In their restaurant career sandwiches came from humble beginnings. They could sometimes be found in eating places as far back as the early 1800s, such as at the Ring of Bells, a porter and oyster house in New York. But they became more popular when they teamed up with beer joints after the Civil War. They also flourished in Boston’s “sandwich depots” of the 1880s — bean sandwiches included. And they were among the edibles offered by lunch wagons, saloons, and stand-up buffets in the late 19th century.
But it was the trend toward lighter mid-day meals in the early decades of the 20th century, spurred by the growth of cities, that gave sandwiches their big boost. Then, as light meals replaced hot dinners at noon, they found their niche, furnishing a quickly prepared menu item available in a variety of styles and combinations. Sandwiches of all kinds – named after celebrities, toasted, clubs, St. Paul’s — continued to flourish until after WWII when hamburgers began to take center stage.
While some eating places stuck with hot meals at noon in the early 20th century, others were quick to embrace sandwiches, particularly lunch rooms, tea rooms, drug stores, and delis. The sandwich shop was declared the winner among fast food restaurants. To critics the proliferation of this slapped-together fare was a sign of cultural decline. “The postwar decade might be known as the era of the sandwich,” declared cultural observer Eunice Fuller Barnard in a New York Times article of 1929 with the mournful headline, “We Eat Still, But No Longer Do We Dine.”
Among new developments was the formation of sandwich chains such as the Tasty Toasty and the Hasty Tasty. The B/G System was one of many in that category, which also included R&C, C&L, S&S, and no doubt other alphabetical combos across the USA. In 1924, the “Purely American, Meal in a Minute, No Tipping” B/G chain claimed to pay wages allowing their workers to “live according to American standards.” It had outlets in 16 large cities and was about to spread further. Was St. Louis the champion host of sandwich shops? Included among the city’s 52 sandwich shops in 1938, there were at least 6 “sandwich systems,” the Continental, Hollywood, Nickel Plate, Night Hawk, Ure-Way, and Yankee.
The sandwich selections on the menu shown here are from the Huyler’s confectionery-based chain. Tongue and Cream Cheese sandwiches, rarely (ever?) seen today, were quite popular in those early years (1921 menu above).
Polly’s Cheerio Tea Room’s Ham and Jam on French Toast would seem to be unusual, though perhaps Los Angelenos would have disagreed (1932 menu above).
I can’t account for why Schrafft’s in New York City felt the need to indicate which sandwiches were made with mayonnaise (1938 menu above). I’ve found one other tea room, located in St. Joseph MO, that included the same annotations.
Among the other interesting sandwich combinations I’ve found are Cucumber & Radish (25c at The Cortile in NYC in 1928); Egg and Green Pepper with Mayonnaise on Whole Wheat Gluten Bread (25c at Schrafft’s in 1929); “Chef’s Pride,” Smoked Tongue, Sliced Chicken, and Deviled Eggs double decker (50c at Townsends, San Francisco in1933); Peanut Salad (10c at The Candy Box in Winona MN in 1935); Peanut Butter, Sliced Tomato, Bacon, and Lettuce triple decker on toast (25c at The Little White House in NYC in 1936); and Marshmallow and Peanut Butter (15c at The Bookshop Tearoom in Springfield MA in 1946).
I prefer my BLTs without peanut butter. Hold the marshmallows, please.
(This post is a footnote to Robin Caldwell’s fine essay on Black grocers in the Greenwood community – my attempt to give some sense of the community by sketching a little about the area’s many restaurants.)
Before the Greenwood district’s destruction in 1921 – evaluated at $536M in property damage in today’s dollars — the area had become home to a prosperous Black business district filled with brick buildings, many of them housing eating places. Its leading citizens had done very well and a Black newspaper, the Tulsa Star, had begun publishing in 1913, with its office located near the heart of the business district at N. Greenwood and E. Archer avenues.
