restaurants that welcomed children, had moderate prices – typically $1.00 to $1.99 per person for breakfast — and a menu with a wide range of selections.

A 1978 New York Times story titled “Family Restaurant Booming” noted that dining out is extremely sensitive to economic conditions, a situation that is likely to be especially true for family dining.

So the current economy should favor patronage at IHOP, the reigning pancake kingdom.

© Jan Whitaker, 2022

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Filed under chain restaurants, family restaurants, food, patrons, restaurant decor, roadside restaurants

Odors and aromas

It is said that the sense of smell became less important when proto-humans began to walk upright. Yet it has played a significant role in restaurant history, for better and for worse.

While not limited to the 19th century, complaints about bad odors in eating places abounded then. In that century, unwanted smells might come from the building itself, accumulated cooking odors, or the humans in the rooms. Worst of all were the cheap eating places located in damp and windowless basements where all three perils came into play.

A self-styled researcher in 1849 cancelled a plan to visit common eating houses in New York City, writing, “We once undertook to count these establishments in the lower part of the City, but got surfeited on the smell of fried grease before we got half through the first street, and were obliged to go home in a cab.”

Even Taylor’s, Broadway’s mid-19th-century hot spot where fashionable ladies went to consume fricandeaus and meringues, failed the smell test. It had a deluxe interior with 18-ft-high ceilings, gold leaf, fountains, and mirrors, leading journalist Fannie Fern to exclaim, “What a display of gilding and girls.” And yet, upon its close in 1866, a critic put things straight, admitting “there was always the restaurant odor, the mingled essence of many past dinners, and precisely the same from month to month and year to year.”

If Taylor’s wasn’t free of bad odors, what restaurant was? Well, according to a British visitor, the answer was just about none! In 1868 the author, after visiting New York, gave 99.9% of the city’s eating places a no-star rating when it came to smelliness. “The restaurants, with the exception of Delmonico’s on Fifth Avenue, generally speaking, are dingy and warm, and have a sickly smell about them,” he wrote. Not much later the Prince of Wales traveled to the U.S. and quickly grew sick of the sight and smell of one of the country’s most beloved foods: oysters. “During his sojourn he was always endeavoring to escape from the smell of them,” according to one chronicler. Obviously, one person’s bad odor might be another’s delicious aroma.

Old-fashioned chophouses, revered as hyper-masculine shrines to meat-eating, also came in for criticism. One critic denounced New York’s Old Tom’s, a venerable dining spot, as “the humbug of the century.” He characterized its atmosphere as “fat and greasy,” adding, “You breathe it, smell it, taste it.”

On the whole, though, it was unusual for men to criticize the smell of meat cooking. It was so enticing that the owner of an 1890s NYC ballroom arranged to pipe in the kitchen’s odor of steaks being grilled at the end of the night’s entertainment, ensuring a crowd for his dining room a floor below.

The restaurant foods usually singled out as unacceptably smelly tended toward fried, greasy things, as well as garlic, onions, cabbage, and, in certain cases — when they perfumed residential neighborhoods — hamburgers and hot dogs. Los Angeles regarded tamale wagons as “odor factories” and Scarsdale fought to remove a “smelly” stand operated by Castel Hitaltakides, aka ‘Hot Dog Joe.’

But it wasn’t until after the first world war that real improvements were made with ventilation and kitchen design. Wood surfaces were replaced with harder materials such as “Monel metal,” forerunner to stainless steel. And the use of vents and exhaust systems grew commonplace except in the poorest eating places. Air conditioning in the 1930s also made a big difference. However, improvements in air quality were always in order. A 1946 customer survey revealed that restaurant patrons’ biggest complaint after noise and clatter was still bad odors. They almost certainly would have included cigars and cigarettes, which would draw even more complaints as the movement to ban smoking in restaurants grew.

What could restaurants do to control odors? There were range hoods as far back as the 1880s, though I don’t know enough about them to judge their effectiveness. Another method employed by restaurateurs who could afford it was to locate their kitchen on the top floor of a building, with the dining room a floor below so the kitchen’s greasy hot air and odors would float inoffensively skyward.

