Category Archives: menus

The art of menu covers

Ask someone to name a designer of menu covers and it’s likely you will get a blank look. Although many stylish and eye-catching menus have been produced over time, their designers and illustrators mostly worked in anonymity.

In the early 20th century many of the menu cover artists were probably women. In 1900 the Kalo Shop in Chicago, for instance, employed six women graduates of the Art Institute who were trained in the esthetics of the arts-and-crafts movement. They created menu and magazine covers and other items. It’s likely that most of their menu work was for private banquets, while their biggest clients would have been steamships and railroads.

Individually produced menus such those from the Kalo Shop were rapidly being made obsolete by chromo-lithographers who could achieve quality effects at a lower cost. Unsurprisingly, the next chapter of menu production was taken over by printing companies with designers on their staffs. Some of the printing companies, such as Denver’s Standard Menu Co., were specialists in menu production as early as 1920. Like the women artists of earlier times, the names of designers in printers’ art departments are unknown. In more recent years, menu covers for well-capitalized restaurants have been designed by independent design firms. They created striking logos to be used on signs and menus and in advertising, giving individual restaurants and chains a thoroughly integrated visual signature.

In his book on menu design, “May I take Your Order?,” Jim Heimann says that well known illustrators such as Maxfield Parrish and Norman Rockwell rarely, or never, designed menus or created art specifically for menu covers. That is mostly true, with a few exceptions, such as Al Hirschfeld, who contributed caricatures to New York’s Stage Deli menu and Charles Bragg, who painted a crowd of Hollywood celebrities for Chasen’s in Los Angeles [shown at top].

Chicago’s Blackhawk Restaurant used 8 drawings by Ludwig Bemelmans in the 1960s. They were not originally created for the restaurant, though owner Don Roth bought the originals, obtained Bemelmans’ permission to use them on menus, and gave them to customers as souvenirs.

Here are a few menus with designs that I particularly like.

Café des Beaux Arts, New York City, ca. 1910
A fashionable café of the early 20th century created by brothers Louis Andre and Jacques Bustanoby. Said to be a hangout of the artistic crowd, on Sunday nights it was so crowded no one could enter. Unlike other so-called “lobster palaces,” it reputedly served good food. It closed in 1920, a victim of Prohibition.

Carson Pirie Scott Tea Room, Chicago, early 20th century
In 1904 the old dry goods store named Carson Pirie Scott bought a building on Chicago’s State Street built by famed architect Louis Sullivan. The 8th-floor tea room soon became a city-wide attraction. This menu of uncertain date has the subdued but assured look of a pedigreed eating place meant to appeal to “ladies” who seek to be correct as well as stylish.

Café Society, New York City, 1938, 1940
In this case a known artist, Anton Refregier, not only contributed his artwork but did so in a full cover design when Barney Josephson, owner of New York’s Café Society music club restaurants, hired him to create menu covers for his two locations, first downtown at Sheridan Square in 1938, and then uptown at East 58th street in 1940. [Both covers are probably on beige-ish, not white, paper]

Harry Carpenter’s drive-in, Los Angeles, early 1940s
Harry Carpenter opened his first drive-in, an octagonal building, on the corner of Wilshire Blvd. and Western Ave. It was so popular he soon opened two more. In addition to hamburgers and hot dogs, Carpenter’s served corned beef on rye and chicken a la king on toast. This menu, though somehow foreboding, is dramatic.

The Hungry I, San Francisco, ca. 1955
The Hungry I, a comedy and music club, was founded around 1950, then sold and relocated to 599 Jackson street in 1954 where this menu was in use. Among those appearing there were Mort Sahl and The Kingston Trio. This menu offers entrees such as steak, lamb chops, chicken, and shish kabob. In ways that are hard to pinpoint, the cover design captures the spirit of the 1950s beatnik counterculture.

Huddle Restaurants, Southern California, 1956
The Huddle’s menu borrows the lettering of the chain’s exterior signage as well as the style of its architecture by Louis Armét and Eldon Davis. Probably their firm also handled the design of this menu, either in-house or by commission. Not all the restaurants in the chain featured futuristic “googie” design, but you can view images of many of those that did.

According to Heimann, the golden age of menu cover design in America ran from the 1920s through the 1950s. The 1960s in his judgement was mostly “a monotonous era” for menu design. Sadly, to me, in recent years printed menus with covers have almost completely vanished, along with postcards, matchbooks, and business cards. Digital photographs, if preserved, may become the sole visual record of most restaurants.

© Jan Whitaker, 2023

Note: Fans of menu cover art would enjoy Menu Design in America (2011) and May I Take Your Order (1998). Reproductions of menus suitable for framing are available from Cool Culinaria, which also provides links to samples from the collections of Lou Greenstein, Henry Voigt, and the Culinary Institute of America. Also, beginning April 25, over 200 menus from the 19th and 20th centuries selected from Henry Voigt’s collection will be on display at New York’s Grolier Club. More about that later.

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Romanian restaurants

Historically, the Romanian* restaurants that received the greatest attention from the press have been those in New York City. In 1901 the population of Romanians in New York City as a whole was estimated to be 24,000, with about 15,000 of those in the Romanian quarter on the Lower East Side. There were said to be 150 restaurants, 200 wine cellars, and 30 coffee houses kept by Romanian Jews. Favorite foods included broiled meats, goose pastrami, cabbage rolls, polenta, and spicy skinless sausage. Seltzer and red wine figured largely as drinks.