Nonetheless, like all of Tulsa, the area had its share of problems, no doubt due in large part to its rapid growth and the city’s attractiveness to transients and people on the make in both a good and a bad sense. Though generally striking a positive note, The Star complained of inadequate city services reflected in a failure of police to shut down gambling, prostitution, and bootlegging, and the lack of sewers in some parts of the community. Shortly before the massacre area residents petitioned the city, urging annexation of that part of the Black community outside the city limits and lacking modern improvements such as water, street lights, railroad crossings, fire stations, sidewalks, and paved streets. [Shown above: ca. 1915 photo of flooding in the 300 block of N. Frankfort street; Russell & Co. was a black-owned business.]
One of the most successful Black restaurant proprietors was Texas-born Joe Lockard who moved to Tulsa from his farm in Muskogee Indian Territory (Oklahoma). In 1914 he opened The People’s Café near Tulsa’s Frisco train depot. In 1920 he became president of the board of directors of a newly created investment company. That same year a white customer got into an argument with Lockard’s cook, shooting and killing the cook in the cafe’s dining room. Lockard’s café was destroyed by white rioters in 1921, but he continued in the café business into the 1930s, possibly later.
In contrast to Lockard, another Texan, Al Floyd, operator of the Cosy Corner [shown at top, 1915 advertisement from The Tulsa Star], was in business for at most a few years before relocating to Oklahoma City where he managed a railroad café.
The Busy Bee Café was run by Texas-born Savannah Elliott, also known as ‘Mother Elliott” despite only being in her 30s. In 1918 the newspaper mentioned that she entertained groups, such as teachers, and birthday dinners with as many as 17 guests. She sold the 112 N. Greenwood location at the end of that year, and moved to a new place that she operated briefly before again moving to Kansas City MO. In KC she and her husband ran a café called the Blue Goose. [1917 advertisement]
L. W. Wells ran a café in Okmulgee OK in 1914. The following year he moved to Tulsa, working in a white-owned restaurant called the Ever Eat Café. By 1918 he was running two quick-lunch cafes of his own in the Greenwood area where he provided “classy lunches” according to advertisements. It was wartime and business was booming, possibly because soldiers were passing through on the railroad. As the above advertisement indicates he was unable to keep his second location open because of the business crunch which probably meant increased patronage and a simultaneous shortage of help. In 1918 he had a dangerous brush with a drunken customer, engaging in a fist fight with him and pulling a gun. Like Lockard, he owned a farm in Oklahoma and was considered well off. The Star paper noted that for Christmas 1918 he presented his wife and daughter with a piano costing $475. His restaurant on Greenwood Avenue was destroyed in the 1921 attacks. [1918 advertisement]
Most of the cafes in the Greenwood district were basic, pricing meals reasonably, often charging 25 cents for a plated hot dinner. Many were open day and night. Their advertising stressed cleanliness. Most went by their owners’ names but there were also plenty of colorful names such as Busy Bee, Cosy Corner, Crystal, Ideal, Liberty, Little Pullman, Lone Star, Minute, Olympia, Palace, People’s, Red Rose, Square Deal, Star, and Sunny Side. (Because Tulsa was a Jim Crow city, it’s easy to identify which were Black restaurants – they were marked (c) in the city’s business directories.)
The greatest number of restaurants over the years 1913 through 1920 were on North Greenwood avenue. It intersected with East Archer to form the heart of the area’s business district, as well as bearing the brunt of destruction in 1921. East Archer had the second largest number of restaurants. I counted about 30 on North Greenwood during the 8-year period and 15 on East Archer, with another couple dozen on other streets.