But then attitudes to food smells began to shift. An overlooked feature of the food “revolution” taking place in the late 1970s and 1980s was that cooking aromas – which, apart from beef, had rarely been regarded as a positive attraction in restaurants – became a plus, particularly when they emanated from the kitchens and platters of ethnic restaurants. Fast food smells, such as the pizza-burger’s, were also redeemed as pleasant.

At Joe’s, yes, but not so much in luxury restaurants.

Remember that smelling was long associated with lowly creatures. And for decades the standard had been that proper middle class homes should be entirely free of cooking smells, even if this required a series of doors between kitchen and dining room as well as frequent daily airings of the kitchen. In the 1920s a genteel residential hotel in Cleveland went so far as to design suites in its new building with no kitchenettes “so that one family will not inconvenience other occupants with cooking odors.”

It seems this standard was adopted by luxury restaurants as well. I have been unable to find any reviews of elite restaurants that mentioned odors or aromas. Evidently the only time customers’ noses were allowed to come into use was in sniffing wine offered by the sommelier.

What would Julia (Child) have thought about this? In a 1972 interview, she was asked how, when traveling, she identified a good restaurant. Her answer: “If you poke your nose in, the smell will tell you something. A good restaurant smells good – of fresh food and butter and fresh olive oil.”

© Jan Whitaker, 2022

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Filed under atmosphere, elite restaurants, food, patrons, restaurant issues

Digging for dinner

In 1919 a new term made its debut in popular culture with the enormously successful Broadway play The Gold Diggers. It wasn’t about gold miners, but about attractive “show girls” who flirted and played up to men for what they could get out of them. In it, one of the women tells her roommates “either you work the men, or the men work you.”

The play betrayed the upheaval in gender relations that had begun in the late 19th century but was deepened by World War I, continuing into the 1920s. Women had thrown off Victorian restrictions and traditional roles as they entered the job market. Men were confused, sometimes angry. The divorce rate soared.

In the 1920s the play was made into a movie and a virtual swarm of other gold-digging-themed plays and movies arrived, with titles such as Gentlemen Prefer Blondes, Broadway Daddies, The Shopworn Angel, Naughty Baby, and Hardboiled. The theme remained strong in the 1930s, when there was a run of Busby Berkeley Gold Digger films.

The gold digger problem also appeared in advice columns. Columnist Dorthea Dix went so far as to proclaim, “No other women in the world do more harm than do these demanding women.” Ordering a lavish restaurant dinner paid for by a man was a clear sign of gold digging, according to a 1920 newspaper story. Good behavior, on the other hand, would look like this: “If she orders cheaply and modestly, she is either very considerate or very wise; . . . and if she says, ‘Oh, let’s go home and broil a chop in my kitchenette!’ – she is a wonder!”

Gold diggers also appeared in cartoons and on postcards, usually shown in a restaurant, eating and drinking freely and running up the check. So they not only took advantage of men, but their other sin included eating too much, in violation of the idea that true ladies had naturally small appetites. The examples below are presented in approximate chronological order.

She puts on her gloves, showing no concern for his alarm upon seeing the check.

“Dear” meaning costly. At a time when a steak dinner including caviar, oyster cocktail, deviled crab, steak and lambchop, with something sweet and a demi-tasse would have come to $3 a person, $32.50 was a very expensive dinner.

On the postcard at the top of the page, it appears that Miss Gold digger is also a heavy drinker.

This nasty little cartoon from 1927 makes her seem seriously — almost professionally — conniving.

In the 1930s Depression the male victim assumed the profile of a sugar daddy, possibly suggesting to the economically deprived masses that he deserved to be relieved of some of his money.

On the other hand, this poor guy truly looks like he’s suffering and his gold-digging girlfriend isn’t a bit sympathetic. She looks as though she rather enjoys seeing him wash dishes.

A 1940s card from a vending machine, assuming the worst about this woman, who probably made considerably less money each week than the mean-hearted server.

This one appeared in 1959, still working the tired old joke.

I’d like to think the gold digger meme had been retired, but a recent defamation lawsuit would suggest otherwise.

© Jan Whitaker, 2022

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Pizza by any other name

Driving around Connecticut a while back I noticed signs with the unfamiliar terms “lapizza” and “apizza.” Occasionally since then I’ve wondered what accounted for the deviation from the commonplace word “pizza.”