Not all Jewish-operated Romanian restaurants followed kosher law, but they were unlikely to have pork on the menu, the principal meat of Romanian cuisine and used in cabbage rolls (sarmale).

Immigration to this country began in the 1880s. It’s likely that the earliest Romanian restaurant in New York was one that began as a wine cellar in 1884 on Hester Street, and soon evolved into an eating place. Romanian immigrants were disproportionately male, working during the day and renting crowded floor space to sleep at night. Restaurants and coffee houses were not only places for meals and refreshment, but also community centers for these men, who were essentially homeless.

In his memoir An American in the Making (1917), Marcus Ravage explained that when he arrived in New York City in 1901, as soon as he made a few cents peddling on the streets he headed for a Romanian restaurant on Allen Street, where he ordered a ten-cent dinner of “chopped eggplant with olive-oil, and a bit of pot-roast with mashed potato and gravy.” Ravage expressed the difficulty he had in accepting American food and eating habits. When he went to college in Missouri in 1905, he reported that everything tasted “flat” to him, and that he “missed the pickles and the fragrant soups and the highly seasoned fried things and the rich pastries made with sweet cheese” he grew up with.

A Romanian dish from an East Side restaurant described in 1905 was a “hot and very piquant” round steak with peppers. The steak was cut into 3-inch-wide strips, slashed with a knife and marinaded in lemon juice and oil before being pan fried. Small red peppers were fried with it. Each diner took a pepper, opened it, and sprinkled the seeds on the meat.

According to author Konrad Bercovici in Around the World in New York (1924), many of New York City’s Romanian restaurants were run by Jews, but often the proprietors were Greeks, Hungarians, or Germans, as was the case in Romania’s capital, Bucharest. Over time, it seems as though the fare served in these restaurants merged with what was becoming known as Jewish cuisine rather than remaining strictly Romanian. (Of course Romanian cuisine itself strongly reflected a blend of traditions.)

Some of New York’s Romanian restaurants developed into night clubs, with a grab-bag of acts bordering on vaudeville. Joseph Moskowitz was a world-famous cymbalom player, who began his restaurant career in 1913 with a wine cellar on Rivington street. Later he had restaurants with music and dancing on Houston, and then on 2nd Avenue in 1938 at Moskowitz & Lupowitz where dinners began at 85 cents. He sold his share in that restaurant a short time later and moved to Akron OH, where he often played at Gruhler’s Romany Restaurant.

Other popular East coast night spots included Old Roumanian on Allen Street in New York and Shumsky’s Roumanian Restaurant and Bar in Atlantic City, established 1925, which advertised “New Kishka (sausage) Room” and “Dinner ‘Muscat’ Music” in 1952. At Sammy’s, on NY’s Chrystie street, which opened in 1975 and closed quite recently, entertainment was mainly in the form of extras placed on the table. They included a pitcher of chicken fat, fizz-your-own-seltzer, and for dessert a bottle of Fox’s U-Bet chocolate syrup, milk and two glasses for making an egg cream.

A bohemian version of a Romanian Restaurant was operated by Romany Marie in Greenwich Village. Sculptor Isamu Noguchi characterized it as “a sort of a transfer of the Paris café life to New York.” It’s likely this was true to some degree of many Romanian eating places which tended to exude a sense of good cheer and camaraderie all their own. [above: 1924 advertisement]

Many Romanian restaurants had prices in the reasonable range, with full dinners running from $1.00 to $1.25, but that was far from the case for the elegant restaurant in the Romanian House at the 1939 NY World’s Fair [shown above]. There the menu was in French, fresh caviar was $2.50, and a dinner was priced at $3.50, minus wine.

Outside of New York – in the late 19th and early 20th centuries before many Romanians dispersed into the larger population – there were Romanian colonies in other cities, both in the East and in the upper Midwest. Some were composed of Romanian Jews, but others, perhaps most, were communities whose members belonged to Catholic and Orthodox religions. Immigration to the U.S., almost nil from 1920 until the 1940s, resumed after World War II when the Soviets took over and continued through the 20th century and into the present.

It becomes harder to track Romanian restaurants in the later 20th century since they became less inclined to use Romanian as part of their names. But they certainly existed in Trenton, Chicago, Detroit, Cleveland, Miami, Los Angeles, and many other cities. One reason they might not have been clearly identified as Romanian was expressed in 1990 by Felicia Zanescu, proprietor of Mignon European Restaurant in Los Angeles. When asked why she called it European rather than Romanian, she replied, “Who ever heard of Romania?” Nonetheless the menu was convincingly Romanian with its carp roe dip, eggplant paté, dill-accented white bean broth, fried cheese, sausages, cabbage rolls, etc.

© Jan Whitaker, 2021

* Before 1975 Romania was usually spelled Roumania or Rumania.

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Fish & chips & alligator steaks

The menu shown here caught my eye as I was browsing the internet. Of course, I wanted to know more about it. The first thing I discovered was that it is available as a reproduction.

Evidently the Trebor Dinner was a specialty menu for complete dinners of multiple courses. Three dollars was a steep price for the Depression when this menu was introduced, at least double what a comparable meal would have cost in a moderately-priced good restaurant then.

The illustrated menu shows 14 entrees. But the restaurant almost certainly did not have all the exotic items available at all times. Another fish & chips, inc. menu from 1937, for example, offered one appetizer, one soup, and only four entrees.

The menu could date any time from the opening of the restaurant in 1936 into the 1940s. Its clever design may have been due to owner Bob Winter’s background in advertising. Why the menu is named “Trebor Dinner” is a mystery. It’s possible that Trebor is a play on the owner’s name Robert.