Overall, the cafes went through a great deal of turnover and geographical churn – as was common throughout the US. They changed hands or moved to new addresses with some frequency. For example, Susie Bell’s cafe suffered fire damage when the Waffle House next door caught on fire in 1920. Although she had already moved several times, she was not defeated. She went out scouting for a new location early the next morning, confident she would be back in business by evening. In all likelihood she had “regulars” who counted on her to provide their daily meals. Her cafe was destroyed in the massacre. [1913 advertisement]
I had hoped to get an idea of what foods restaurants served, but that turned out to be difficult. Many advertised “home cooking” but almost never mentioned specific dishes. Usually when applied to basic cafes, home cooking referred to plain meat-and-potatoes dinners of the sort preferred by people who relied on restaurants for most of their meals. It’s likely that a fair number of residents of the Greenwood area lived in rooming houses and residential hotels with no cooking facilities. According to the 1920 federal census, about a tenth of Tulsa’s Black population were lodgers.
Though advertising did not offer much idea of what was served in the cafés, two foods were mentioned fairly frequently: Barbecue and Chili. Aside from the Black population born in Oklahoma, the next largest percentage were transplants from Texas, so it isn’t at all surprising that these two foods would be staples. There was also frequent mention of confectionery, pies, and cakes.
The one and only menu I discovered was for a 1918 Christmas dinner, billed as home cooking, at the Sunny Side Café. An advertisement also referred to it as a “Conservation” dinner, reflecting wartime rationing. In addition to a “Christmas Oyster Loaf,” the dinner included: Baked Turkey with Roquefort Dressing; Baked Chicken with Corn Dressing; Roast Goose with Sage Dressing; Smothered Duck with Brown Gravy; Cream Potatoes; Cream Peas; Griddle Corn; Macaroni; Stuffed Tomatoes; Stewed Prunes; String Beans; Cream Cabbage; Cranberry Sauce; Cherry Cobbler and Whip Cream; and the following pies: Pumpkin, Potato Custard, Mince Meat, Lemon Custard, Apple, and Cocoanut Custard.
Despite the enormity of the disaster in which possibly more than 300 Black lives were lost and there was extensive property destruction, survivors went to work almost immediately. Cafes that had been turned into rubble were rebuilt and reopened, and new locations were found. The area rebounded.
A while back I reviewed several years of a diary kept by New York City resident Josephine Sherwood Hull. Over a five-year period, 1920 until 1925, she recorded about 320 restaurant meals. This works out to a little more than one a week, which was considerable at that time. [publicity photo, ca. 1950, from movie Harvey]
I suspect her attraction to restaurants was largely explained by the fact that she was in the theater. After years of research into the history of restaurants, I’ve noticed that opera singers and theater people lived more of their lives in public than did the average American, and that included eating in restaurants frequently. Also, the 1920s was the decade that saw the number of women eating outside the home increase dramatically.
Then unmarried, Josephine Sherwood began her theater career not long after her 1899 graduation from Radcliffe College, where she had participated in amateur theatrics. In 1909 she married actor Shelley Hull and retired from legitimate theater. But after he died in 1919 – a sudden victim of the “Spanish” flu raging through the U.S. – she resumed her theater career as an actor and a director.
In 1922, 1923, and 1924 alone she directed four or more plays, and appeared in at least two others. Later she would appear in movies, often playing an older woman, frequently an aunt. She appeared in Arsenic and Old Lace, and in Harvey for which she won an Oscar in 1951 for a supporting role.
In the years of her diary that I looked at, Prohibition was in effect, and that along with greater employment of urban women during and after the war led to the flourishing of tea rooms, a type of restaurant that she favored. She went to the White Swan for dinner 24 times over the five-year period, the English Tea Room 20 times, mainly for lunch, and the Yellow Aster near her apartment on West 57th Street 12 times, again mainly for lunch. Other tea rooms she liked included the Virginia, the Thistle, the Hawaiian, and the Mirror. But despite her liking for tea rooms she rarely had afternoon tea, and when she did it was usually at hotels rather than independent tea rooms.
By far her most frequent meal out was dinner. She recorded eating it in restaurants 219 times. Her favorite dinner spot was a popular restaurant on 6th Avenue established in 1907 called The Alps. She also enjoyed The Hotel McAlpin, visiting their rooftop restaurant six times in warm weather. Henri’s was another favorite, as was The Tavern.