Thanks to a recent round of fundraising on Connecticut Public Television, when they featured showings of Pizza, A Love Story, I found out why pizza was spelled that way. Watching the show, I heard the word apizza pronounced – repeatedly – for effect. Can you say ah-BEETS? That pronunciation is Neapolitan dialect, a simplification of la pizza. New Haven CT is hailed as today’s apizza center of the U.S. by its dedicated fans who probably would refuse to even enter a pizza chain’s parking lot.

In fact, it’s impressive that in 1978, when Pizza Hut had expanded to over 3,000 units nationwide, none was listed in New Haven’s City Directory. However, there were at least 31 pizza places in that city then, ten of them with apizza as part of their name. One of the pizza restaurants in New Haven was that of Fancesco “Frank” Pepe, initially a baker, who started making pizza in 1925. [1960s postcard shown at top of page] Today Pepe’s Pizzeria Napoletana is a small New England chain that has won many awards.

Although the word apizza came into common usage in advertisements in Connecticut newspapers in the 1930s – not just in New Haven but also Bridgeport, Meriden, and other cities – it remains in use today in many of the state’s Italian restaurants. I haven’t run across any descriptions of the Connecticut apizza of earlier days, but it’s unlikely that it was the cheese-delivery vehicle that most Americanized pizza has become. In the early 20th century Neapolitan pizza was described as a somewhat puffy, foldable crust typically topped with cooked tomatoes, grated cheese, oregano, and/or anchovies.

From the start in Connecticut and a few other parts of the Northeast, as well as California, pizza was take-out food, often bought at a bakery. But after Prohibition ended, it expanded into casual eating spots in Connecticut cities. Many of its purveyors ran taverns or other night spots, some of which featured it only on weekends. [below, Club Crystal, Bridgeport, 1940s] It was more of a snack than a meal, something to enjoy with friends. Beer was the favorite liquid accompaniment. As Meriden CT restaurant owner Vincent Verdolini put it in 1939, “beer to a lover of la pizza is like whipped cream to strawberry shortcake.”

Until the 1950s, most apizza consumers were Italian-Americans, many of them workers in Connecticut’s factories. Happily for them, pizza was inexpensive (in 1940, roughly 25¢ for small ones and 45¢ for large) and sellers delivered to workplaces. Early advertisements aimed at Italian speaking customers appeared in Italian-language newspapers such as La Sentinella in Bridgeport.

As I searched for the history of apizza in Connecticut, I happened upon another name for pizza, one that really surprised me because its meaning has shifted: pizzeria. Now a common name for a pizza parlor, at one time it was a word for pizza itself, as is evident in the advertisement for “delicious pizzeria, 25¢” at Frieda’s in Asbury Park NJ in 1936, shown above, or at the Paradise Bar and Grill on Staten Island in 1947 below.

For several decades restaurant chains have dominated the pizza market, making it all the more interesting that apizza, the word and the food, has survived.

© Jan Whitaker, 2022

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Women’s lunch clubs

Lunch clubs for working women appeared in American cities in the 1890s and early 20th century. In a fairly short time they stimulated the development of commercial cafeterias, as well as employee cafeterias in large companies.

Chicago was regarded as a prime incubator of the lunch club idea. In 1891 a group of alumnae of the prestigious Ogontz finishing school near Philadelphia opened a space for women workers on an upper floor of Chicago’s Pontiac Building. At the start the club charged 10 cents a year for membership, and sold sandwiches for 4 cents and milk, tea, or coffee for 2 cents each.

By the end of the nineteenth century, women’s lunch clubs could be found in other major cities, including New York, Philadelphia, Boston, Cleveland, and San Francisco, but not in the South. Some, such as three in NYC, were affiliated with churches. In Indianapolis, temperance supporters – members of the W.C.T.U. — ran a lunch club.

The lunch clubs were meant to provide not only inexpensive noontime meals for working women, but also to give them a place to enjoy a little leisure in “rest rooms” supplied with sofas, rocking chairs and desks, as well as libraries and other amenities. Some offered evening lecture series.

The clubs came at a time when the number of office workers in cities was on the increase. The clubs mainly catered to “business women,” which then meant young white-collar workers in offices and department stores. Although women factory workers had a greater need for restful and inexpensive lunches than did office workers, their shorter lunch breaks and lower pay made it difficult to accommodate them.