Fish & chips, inc. was conveniently located in the Loop, across the street from the central Chicago library, now the Chicago Cultural Center. It was a handy location for a 1943 dinner of the literary members of the Boswell club, admirers of Doctor Samuel Johnson. In their honor the restaurant posted one of Johnson’s quotations over their table in which he criticized French menus, requesting “thy knaves to bring me a dish of hog’s pudding, a slice or two from the upper cut of a well roasted sirloin, and two apple dumplings.”

It was a popular restaurant, said to be especially well liked by male patrons. In 1944, during World War II, lines formed at the door. The following year it was enlarged to seat 300. [1949 advertisement shown]

With no meat on the menu, the restaurant would have had the advantage of escaping wartime food restrictions and shortages.

Advertising that it had 50 varieties of fish on hand daily, a lunch or dinner could include sunfish, crappies, smelts, cod, brook trout, sea bass, shrimp, and lobster among many others. The restaurant advertised heavily during the Lenten season.

Bob Winter died in 1953 and the entire contents of the restaurant were auctioned, including groceries.

© Jan Whitaker, 2021

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Appetizer: words, concepts, contents

Appetizers became a prelude to a meal when many Americans suffered digestive problems in the 18th and 19th centuries. The idea was that appetizers were various items of fare that would help stimulate an appetite in those who were out of sorts. They could be foods, medicinal tonics, or alcoholic drinks.

Due to the strong influence of English customs in early America, the notion of taking something before a meal as a digestive stimulant more often than not meant an alcoholic drink rather than food. So the English term most often used – whets – referred primarily (though not exclusively) to drinks before dinner. The French equivalent of whets would be aperitifs.

As a term, however, “whets” did not appear on printed menus as far as I’ve discovered.

Drinks that usually served as whets/appetizers/aperitifs included rum, brandy, sherry, vermouth, champagne, and Dubonnet. In the 20th century especially, cocktails became a favorite pre-dinner drink.

While many diners began their restaurant meals with a cocktail, the drink itself was rarely referred to as an appetizer or whet after the 19th century. So I was quite surprised to find a Louisiana roadhouse restaurant listing Martinis, Old Fashion[ed]s, and Manhattans as appetizers in a 1956 advertisement!

As food, appetizers were usually lighter things consumed before the heavier Fish, Entrées, and Roasts courses typical of formal meals of the 19th century.

The word “Appetizer” itself though does not seem to have come into common use in American restaurants until the early 20th century. The term “Hors d’Oeuvres” was also used, as was “Relishes.” The French “Hors d’Oeuvre” tended to be used by higher-priced restaurants, such as New York’s Cafe Martin [1903], that sought to create an aura of continental elegance and sophistication.

Relishes initially referred to light vegetable foods, sometimes sauces. In the mid-19th century they were sometimes served just before the sweet courses, but by the early 20th century the category had risen to near the top of menus. Over time, the foods that had once appeared separately as Relishes tended to become included under the heading Appetizers.

But it’s almost impossible to firmly settle the question of what kinds of foods are found in the various categories – Relishes, Hors d’Oeuvres, Canapes, Appetizers, etc. The categories are loose and highly variable. One restaurant’s Relishes are another’s Hors d’Oeuvres.

A distinction is often made between Hors d’Oeuvres and Appetizers, stressing that the latter are eaten at the table in restaurants while Hors d’Oeuvres are one-bite morsels offered by servers to standing guests before they are seated. This distinction may hold for catered events but not for restaurants where there is no hesitation about using Hors d’Oeuvres as a general category.

Also confusing are the menus listing “Hors d’Oeuvres” as a selection under the headings Appetizers or Relishes. In 1917 a menu from San Francisco’s Portola Louvre actually put Hors d’Oeuvres under the heading Hors d’Oeuvres, along with caviar, sardines, celery, etc. Imagine a waiter asking, “Would you like some Hors d’Oeuvres for your Hors d’Oeuvres?

Until the 1960s and 1970s, the food items that were most commonly offered as beginnings to restaurant dinners were prepared simply and usually served cold. They have included: Fresh vegetables such as celery, radishes, artichoke hearts, and spring onions. Fresh fruits, including grapefruit and melons. Pickled and preserved vegetables, whether olives, beets, peppers, or traditional cucumber pickles. Preserved fruit combinations such as chutney and chow chow. Juices of tomato, grapefruit, pineapple, sauerkraut, and clams. Fresh seafoods — oysters, shrimp, lobster, scallops, and crab. And cured, smoked, pickled, deviled, and marinated meats and seafood/fish, including Westphalia ham, sausages, prosciutto, caviar, paté de foie gras, eels, herring, sardines, salmon, anchovies, and whitefish.

I am impressed that celery – en branche, hearts, a la Victor, a la Parisienne, Colorado, Kalamazoo, Pascal, Delta, stuffed, etc. – stayed on menus from the 19th century until long after World War II.

Heavier, more substantial, and often heated Appetizers seem to have been introduced post-WWII mainly by restaurants designated as Polynesian, Cantonese, and Mexican/Latin. In 1960 New York’s La Fonda del Sol offered appetizers such as Avocado Salad on Toasted Tortillas, Little Meat and Corn Pies, Grilled Peruvian Tidbits on Skewers, and Tamales filled with chicken, beef, or pork. A 1963 menu from a Polynesian restaurant called The Islander dedicated a whole page to its “Puu Puus (Appetizers)” that included ribs, chicken in parchment, won tons, and fried shrimp. The assortment was quite similar to the offerings at Jimmy Wong’s Cantonese restaurant in Chicago shown above.