She had “supper” in restaurants 13 times, mostly in hotels. As a late night meal, supper was a favorite of theater people and others in the entertainment world. She visited a number of clubs, some of them related to theater, others emphasizing civic volunteerism.
Judging from the restaurants she patronized, except for tea rooms, she preferred places that might be described as continental, either Italian or French. For whatever reasons – perhaps reflecting her rather conservative middle-class background — there were some popular restaurants and areas of the city that she did not patronize in these years. The Automat was one. Nor did she record a single visit to a Chinese restaurant. She apparently was not attracted to Greenwich Village, a part of the city filled with tea rooms.
Readers may be familiar with the custom among many Jews of going to a Chinese restaurant on Christmas Day. Hard as I tried I could not determine when this custom began, although based on advertisements I did get the sense that the tradition of going to the movies on Christmas Day may have begun in the 1920s.
That is the same decade for which I found the earliest advertisements by Chinese restaurants in Jewish newspapers. [Wong Yie, American Israelite, 1922, Cincinnati] I didn’t find any Chinese restaurant ads that invited readers to visit on Christmas Day, though I saw some that reminded them to make reservations for New Year’s Eve. Some also mentioned that they were near movie theaters. In the 1930s some wished readers of Jewish papers happy new year at Rosh Hashanah.
So, even though I don’t know when Jews began going to Chinese restaurants on Christmas Day, I suspect that the affinity between Jews and Chinese restaurants became notable in the 1920s.
While the 1920s may have marked the blossoming of Jewish patronage of Chinese restaurants, I did find one earlier example of a Chinese restaurant said to be patronized by Jewish businessmen. According to a New York Tribune story of 1907, Chinese Delmonico’s on Pell Street near the wholesale center was kosher. At “Kosher Delmonico’s,” as it was called in the story, a French chef prepared mushroom delicacies, lotus lily seed soups, and other dishes for lunch using no dairy products or “game of the kind that is shot.”
Bernstein-on-Essex, a deli that opened in the 1920s on New York’s lower East Side, is often credited with being the first restaurant serving kosher Chinese food – a 1959 addition to the menu [above menu fragment from a later date]. But it may not have actually been the first: Aside from Chinese Delmonico’s, there was said to be a kosher Chinese restaurant on Temple Street in the Jewish section of Los Angeles in 1929.
What Bernstein’s might have been an early example of, though, was a Jewish restaurant that served kosher Chinese food – in contrast to a Chinese restaurant that was kosher, which was rarer. Although Chinese restaurants generally did not feature dairy dishes, typically they would serve pork, as well as shellfish, meat that wasn’t from kosher butchers, and noodles cooked in lard.
For the most part Jews had to be willing to make whatever adjustments they found necessary in order to enjoy Chinese restaurants. This could mean not ordering pork, shrimp, or lobster dishes, or, as many writers have pointed out, accepting dishes with pork that had been minced and “hidden” in wontons. Nonetheless, not everyone was so careful. According to Haiming Leu, author of A History of Chinese Food in the United States, one of the most popular dishes with American Jews was moo shu pork. Such behavior brought an angry comment from a rabbi writing in Newark’s Jewish Chronicle in 1929: “The writer has seen families leaving an orthodox synagogue on Sabbath noon and taking the new Bar Mitzvah, who has just pledged his allegiances to Jewish tradition, into a Chinese restaurant for a salt-pork chop suey meal.”
While the topic of Jews and Chinese restaurants has been a popular one with scholars and journalists, it’s worth noting that historically Jews were not the only non-Chinese cultural group that heavily patronized Chinese restaurants. Even though in the early 1930s Jews were estimated to make up 60% of the white clientele of Chinese restaurants in Philadelphia and New York, the estimate was that white customers totaled a minority of patrons. The rest of non-Chinese customers were Black.