The earliest lunch clubs were launched by elite women as philanthropic projects to assist workers with affordable lunches, give them a place to hang out at noon, and to uplift them culturally. The food was not cooked on site, but supplied by other kitchens, such as that at Jane Addams’ Hull House in Chicago. To avoid the cost of hiring servers, food was set out on counters and diners selected what they wanted, a novel arrangement in the 1890s. [Above: Chicago’s Ursula lunch club, 1891] Prices were meant to cover costs but not to make a profit.

Lunch clubs had to tread a fine line in terms of how philanthropic backers related to the working women. At least one of the philanthropic lunch clubs made its lunchers feel pitied and failed to attract enough women. Those who had stuck with it then took it over as their own co-operative enterprise. Some other lunch clubs were begun as co-operatives. [Above: postcard of a commercial lunch club that admitted men]

A humorous turn-of-the-century story characterized the uneasy feeling of some working women toward philanthropy. In it, a wealthy man approaches a young sales clerk in a department store to say that he is thinking of starting a Noon-Day Rest Club, “where you and the others may come and drink Tea and listen to me read Advice to the Young.” She replies, “That would be lonely Billiards, wouldn’t it? We don’t want to be rounded up and sozzled over. Not on your Leaflards. The Poor Working Girl draws a line on having a kind-hearted Gentleman pull the Weeps on her. I think I can struggle along without having you come around to hold my Hand.”

Despite this obstacle, lunch clubs proliferated. The Klio Club’s Noon-Day Rest expanded its menu, adding dishes such as soup, baked beans, and salmon salad. In 1899 a sample menu in one of Chicago’s six lunch clubs might have looked like this:
Two slices of bread or two rolls, with butter 5c
With jam or cold meat 6c
Extra butter 1c
Tomato soup, beef hash, Spanish stew 5c
Potato salad, sliced tomatoes, cucumbers, cottage cheese 5c
Tea or coffee, with cream 5c
With milk 3c
Iced tea, buttermilk 3c
Raspberry ice, lemon ice 5c
Vanilla ice cream, tutti-frutti ice cream 5c

The success of serve-yourself lunch clubs spurred the development of commercial cafeterias. Over time it became harder for lunch clubs to attract large numbers of women patrons. Some began to accept men who, after all, tended to spend more for lunch. For-profit help-yourself businesses proliferated. In one case, a dispute at Klio’s Noon-Day Rest led its caterer, Kate Knox, to leave and start her own self-service lunch club business. [Mrs. Knox’s lunch club pictured above] Another enterprising woman, Mary Dutton, operated four cafeterias by 1915 after beginning with a single lunch club.

But the lunch clubs made an impact, for a time at least. Boston’s original noon-day lunch club closed because it felt it had elevated the standards of common restaurants. And businesses borrowed ideas from the lunch clubs. For example, The Harmony Cafeteria in Chicago, a commercial business, advertised in 1913 that it featured a basement rest area, with a drawing showing two women in rocking chairs reading books.

© Jan Whitaker, 2022

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Filed under cafeterias, food, Offbeat places, patrons, restaurant prices, women

Sugar on the table

Probably most patrons never give sugar a thought when they are visiting cafes and restaurants, but it is a subject that has been somewhat vexing for proprietors and guests over time.

Sugar in restaurants has figured as a health concern, an aesthetic concern, a monetary concern – and just a plain old nuisance.

For decades in the 19th and early 20th centuries, when tables were shared by strangers, a bowl of sugar was put on the table to be used by all. In the average eatery of 1830s Boston, as elsewhere, a table would typically hold a sugar bowl along with salt, butter, and other condiments.

By the late 19th century, the new-style help-yourself lunchrooms had a novel way of grouping condiments together. These were three-tier revolving trays placed in the center of round tables and holding napkins, silverware, sugar and salt, etc. They looked prim and neat – at least before the “quick lunchers” arrived.

But whether the sugar bowl resided on an 1830 oak table or a “modern” nickel-plated “Waldorf” revolving tray in a 1910s lunch room, it posed a sanitation problem.

It doesn’t take much imagination to see how shared sugar bowls could go wrong. The salty journalist who wrote under the name Fanny Fern expressed her disgust vividly in the 1850s when she described a scene at New York’s popular and well-known Taylor’s Saloon. “J-u-l-i-u-s C-ae-s-a-r! look at that white-aproned waiter pulling out his snuff-box and taking a pinch of snuff right over that bowl of white sugar, that will be handed to me in five minutes to sweeten my tea!” she exclaimed.