By the 1980s, many restaurants featured appetizers that would now likely be called “Small Plates” or items for “grazing.” Two or three were substantial enough to make up a dinner in themselves, as demonstrated here by a rather expensive Spago menu from 1981.

If grazing was a form of “light eating,” that could not be said of the appetizers introduced in the 1970s and 1980s by casual dinner house chains such as TGI Friday, Chili’s [1987 menu above], and Bennigan’s. Now the idea of an appetizer was completely turned on its head. Far from a light morsel that would induce appetite in someone with digestive issues, it became a digestive issue in its own right — deep fried and loaded with fat. The menus of leading casual dinner chains overflowed with “Starters” such as deep-fried breaded cheese, “loaded” potato skins, cheese fries [pictured at top of post], and heaping piles of nachos laced with pico de gallo and cheese. Diners might need a 19th-century digestive tonic after dinner.

© Jan Whitaker, 2021

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The golden age of sandwiches

In their restaurant career sandwiches came from humble beginnings. They could sometimes be found in eating places as far back as the early 1800s, such as at the Ring of Bells, a porter and oyster house in New York. But they became more popular when they teamed up with beer joints after the Civil War. They also flourished in Boston’s “sandwich depots” of the 1880s — bean sandwiches included. And they were among the edibles offered by lunch wagons, saloons, and stand-up buffets in the late 19th century.

But it was the trend toward lighter mid-day meals in the early decades of the 20th century, spurred by the growth of cities, that gave sandwiches their big boost. Then, as light meals replaced hot dinners at noon, they found their niche, furnishing a quickly prepared menu item available in a variety of styles and combinations. Sandwiches of all kinds – named after celebrities, toasted, clubs, St. Paul’s — continued to flourish until after WWII when hamburgers began to take center stage.

While some eating places stuck with hot meals at noon in the early 20th century, others were quick to embrace sandwiches, particularly lunch rooms, tea rooms, drug stores, and delis. The sandwich shop was declared the winner among fast food restaurants. To critics the proliferation of this slapped-together fare was a sign of cultural decline. “The postwar decade might be known as the era of the sandwich,” declared cultural observer Eunice Fuller Barnard in a New York Times article of 1929 with the mournful headline, “We Eat Still, But No Longer Do We Dine.”

Among new developments was the formation of sandwich chains such as the Tasty Toasty and the Hasty Tasty. The B/G System was one of many in that category, which also included R&C, C&L, S&S, and no doubt other alphabetical combos across the USA. In 1924, the “Purely American, Meal in a Minute, No Tipping” B/G chain claimed to pay wages allowing their workers to “live according to American standards.” It had outlets in 16 large cities and was about to spread further. Was St. Louis the champion host of sandwich shops? Included among the city’s 52 sandwich shops in 1938, there were at least 6 “sandwich systems,” the Continental, Hollywood, Nickel Plate, Night Hawk, Ure-Way, and Yankee.

The sandwich selections on the menu shown here are from the Huyler’s confectionery-based chain. Tongue and Cream Cheese sandwiches, rarely (ever?) seen today, were quite popular in those early years (1921 menu above).

Polly’s Cheerio Tea Room’s Ham and Jam on French Toast would seem to be unusual, though perhaps Los Angelenos would have disagreed (1932 menu above).

I can’t account for why Schrafft’s in New York City felt the need to indicate which sandwiches were made with mayonnaise (1938 menu above). I’ve found one other tea room, located in St. Joseph MO, that included the same annotations.

Among the other interesting sandwich combinations I’ve found are Cucumber & Radish (25c at The Cortile in NYC in 1928); Egg and Green Pepper with Mayonnaise on Whole Wheat Gluten Bread (25c at Schrafft’s in 1929); “Chef’s Pride,” Smoked Tongue, Sliced Chicken, and Deviled Eggs double decker (50c at Townsends, San Francisco in1933); Peanut Salad (10c at The Candy Box in Winona MN in 1935); Peanut Butter, Sliced Tomato, Bacon, and Lettuce triple decker on toast (25c at The Little White House in NYC in 1936); and Marshmallow and Peanut Butter (15c at The Bookshop Tearoom in Springfield MA in 1946).

I prefer my BLTs without peanut butter. Hold the marshmallows, please.

© Jan Whitaker, 2021

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They delivered

Many restaurants survived the past year’s shutdown by offering curbside pickup as well as delivery by outside services. Neither takeout nor delivery is a new idea. Both stretch back into at least the 18th century when French-influenced “restorators” in cities offered a range of ready-to-eat food to be picked up or delivered to homes.

Deliveries included soups – a specialty of restorators – oysters, and full meals. A typical newspaper notice would closely resemble that of J. B. LeRebour of Salem MA in 1800, offering “all the delicacies that the season and market can afford . . . dressed for the epicure . . . Families in town may be supplied with Dinners and Suppers at the shortest notice.”

Notices in 1815 and 1816 from the versatile New York restaurateur, pastry cook, and confectioner Mrs. Poppleton give an idea of the kind of food that epicurean families might order. They included: Almond Soup; Savory Patties; Lobster Puddings; Chicken, Eel, and Game Pies; Anchovey Toasts; Omelettes; Italian Sallads; and Cold and Ornamented Hams, Tongues, and Fowls; as well as Savory Cakes and Pies.

Mrs. Poppelton also provided ladies with party trays. Clearly the notion of restaurant-ing then was closely tied to that of catering.