After WWII Jews began moving from the inner cities and into the suburbs. Meanwhile, most African-Americans stayed behind. Many Chinese proprietors courted their Jewish customers, often opening suburban restaurants with pleasant interiors. In Black neighborhoods often the facilities tended to be poorer, many for carry-out only, and some even outfitted with protective bars and orders taken and delivered through small hatches.
Another change in the postwar years was the increase in the number of kosher Chinese restaurants, some, such as Sabra and the popular Moshe Peking, with Jewish owners. The 1970s and 1980s saw a rise of kosher Chinese restaurants adhering to what appeared to be a stricter standard in how food was obtained and prepared and also in hours of operation, being closed on the Jewish Sabbath as well as holidays. Additionally, they had a rabbi on hand to inspect food preparation.
Happy Holidays to readers, whatever you may be eating on December 25!
It gets harder and harder to turn up anything interesting at flea markets – even on the sprawling fields of Brimfield. But luck was with me this past week when I found the little menu from The Double R Coffee House.
It didn’t look terribly interesting in itself until I remembered that my restaurant collection contained a cartoon-style postcard with the same name that I especially liked.
Turns out that the two Double R Coffee Houses had an interesting history. They were established and funded by sons, daughters, cousins, and others related by blood or marriage to Theodore Roosevelt. The impetus for the coffee houses came from Theodore’s son Kermit, who had spent time in South America and Arab countries. He mentions coffee repeatedly in his book War in the Garden of Eden. The book describes his experiences while serving with the British forces in Iraq and other countries involved in the Mesopotamian Campaign of World War I.
The initial business incorporation in 1919 was called Café Paulista after a café in Buenos Aires that Kermit had frequented years before. The corporation launched the first coffee house, then located at 108 West 44th Street, calling it The Brazilian Coffee House as inscribed above the door in this 1919 photo.
The coffee house got a fair amount of press due to the Roosevelt connection, but the family did not involve themselves in running it, nor were they known to frequent it. However, in one instance President Roosevelt’s widow did visit the 44th street location. A widely publicized news story in 1923 told of how she had saved two oil paintings of her late husband when a minor fire broke out in the kitchen.
What was truly unusual about the coffee house was not so much its owners or its decor, but how serious it was about coffee. The manager, Brazilian Alfredo Salazar [shown above], declared it was not a restaurant. Although it served light food including empenadas, he insisted the focus was on serving “real” coffee. He declared that Americans, New Yorkers included, did not know how to roast, grind, brew, or for that matter, drink coffee. Coffee that was boiled or percolated and left to sit around for over 30 minutes was equivalent to “tannic acid soup” in his estimation. He advised drinking it black, but allowed that the coffee house would provide cream, milk, and sugar since it was not a “propaganda establishment.”
The coffee house roasted coffee beans on the site and everyone commented on the wonderful aroma this produced.
Shortly after opening, the 44th Street coffee house moved to larger quarters nearby at #112. It was popular from the start, particularly with Brazilians, American business men – and business women — as well as surrounding theater-district performers.
Another characteristic of the coffee house that was appreciated was that patrons could linger as long as they liked, even if they ordered very little. Imprinted stationery was provided along with some reading materials – including an abridged version of the U.S. Constitution — and the place soon extended its hours to 1 a.m.
In February of 1921 the name was changed to Double R Coffee House due to a conflict with another business claiming that name and also because a cousin named Robinson was the corporation’s new president. In May a second coffee house on Lexington was opened with an exhibit of paintings by members of the Art Students League curated by realist painter John Sloan. Because of the art connection, it seems as though this coffee house had a more bohemian aspect. In a letter to Chicago poet and editor of Poetry Magazine Harriet Monroe, poet Wallace Stevens wrote that he had visited the new coffee house in August and “had a dash of maté.”