Along the same lines, complaints about sugar bowls that had signs of careless use were common. The cheaper the restaurant, the better the odds that the ugly cracked bowl of sugar would have coffee stains or fly specks. In the 19th and early 20th centuries, sugar bowls usually had no lids and often customers used their own spoons to dip into them. When lump sugar was used, as was often the case, diners would take pieces out of the bowl with their fingers.

Concerns about public health brought changes in the 20th century. In 1912 the U.S. Surgeon General suggested that if people would not use tongs to remove lump sugar from bowls then restaurants should switch to loose sugar, which required a spoon.

During World War I, many restaurants removed sugar bowls from their tables. Not for sanitary reasons but because they were severely restricted in the amount of sugar they were allotted. Some restaurants served no sugar while others served it only if asked, limiting the amount to one teaspoon per customer. In others, the staff put the sugar in diners’ coffee or served it in small paper packets.

By the end of the war municipal health departments around the country began to order restaurants to use covered sugar bowls, a move probably made more urgent by the nation’s deadly flu epidemic. The postwar years marked several other changes in restaurants’ ways of handling sugar, partly because prices were higher than before. Some introduced wrapped sugar cubes that were often smaller than the lumps of old, while others set out shakers rather than bowls, another method meant to discourage overuse.

Meanwhile, though, tea rooms – and fine restaurants — continued to use sugar bowls, often matching their china patterns, suggesting this was considered more refined and attractive than shakers. During the Depression a tea room consultant advised proprietors who wanted to attract male customers not to use wrapped sugar cubes because “somehow they do not know what to do with that bit of paper.” Likewise, a columnist in 1941 pitied the tired businessman seeking a restaurant meal who couldn’t “dip his spoon into a good old sugar bowl.” Instead he had to fumble with unwrapping a cube and waiting for it to dissolve in his coffee, wasting time and fraying his nerves. Poor guy, who knew?

Another age-old issue with sugar was that when its price went up, customers stole it. No doubt this occurred in the 19th century but it became a focus in news reporting beginning in World War II when sugar was rationed. Waitresses began to notice diners dumping bowls of sugar cubes into their pockets and purses. Some came prepared to steal sugar, bringing along paper bags. It didn’t take long before managers decided not to use lump sugar or discontinued placing any sugar on tables. Some began to furnish saccharin.

Stealing occurred again in 1963 and in the fall of 1974 when sugar prices tripled. The fact that many restaurants were using sugar packets by then actually made stealing easier. This time, many restaurants returned to using loose sugar. A few began to have servers provide sugar only when asked, occasionally going so far as to add a charge on the customers’ checks. [cartoon, 1975]

Things have changed since then. Sugar shakers continue to be associated with diners and lunch counters. But cubes have come up in the world. In the late 1980s a restaurant critic expressed dismay when he went to Justine’s, a restaurant that had long been regarded as one of the finest in Memphis. Among the disappointing details he noticed was the restaurant’s sugar delivery system. “Do people spending hundreds on food and wine really want to use sugar from a paper packet rather than sugar cubes?” he asked.

Today I suspect that the reduced custom of drinking coffee with meals means that restaurants provide far less sugar to customers than they used to.

© Jan Whitaker, 2022

Wishing you a sweet Valentine’s Day!

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Famous in its day: Le Pavillon

Alternative headings for this post could be Former Busboy Becomes Famous Restaurateur, Best Mid-Century French Restaurant in the U.S., or The Restaurant that Set the Standard for Fine Dining.

In other words, everyone who has known or researched Le Pavillon agrees that it produced this country’s finest French cuisine for most of its 22 years under Henri Soulé. It’s also significant that throughout that time numerous employees of the restaurant left to found some of New York’s other top French restaurants.

Not that the city was devoid of fine French restaurants when Le Pavillon arrived on the scene. French restaurants were well established and plentiful, both as independents and in hotels. Among those competing for the most discriminating and well-heeled diners were Voisin, Café Chambord, and La Belle Meunière. But they were soon outdone.