With the decline and disappearance of the French-influenced restorators by the 1840s, it seems as though home delivery pretty much dried up for a while.

Toward the end of the 19th century, some women interested in reducing household drudgery began to dream of a future when cooked food would be delivered to homes. Writer and thinker Helen Starrett, author of After College – What?, predicted in 1889 that cooking would one day leave the home just as had soap and butter making. She believed that meal delivery would succeed as a business “because capital will find it profitable.”

It wasn’t always profitable, though. Perhaps Starrett was unaware of the startling collapse in 1884 of one of the earliest for-profit ventures, The New-York Catering Company. Despite a strong beginning, with $100,000 capital and floods of orders from families, it failed due to poor management and the disappearance of subscribers during summer when they left town for the countryside.

The fate of other early companies is mixed. In 1890 the Boston Catering Company delivered not only dinner but also lunch and breakfast. Founded by Thomas D. Cook, it was carried on by son Walter. It fared better than The 20th Century Food Co. of New Haven CT, which lasted little more than a year. Its menus offered a range of choices in 1900, such as Breaded Lamb Chops, Beef Stew and Dumplings, and Corned Beef Hash.

Despite failures aplenty, interest in home delivery of ready-to-eat meals did not disappear, and grew even stronger in the early 20th century propelled by the “servant shortage.” Co-operative projects, such as the Women’s Industrial and Educational Union in Boston and the Central Co-operative Kitchen in Minnesota’s Twin Cities tried to take up the slack. And a number of women around the country began to run small enterprises out of their home kitchens, hiring boys on bicycles to deliver within relatively short distances.

Profit-making restaurant-based food delivery grew stronger at the same time. Examples include the Laboratory Kitchen of Boston, which retained a strong flavor of the co-operative movement. But other restaurants were purely business. For them, delivery was encouraged by the number of people able to order via telephone. Two New York tea rooms, The Colonia and The Fernery, delivered to businessmen who called in orders from their offices.

It wasn’t long before Chinese restaurants were taking delivery orders by telephone. And in the 1930s, fried chicken became a popular restaurant specialty for delivery. An interesting development was the opening of the first unit of the fried chicken delivery chain Flying Chicken in Albuquerque in 1946. Like the Kentucky Fried Chicken chain established in 1952, it did not provide any dining facilities. It advertised with slogans such as “Prepare Dinner with One Finger – Use Your Phone, Not Your Stove.”

Through the 1950s and 1960s, the idea of home delivery remained strong, increasingly focused on relatively limited menus, such as pizza, barbecue, or chicken, rather than full dinners or choices of many entrees. Still, here and there someone would start up full-service meal delivery with more ambitious selections and higher prices. For example, the Casserole Kitchen in New York City, begun in 1951 by a continentally trained chef, offered about 10 entrees each day. A sample dinner was Green Turtle Soup, Ham Imperial, Brussels Sprouts, Salad, and Vienna Chocolate Cake.

It wasn’t influential – and certainly not typical – but it’s impossible not to mention a phenomenon of the 1960s, San Francisco’s Magnolia Thunderpussy. Named for its proprietor, it was an eating place in Haight-Ashbury whose x-rated menu featured suggestively-named ice cream desserts and basic grub like stew (Mouthpiece Menage), and chili. Deliveries continued until 4 a.m., often handled by Magnolia herself.

Today’s “ghost kitchen” concept – restaurant-less kitchens used only to prepare food for delivery — obviously isn’t new at all, going back to businesses such as the New York Catering Company of the 1880s. The arrangement remained strong in the 1950s and 1960s, even continuing into the 1980s. Examples include Phone-A-Feast (Peoria IL); The Orbit (Jersey City NJ); Mr. Dinner (Columbus OH); and Bring Me My Dinner (Stamford CT). General Mills, however, did not succeed with its trials of the concept: Order Inn was shut down in 1988 after one year, while the next experiment, Bringers, ended in 1992 after a two-year trial in Minneapolis.

Another delivery concept — such as Uber Eats or Grubhub that bring orders from any number of restaurants — isn’t new either. Messenger services, such as the Boys With the Red Sweaters (Bakersfield CA, 1910), provided early meal delivery for Chinese restaurants. In the early 1990s Las Vegans were served by Entrees on Trays, which handled deliveries from 20 restaurants.

Apart from pizza and Chinese food, it’s my sense that there were fewer restaurants and kitchens that delivered food to homes (and offices) in the 1980s and 1990s, perhaps because that was a time when going out to eat, often for entertainment as well as nourishment, became very popular with a wide swath of the population.

© Jan Whitaker, 2021

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America’s finest restaurant, revisited

In the 19th century and well into the 20th there was absolutely no doubt that Delmonico’s was the nation’s finest restaurant, for decades the only one with a worldwide reputation. It was one of the few places in this country that European visitors compared favorably with the glittering restaurants of Paris’s “super mall” of the 19th century, the Palais Royal. [above: cafe section of Fifth Avenue and 26th Street Delmonico’s]

Founded by two Italian-Swiss immigrants in 1823 as a small confectionery shop in New York City, it soon grew into a “restaurant Français” occupying various New York City locations over its nearly 100-year run under family ownership. The Delmonico restaurants of the 1830s and subsequent decades were favored by foreign visitors, but soon Americans came to appreciate them too as their fame spread. As a form of homage — sometimes tongue-in-cheek — restaurants high and low, all over the USA, christened themselves Delmonico’s.