In 1923 there was talk of opening another Double R on 45th street in Times Square, but I could find no trace of it. Vague ideas about expanding to Boston, Philadelphia, and Chicago, talked about in 1919, never materialized and in 1928 one or both of the coffee houses were sold to new owners. What happened after that is unknown.
“Hoity toity” was how a resident of Gettysburg PA in the 1980s remembered The Blue Parrot Tea Room in its heyday.
The tea room opened in 1920 on the Lincoln Highway (aka Chambersburg street) through Gettysburg [pictured above, before 1928]. Known initially as the Blue Parrot Tea Garden (rendered on its large lighted sign in pseudo-“Oriental” lettering), it was a soda fountain, candy store, and lunch spot at first. It quickly earned a reputation as an eating place for “discriminating” diners, according to its advertisement in the 1922 Automobile Blue Book [shown below]. Later advertising described the restaurant as modern, sanitary, and perfect for people who ran an “efficient table” at home.
Its creator was Charles T. Ziegler, who spent years on the road as a salesman for a Chicago firm, returning to his hometown to open a gift shop in 1916 with the then-trendy name of Gifts Unusual. His shop featured imported articles such as Japanese household items and kimonos. In 1917 he bought the building his shop was in, turning it into a tea room a few years later.
The tea room’s artistic decor, elements of which had reportedly come from England and Belgium, was of great interest to Gettysburgers. The sign on the front of the building was illuminated with 275 small lights (this was before neon). Thirty feet in length and topped with a blue parrot, the Gettysburg Times declared it “one of the most pretentious between Philadelphia and Pittsburgh.”
In 1927 a visitor noted fine aspects of the Blue Parrot that he observed, many vouched for by their brand names, such as Shenango China and Community Silver. He was pleased to note that the kitchen was shiny and spotless and even the potato peeler was “cleaned to perfection.” He was also gratified by the back yard area where “every fowl is killed, cleaned and dressed by the kitchen staff.”
The Blue Parrot remained the place to go for decades. Local colleges held dinners there, as did fraternal organizations and women’s clubs. Guests included bishops, Washington dignitaries, Harrisburg business men, and traveling celebrities. A high point came in 1926 when Douglas Fairbanks, Mary Pickford, and Gloria Swanson and her husband, the Marquis de la Falause, stopped for dinner on a chauffeured road trip following the New York funeral of Rudolph Valentino.
The Blue Parrot could be counted on to furnish special holiday meals for Thanksgiving, New Year’s Day, and Easter. In 1924 it published the following menu for Thanksgiving Dinner, served from 11 am to 9 pm.
Bisque of Tomato
Roast Vermont Turkey English Filling
Giblet Gravy Cranberry Jelly
Orange Sherbert [sic]
Mashed Potatoes Green Spinach au Egg
Hot Mince Pie Lemon Meringue
Pineapple Parfait Chocolate Ice Cream
Mixed Fruit Ice Cream
Dinners at the Blue Parrot in the 1920s ran from $1.25 to $1.50, while lunches were often 75 cents. The tea room advertised its prices as moderate, yet probably they would have been out of reach for many of Gettysburg’s working class residents. In the 1930s Depression the Blue Parrot, like so many other restaurants, was forced to lower its prices considerably. In the mid-1930s it offered lunch platters at 30 cents and New Year’s and Thanksgiving dinners for as little as 50 cents.
No doubt the end of Prohibition was a life saver for the Blue Parrot. As soon as beer became legal in 1933, Ziegler opened a Blue Parrot Tap Room and Grill on the second floor, with extended hours, Pabst Blue Ribbon on tap, and 10-cent crab cakes and sandwiches. He was at the head of the line for a full liquor license when they became available a few months later. The bar and grill had a western slant with rustic log cabin decor, knotty pine paneling, and a wagon wheel light fixture, all likely meant to appeal to a wide range of male customers.