Because its story has been written about so often and so well, it is challenging to approach Le Pavillon as a topic. For a thorough history that gives a good appreciation of its cuisine, I recommend Ten Restaurants That Changed America by Paul Freedman.

Le Pavillon opened in New York City in 1941, after a spectacular two-year run at the 1939-1940 New York World’s Fair. Located near the top of the Fair’s French Pavilion, it had a dramatic spot overlooking the Lagoon of Nations where a light and fireworks show took place each night at 9 p.m. Despite being the Fair’s most expensive eating place, it was wildly popular and booked for weeks in advance. Because the Fair was difficult to get to by car, New Yorkers had to want to go there badly enough to take public transportation. Yet many returned again and again to dine at the Restaurant Français.

The French Pavilion’s restaurant was provisioned with food and wines brought from France and was staffed by French cooks, maitre d’s, and waiters. It was backed by the French Line and a number of prominent Paris restaurants owned by the Drouant family. Jean Drouant ran the show, hiring Soulé [pictured here], a maitre d’ at one of his Paris restaurants, to manage the dining room.

During the Fair’s tenure, Germany advanced on France, occupying Paris. When the Fair ended, Soulé decided to stay in New York. It has been said that he did not want to return to France under enemy occupation, but it’s likely he was also swayed by the stunning success of the Restaurant Français.

Since many of the restaurant’s French waiters had decided to return to France, Soulé had to hire a good number of French waiters already living in New York. He would soon become known for disputes with his staff, some resulting in resignations of chefs and temporary closure of the restaurant. His authoritarian attitudes may have been shaped by his history with Drouant, who occupied a powerful position in the French restaurant industry. He was president of the Syndicate of French Restaurants as well as the General Owners Union and was not sympathetic to waiters’ rights. He had fully supported military force used to stop a 1938 workers’ strike in response to elimination of the 40-hour week in France. He was critical of French waiters working in America, describing them as “contaminated.”

Soulé’s negative attitudes also included dislike of smoking at the table, women drinking, and the widespread American habit of eating quickly rather than slowly savoring the meal. Perhaps because of his general air of disapproval, regular patrons sought signs of his favor, which he gave sparingly. His was a notable ability to confer status on people who were as hungry for that as they were for Chateaubriand with sauce Béarnaise. One of his ways of winning the loyalty of valued patrons was to offer them special dishes not on the menu. [Note that his dislike of smoking in his restaurant did not keep him from appearing in a Luckies’ advertisement in 1954.]

In a 1962 review of a book about Le Pavillon, a clever journalist summed up how to become approved by Soulé. She wrote: “When you go to Le Pavillon you should be famous, if you can manage it, if not, you should at least be rich, elegant, chic and witty. Beautiful, if a woman, dintingué, if a man. If you can’t manage that, then maintain a balance between hauteur and quiet rapture and for heaven’s sake be careful of your manners and careless of your money.”

Yes, the restaurant was exceedingly expensive, beginning at the Fair. According to Craig Claiborne, in 1960 it was possible to spend as little as $6 there for a meal without drinks, equivalent to about $52 today. But with drinks it could cost ten times that. However, in the era of expense accounts, it was standard that a power lunch would be written off as a business expense.

1960 was the year that a dispute between chef Pierre Franey and Soulé over working hours resulted in Franey’s resignation, followed by that of seven of the kitchen staff and leading to a temporary closure of the restaurant. It was not the first time the restaurant closed in response to a dispute. [1955 notice above]

Soulé died in 1966, at age 62. I find it interesting that he willed his watch to frequent patron and “dear friend” J. Edgar Hoover, director of the FBI, whose favorite dishes included Filet of Beef Periogourdine accompanied by a bottle of vintage Romanée Conti.

After Soulé’s death, attempts were made to keep Le Pavillon going but it closed for good in 1971.

© Jan Whitaker, 2022

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An early French restaurant chain

Sometimes you need to leave your own country in order to get some perspective on it. Along with going back in time, that is what I’ve done. I’ve gone to France — though only through texts and pictures — to explore a restaurant chain begun in the 19th century known as Bouillon Duval.