During much of the 19th century, most of America’s restaurants were located in hotels; up to the Civil War most operated on the American plan. This meant that everyone sat at large tables with others not necessarily of their choosing while bowls and platters of whatever was being served that day were set on the table to be shared – or not — by the diners. The Delmonicos introduced the European plan which allowed guests to have their own table and order just what they wanted, prepared the way they wanted.

An 1838 menu revealed that fine preparation was only part of Delmonico’s appeal. It also offered a profusion of dishes including 12 soups, 32 hors d’oeuvres, 28 entrées of beef, 46 of veal, 22 of game, 48 of fish, plus 51 vegetable or egg choices, and 45 pastries, cakes, and other desserts. (That 11-page menu is replicated in Lately Thomas’s classic book Delmonico’s, A Century of Splendor.) [Beaver street location shown above]

The number of dishes offered at Delmonico’s is overwhelming proof that the abbreviated reproduction menu that is commonly displayed and offered for sale online is a fake.

The original Delmonico brothers’ mission was what one observer writing in The Nation in 1881 characterized as establishing “a little oasis of civilization in the vast gastronomic waste which America at the time of their arrival presented.” For many Americans, the enjoyment of food bordered on sinfulness. Not only was it viewed as a monetary extravagance, claimed the essay, but there was a feeling among reform-minded people “that all time devoted to the table must be subtracted from that dedicated to spiritual improvement.”

So lauded was Delmonico’s that it’s necessary to point out that it had its critics who disliked the extravagant balls and banquets it hosted. In 1865, a year in which the newly Civil-War-rich were pouring into Delmonico’s, Morton Peto, a British railway and real estate developer, held a banquet for 100 guests. The cost was an astounding $250 a head. For comparison, as much as sixteen years later, the restaurant paid its waiters $30 a month. Another banquet that drew public disapproval was the dinner for James G. Blaine, a Presidential candidate in 1884. His backers, wealthy men who stood to gain from his election, were mocked in a front page cartoon in The World, which named the event after a Babylonian prince who tried to engineer his ascension to the throne. [above: front page of The World, 1884]

For a long time the Delmonico’s menu was entirely in French, without translation, a problem for English-only guests. If a guest ordered badly he (only men were given this task) imagined he could hear his waiter snickering. As a New York Times reporter put it in 1859, “we are made nervous by the sneerful smirk of the waiter, if we order the wrong wine in the wrong place . . .” And he might end up with a dinner of pickles and brandied peaches as happened to one hapless patron. The solution was to throw yourself on the mercy of the waiter and ask for his recommendations. [above: Fifth Avenue and 14th Street]

It’s interesting to note that Charles Delmonico, who ran the family empire following the death of Lorenzo, was said to be fond of the Italian restaurant Café Moretti. There he ordered risotto, a favorite dish that his restaurant’s French cooks did not know how to prepare. [above: Delmonico’s, Fifth Avenue and 26th Street]

Over time Delmonico’s moved from their initial “society” restaurant on the corner of Beaver, William, and South William streets [shown above, third from top] to three successive Fifth Avenue locations. Like all wise businesses, they were following in the path of their wealthy patrons. In 1862 they moved into an elegant mansion at Fifth Ave and 14th Street and in 1876 jumped up to 26th. In 1897 they settled in their final Fifth Avenue location at 44th Street, facing off with arch-rival Sherry’s. [above: Fifth Avenue and 44th Street]

Through the years the Delmonicos always kept at least one other location farther downtown for businessmen and politicians. The restaurant at 22 Broad Street served Stock Exchange brokers and speculators. It was said that for them “not to go to Delmonico’s for one’s lunch or tipple was to lose caste on ‘the Street.’”

In 1897 Delmonico’s yielded to music and smoking in its hallowed halls, a sign many regarded as evidence of a downhill slide. By then the 44th Street Delmonico’s was the last one doing business. It closed in 1923, a victim of weak management, increasingly informal dining customs, and Prohibition.

© Jan Whitaker, 2021

Delmonico’s was one of my early posts, and I realized I hadn’t given the subject its full due. This is an enhanced version.

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Sunny side up?

In the 19th century it was common for eating places to offer breakfast, along with dinner and supper (as the meal sequence ran then). That was because so many of their patrons were travelers or people (mostly men) who did not have households and ate all their meals away from their lodgings.

A Baltimore coffee house proprietor advertised in 1812 that from 7 until 10 in the morning he would have “every sort of cold Breakfasts, a la Parisienne, or warm ones, such as Chocolate, Coffee, Tea, &c. served up in the best style.” Unlike most, he specialized in “elegance,” with food produced by a French cook.

All kinds of things were eaten for breakfast then. An Englishman traveling around the country in the early 1840s was surprised by the wide range of dishes available. Beyond a selection of meats, he listed rolls, toast, eggs, chicken, gravy, and “cakes of buckwheat and Indian corn.” He was disgusted by a favorite do-it-yourself concoction at one hotel he stayed at — a raw or near-raw egg whipped with butter and condiments and spooned or drunk from a wineglass.

Breakfast all day, in the form of bacon and eggs, was not unknown. And it was also common to offer the same dishes for breakfast and supper, particularly outside the East. At San Francisco’s Popular Dining Saloon, in 1887, patrons had many choices, including quail on toast, a “family porterhouse,” eggs and oysters, hot cakes, corned beef hash with an egg, waffles, boiled corn in cream, and more. [pictured is a somewhat similar menu from St. Louis, 1875]

Oysters for breakfast? Why not? Anyone living today might gasp at the breadth of offerings on an 1880 advertisement for a Portland OR restaurant bill of fare: Codfish balls, Family Porterhouse, Salmon bellies, Brains, German Pancakes, Oysters, Waffles, etc. What might “etc.” even mean?