In 1944 Ziegler sold the business to Gettysburg’s fire chief, James Aumen, who ran it for the next ten years, after which it had a succession of owners. Even in recent times, the original name has continued as the Blue Parrot Bistro, and now the Parrot.
A veil of ominous mystery has spread over the remains of a California roadside tea room once known by the homey name Singing Kettle.
It was located near the summit of Turnbull Canyon, high above the San Gabriel Valley, on a winding road running through the Puente Hills in North Whittier. The road was completed in 1915, opening up a route filled with what many regarded as the most impressive views on the entire Pacific Coast.
Today young people drive into the “haunted” canyon at night determined to be frightened to death. Gazing out car windows they eagerly tell each other tales they’ve heard of satanic rituals, murders, and human sacrifice, hoping that behind that fence are unspeakable horrors they might be lucky enough to witness. Even the Singing Kettle tea room, perhaps because remnants of its entrance are visible from the road, has become enmeshed in dark fantasies.
Why am I laughing?
Because it strikes me as funny that a tea room from the 1920s and 1930s could be associated with horror and paranormal events. Or even that people would find its existence mysterious, wondering why it was ever there or what it really was.
I suppose that given enough time and imagination mysterious auras can envelop any mundane place, even a deserted mall or a parking garage. But still, finding a tea room scary is like being frightened by a club sandwich.
I have experienced a somewhat similar attitude before. I gave a talk on tea rooms of New York City when my book Tea at the Blue Lantern Inn came out in 2002. Afterwards a man in the audience came up and asked me why I didn’t mention the darker aspects of tea rooms. He was certain that a lot of them had been speakeasies and houses of prostitution.
Really? If that had indeed been the case, why would I not have mentioned it? It would be a good story. I’ve found no evidence of prostitution in tea rooms. Only rarely were tea room proprietors found selling liquor during Prohibition. A few places in Greenwich Village were raided in the early 1920s, and here and there the mob would open a joint and call it a tea room, though that was purely a ruse. I feel certain it was impossible to order a diet plate or a Waldorf salad in a mob tea room.
The dining area of the Singing Kettle tea room was up the hill from the pergola entrance shown on the black and white postcard above. As can be seen from a bird’s-eye view of the property, terraced stairs with fountains and shrubbery led up to the main tea room which today appears to be a residence. The view while dining would have been spectacular.
The tea room was frequented by students and staff from Whittier College, the Whittier Chamber of Commerce, and women’s clubs. It was a popular place for business meetings, card parties, wedding receptions, and bridal showers. Weddings were held in the inner courtyard of its entrance pergola.
I have not been able to discover the identity of the Singing Kettle’s proprietor. The area was filled with citrus and avocado groves and it’s possible that it was run by the wife of a grower. It’s even possible that major Southern California agricultural land developer, Edwin G. Hart, was involved in the business. That might explain why he promoted the tea room in a 1927 advertisement for his new residential development, Whittier Heights. (When he developed Vista CA he built an inn where prospective customers could stay.)
The Singing Kettle was in business from 1927 until at least 1936, but probably not much longer. It surely would not have survived gasoline rationing during WWII.
Ducks are commercial buildings that look like what they sell, as illustrated by the Freda Farms ice cream stand in Berlin CT. The term was actually inspired by a Long Island store that sold ducks (to eat). It has been generalized to apply to any buildings that looks like some familiar object or animal, etc, whether or not their merchandise is related. These types of buildings are also known as programmatic or mimetic architecture.
Though they reached a peak of popularity in the late 1920s and early 1930s, ducks trace back much further in history. An introduction to Jim Heimann’s book California Crazy by David Gebhard links the mimetic architecture of the last century to garden buildings of the 18th century and even earlier. One of the first examples in the United States was the 65-foot elephant of Margate NJ built in1881 to attract attention to a real estate development.
In addition to housing stores and offices, many ducks have featured restaurants over the decades. They have taken the shape of all kinds of animals, kegs, barrels, ships, castles, cups, coffee pots, bowls, hats, chuck wagons, dirigibles, items of food, shoes, and windmills.