I tend to think of the United States as the home of restaurant chains, and that they are quintessentially American. There is some truth to this, but it is also full of blind spots as the existence of the Duvals shows. They came before American chains, and showed that a highly rationalized, business-like approach to running restaurants is not solely American. [pictured, rue Poissonniere, 1882]

Looking at Bouillon Duval, which began as a soup restaurant, also dispels a bit of romanticism about French restaurants. As much as Duvals emphasized quality, they were eating places for the frugal masses, not temples of haute cuisine. In the beginning they were meant for poor workmen, but soon they became popular with the middle class. To put it in the language of the day, the “black coats drove out the blouses” who were embarrassed to be in the presence of the better dressed.

The Bouillons were the idea of Baptiste Adolphe Duval. He had a butcher shop in Paris and came from a family that ran a brasserie in the north of France. According to legend, around 1857 he opened a small soup restaurant near his shop using the unsalable meat scraps, and went on from there to become fabulously successful and wealthy. By 1867 he had eight Bouillons Duval in the city as well as at least one at that year’s world’s fair.

Of course it wasn’t quite that simple, and he might have failed if it hadn’t been for his wife’s assistance. According to the most thorough account of the chain’s development, the business was headed for failure as soon as it expanded beyond the small shop. With an enlarged menu and a lot of ideas, M. Duval had moved to a location in a former ballroom on the rue Montesquieu [shown at top of page in 1882, when it had reinstated male waiters]. There he installed a steam-heat system of cooking, along with elaborate piping that served every table with seltzer water. Both innovations were disastrous failures that cost a fortune to tear out. Add to this the lack of an accounting system that made it hard to calculate sales and permitted chiseling on the part of employees and the business was soon drowning in debt.

His wife Ernestine helped set up an accounting system and suggested replacing the questionable male servers with married women of irreproachable character who she dressed in uniforms resembling nuns’ habits [pictured, 1902]. The business began to show a profit and soon expansion was underway. Not surprisingly, when M. Duval died in 1870 shareholders chose Ernestine to take over the corporation and expand it further.

The Duval company had incorporated in 1868, by then consisting not only of eating places but also its own butcher shops, slaughter houses, bakery [pictured, 1882], large laundry, and caves that stored wine.

The company achieved heroic status in 1870 when it somehow managed to stay open during the “Siege of Paris” when German forces surrounding the city cut off food supplies. Their continuing in operation was significant not only for providing meals but also in boosting morale. In 1900 the French government awarded the Duvals’ son Alexandre, then manager, with the medal of the Legion of Honor. By then the company ran 32 restaurants.

The Duval system was based on keeping prices low while serving a large volume of customers quickly and efficiently. It was thoroughly a la carte right down to an extra charge for a tablecloth if wanted. During the Siege a London man recorded what he ordered at one of the 14 Duvals. He and his companion ordered bread for 1 cent, potato soup for 2 cents, as well as roast mutton, puréed potatoes, green beans in white sauce, and a pint of Mâcon wine. The total bill – with tablecloth – came to 18 cents. [Above, a menu that was to be filled out by the customer, ca. 1882; See The American Menu blog for several Duval menus.]

Needless to say, the fact that wine and other alcoholic beverages appeared on menus set the Bouillons Duval apart from most early chains that later developed in the U.S., such as Childs.

Numerous Americans as well as English citizens frequented the Bouillons when visiting Paris [above, diners at the 1878 Paris International Exposition; the objects with handles on the tables are menus], and expressed a wish to have something like them in their own countries. In addition to serving quality food and decent wine at low prices they were known to be spotlessly clean, quite unlike most of the cheap fixed-price cafes that working people had frequented before the Bouillons came along. The major criticism against them was that portions were small. Some critics said that if a hungry diner ordered all they wanted they would find that their bill was as expensive as in a finer restaurant. Other guests complained about the crowds and the “deafening din of knives and forks clinking against plates and dishes.”

Nonetheless the Bouillons Duval were invariably recommended in guide books for visitors to the international fairs held in Paris in 1867, 1878, 1889, and 1900. In 1878 the Duval restaurants were said to have served 5M meals that year. Pictured above is one of several Duval locations at the 1889 Exposition.

At some point a Bouillon Duval was opened in London, and in the 1880s there was one advertised in Los Angeles that offered “hot soup and schooner lager beer, five cents.” I couldn’t determine whether it was connected to the Paris restaurants or not.

The last mention of the Paris Bouillons Duval I found was in 1924, when the chain was still said to be all over the city.

© Jan Whitaker, 2021

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