Some of the most elaborate breakfasts were those served to butchers by Mme. Begue after closing time of the big New Orleans market. Breakfast one day in 1905 included successive courses of shrimp salad, oysters a la Newberg, omelette filled with sweetbreads, cauliflower with egg dressing, broiled mutton chops and peas, and fruit and cheese. All accompanied by wine and coffee aflame with brandy. Those were truly the olden days. By contrast, the 20th century would be known for the light breakfast, nothing like Madame’s (though maybe the popularity of brunch comes closest, regarding both the variety of foods and the alcoholic beverages).

Cereals played a role in lightening breakfasts. Branded cereals had their start in the later 19th century, but were not heavily promoted until the early 20th. Marketing campaigns featured eating places. In 1902 Hotel Monthly noted that promoters of shredded wheat had been successful in getting it onto menus in “hotels, restaurants, clubs, dining cars, steamships and lunch rooms,” to the point where an estimated 5,000 hotels and restaurants were serving it to patrons. The rising demand for cleanliness in food launched the popularity of single-serving cereal packages. Counter seating in lunchrooms meant that display shelves offered opportunities for promoting branded products. It didn’t take long for companies such as Post and Kellogg to begin providing handy display cases. [Kellogg’s ad in American Restaurant Magazine, 1946]

Despite the trend toward lighter and more standardized breakfasts, as late as 1921 Boston stood out with breakfast menus that catered to local demand for oysters, baked beans, and pie. Another oddity was the breakfast item that appeared in the 1926 Edgewater Beach Hotel Salad Book. Named “Eight-Fifteen,” it was lettuce and watercress with ham and hard-boiled eggs.

By the 1930s light breakfasts had beaten out the old favorite, ham & eggs. Also, time spent eating the morning meal was on its way down from half an hour to ten minutes. Breakfast was looking like a losing deal for restaurants, even with the additional lures of waffles and pancakes. Although restaurant patronage was on the rise in 1960, a survey by the National Restaurant Association and General Foods showed that 61% of meals eaten out were lunch, 28% were dinner, and only 11% were breakfast.

However, in the 1960s and 1970s the number of restaurant breakfasts seemed to be on the rise and by the middle of the 1970s McDonald’s had begun trying out breakfast items. Breakfast menus became widely popular at fast food outlets in the 1980s, driving up the number of breakfasts eaten out. Among breakfast menus’ other advantages for burger chains then was relief from the rising price of beef. [McDonald’s postcard, 1979]

Another interesting breakfast development that spread across the U.S. in the 1980s was the so-called power breakfast. An occasion for an informal meeting of power brokers and business executives, it was said to have begun with those in the world of finance who gathered in the late 1970s at the Regency Hotel’s Le Restaurant in NYC. More meeting than meal, power breakfasters ate little and drank even less, in striking contrast to the legendary but largely fictitious three-martini lunch. Though often hosted by hotels, an interesting effect of the power breakfast was to induce some elite restaurants to open for breakfast.

© Jan Whitaker, 2021

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Ham & eggs by any other name

Usually I avoid topics that others have written about repeatedly. The origin of Eggs Benedict is certainly one of those.

I have a problem with origin stories in general because usually they are too neat. But that’s not actually true of Eggs Benedict (a poached egg and ham slice on a toasted English muffin with Hollandaise sauce poured over). The stories about how it appeared in the 1890s are contradictory. There are variations about who it is named after and which famous, usually New York, restaurant produced it first. Among the contending dining spots are Delmonico, the Waldorf-Astoria, and Sherry’s. Of course for an origin story to work, it almost has to involve a well-known, prestigious person/place.

An essay from American Food by Rachel Wharton discusses the numerous conflicting reports of the dish’s origin. It concludes with “Maybe it doesn’t matter who the first Benedict really was. The real point, as has been said by many others in the past, is that this was a rich dish devised for rich people . . .”

With all the butter and egg yolks in Hollandaise sauce, it is certainly a rich dish but was it really devised for “rich people”? That would be, of course, another significant factor in giving the dish panache.

My version of the dish’s fame doesn’t focus on its origin but on its later status and how it became well known long after the 1890s. I suspected that Eggs Benedict was marketed as having an elite past so that it could become a “special” dish. Is it necessary to say that a restaurant could charge more for Eggs Benedict than they could for ham and eggs – and use less ham to boot?

The early days of Eggs Benedict do not seem to have been especially glamorous. At the start of the 20th century the recipe for the dish was featured in newspapers’ “women’s pages.” It seems it was more of a home dish than a restaurant dish. A 1906 woman’s column deplored the food served by society women and wished they would instead serve things such as good old scrapple, mincemeat pie, or Eggs Benedict. During World War I Eggs Benedict appeared on menus as a patriotic meat-conserving dish. A low point in its glamorousness may have occurred in the 1920s when a Beaumont TX newspaper recommended a casserole of baked tomato on toast with cheese sauce and breadcrumbs as “a nice change from eggs Benedict.”

When Eggs Benedict was listed on restaurant and hotel menus in the teens and 1920s it was usually as a breakfast or lunch entree. An early example was at a Boston restaurant that featured luncheon specials in a 1915 advertisement [shown here]. As can be seen below, Du Pont of Paris was a white tablecloth restaurant, certainly fancier than the average working men’s lunch room but a long way from the deluxe world of the Waldorf.

The dish’s fame and fortune began to rise after World War II when the middle class grew larger and more people began to go to restaurants for recreation. In 1946 the New York columnist Gaynor Maddox introduced readers to a creation tale of Eggs Benedict which had a hungover Waldorf guest coming to breakfast in 1894 and asking for toast, bacon, two poached eggs, and a pitcher of Hollandaise. The famed Waldorf host, Oscar, came into the story too, by later substituting ham and English muffin for the bacon and toast.

A year after Maddox’s column, the dish appeared on the brunch menu of San Francisco’s Fairmont Hotel for the high price of $2.50 (the average daily gross income in 1947 was about $12).

Its reputation continued to be burnished by others. Chef Pierre Franey retold the Waldorf origin tale, while Duncan Hines had it coming from France via New Orleans. Chef Louis Szathmary credited a wealthy Bostonian and a chef at the Ritz Carlton. But all seemed to agree it was indeed a ritzy dish.

For some reason – maybe to make Eggs Benedict sound even ritzier – some restaurants renamed it Eggs Benedictine. They were probably unaware that Benedictine refers to an entirely different egg dish of the almost 500 egg recipes that have been recorded. It is a poached egg on a puree of salt codfish with cream sauce and truffles.

Even though it had formerly been served mainly for lunch or supper, Eggs Benedict found its true calling in the 1960s and 1970s, when it became the classic brunch order. [Molly Maguire’s, 1977, New Orleans] Perfect for Mother’s Day and best accompanied by a glass of champagne followed by Crepes Suzette.

© Jan Whitaker, 2020

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The puzzling St. Paul sandwich

Despite a cloud of confusion surrounding the history of the St. Paul sandwich, I think I can add some interesting dimensions to the story.

For a long time it hasn’t been clear where the sandwich came from or even exactly what it is.

In recent decades St. Louis has claimed the St. Paul as its own, even though most St. Louisans probably never ate one. Supposedly it cannot be found in its namesake city of St. Paul (Minnesota), where it is said no one ever heard of it.

It’s not entirely certain how – or if – it is different from a Denver or a Western sandwich. One thing is certain: It’s an egg sandwich, based either on an omelet or egg foo yong. The sandwich would also have some combination of the following ingredients: chopped onion, chopped green pepper, tomato slice, lettuce, dill pickle chip, parsley, scallions, mushrooms, mayonnaise, chopped beef, chopped ham, deviled ham, sliced chicken, pork, shrimp, or crab.

Whatever goes inside is placed between two pieces of white bread – or double-decked on four pieces of white bread — or a roll.

The St. Louis version, found in unpretentious Chinese chop suey restaurants, consists of egg foo yong with mayonnaise on white bread, with the possible addition of a tomato slice, dill pickle chip, and lettuce. Its unlikely combinations make it ripe for ridicule. And, yet, . . . despite its utter failure to satisfy health or authenticity standards, its critics seem to agree that it tastes quite good.

Accounts of the sandwich’s history often cite Chinese cooks who provided food for Western railroad construction workers in the mid-19th century. The story goes that the cooks improvised the sandwich with what they had on hand, including egg foo yong.

A 2006 story in the St. Louis Riverfront Times attributes the city’s St. Paul sandwich to a St. Louis Chinese restaurant operator of the 1970s who named it for his home town of St. Paul MN.

After a lot of looking, I found the sandwich on a St. Paul MN menu in 1904. In an advertisement it is referred to as “the new and popular St. Paul sandwich.” Along with many other puzzling sandwich names, the Mills Lunch and Sandwich Room offered both a St. Paul sandwich and a Denver sandwich, indicating they were not the same thing as is sometimes argued. That same year lunch wagons in Kansas City MO were selling St. Paul sandwiches described as chopped ham, chopped egg, and onions. They also offered a Minneapolis sandwich made of chopped ham and chopped egg, but without the onions. The St. Paul also turned up in Ottawa KS in 1913 and in 1915 at a restaurant in Columbia MO popular with students at the University of Missouri.

In 1916 and again in 1933 a St. Louis newspaper published recipes for the St. Paul sandwich, which showed no connection with egg foo yong. In both recipes the sandwich was made with scrambled eggs, chopped ham, and onions and parsley.

Evidently the St. Paul was known in the East also. In 1933 a NYC paper ran a short story on how artists were making a living in the Depression. One painter was also a short order cook whose specialty was making St. Paul sandwiches.

The earliest connection with a Chinese restaurant I’ve found was in Minneapolis, run by Woo Yee Sing but popularly referred to as John’s Place. In 1937, a newspaper column recommended the restaurant’s “Egg Foo Yung sandwich” served with French fries, beverage, and dessert for 40c. How long the restaurant, established in 1905, had been serving that sandwich is unknown. The fact that it was not called a St. Paul sandwich is not too surprising since a Denver sandwich was called a Denver in Chicago but a Western in Denver.

By the 1940s and 1950s St. Paul sandwiches could be found in many places, including Seattle WA, Amarillo TX, and Greensboro NC, though exactly what they consisted of is obscure. Finding Chinese restaurants advertising them is harder, though I did find one in Canton OH in 1954 which referred to the sandwich as Egg Foo Yong [Sue Ming, shown above]. I find it interesting that the restaurant also advertised a Chop Suey sandwich. According to Haiming Liu (From Canton Restaurant to Panda Express), its cousin, the Chow Mein sandwich, became popular in Southeastern Massachusetts and Rhode Island in the 1930s.

If you like stories about odd sandwiches, see the amusing PBS documentary Sandwiches That You Will Like.

© Jan Whitaker, 2020

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