The earliest restaurant duck I have found was a café planned for Cincinnati in the shape of a huge beer cask in 1902. Unlike later examples, though, it was meant to occupy a location in a row of Main Street storefronts. Most later ducks, arriving with the spread of car ownership in the late 1920s and early 1930s, occupied empty lots in developing areas of cities. Not too surprisingly, southern California’s car culture provided a nurturing environment. In addition the climate was favorable to the somewhat makeshift carnival-type structures, while the city’s movie industry supplied inspiration. As Los Angeles grew, giant dogs, toads, ice cream freezers, shoes, and other bizarre apparitions sprang up along the roadside, vying for the business of passing motorists.
The link between the movie industry and roadside fantasy was straightforward in the case of Harry Oliver, a leading designer who brought magic to sets for movies such as Scarface, The Good Earth, and Mark of the Vampire. Oliver designed windmill-shaped buildings for the Van de Kamp bakeries and drive-ins as well as a storybook building occupied by the Tam o’ Shanter Inn.
If architecture is about the enclosure of space, ducks are architecture only secondarily. In most cases mimetic architecture describes a building that serves more as advertising sign than as an innovative enclosure of space. Once a customer stepped inside a giant pig or coffee pot, all whimsy faded away as the interior revealed itself to be a standard rectangle as shown here in one of the many coffee-pot ducks that could be found across the U.S.
If ducks say anything about American restaurants, it is that they are only partially about food.
During the 1920s and 1930s the blue plate lunch and dinner thrived. The first blue plate special reference I have found is in 1915. A railway running between Bradenton FL and Washington D.C., the Seaboard Air Line Railway, announced that year that they would begin offering a daily special of either meat or fish served on one plate with two vegetables.
The simplicity of the meal, with fewer food items on fewer pieces of china, turned out to be highly congruent with suggested government cutbacks that arrived with World War I urging restaurants to conserve on all aspects of their operations.
After the war the blue plate special continued to be popular because it was a workable compromise between the needs of a fast-paced urban society and the legions of consumers accustomed to eating a meat-and-potatoes “dinner” at noon. Though resembling a home-style dinner, the blue plate meal was lighter and faster to serve up than its predecessors. Consisting of less food, it required less time for digestion and kept office workers from getting that “siesta” feeling in the afternoon.
Its billing as “home cooking” communicated that it was not ethnic cuisine as were meals in table d’hote restaurants run by immigrant Americans. Beef and gravy, pork chops, ham, mashed or fried potatoes, carrots, and green beans were typical on blue plates. [June 1, 1930, special at the Merry Eating Luncheonette, Springfield MA]
In previous eras a “regular dinner” or table d’hote restaurant meal would have arrived parceled out on many plates, saucers, and side dishes. Cutting down both on china and dishwashing as well as server time, the blue plate dinner or lunch was usually offered as an economy meal typically costing about 35 to 50 cents, a moderate price in the post-WWI inflationary economy. Blue plate specials were attractive to restaurants because they permitted them to make use of a good buy or get rid of food stocks on the verge of going bad. The tradeoff was that often the diner had little choice regarding the meal’s composition.
Since the meals’ components were cooked prior to lunch and dinner rushes and kept warm on steam tables, they could be served quickly, saving time for patrons and increasing turnover for the establishment. Of course steam tables took their toll. That one-plate specials were not always the finest is suggested by a 1930 guidebook which commends The Alps restaurant in NYC by noting that their blue plate dinners “are more than mere collections of edibles, served en masse.”
One-plate meals continued into the 1940s and after WWII but the term “blue plate” was beginning to sound old-fashioned and was used mainly in smaller towns. Stodgy one-plate meals became material for humorists. In 1952 columnist Hal Boyle lampooned the blue plate luncheon “engulfed in gravy,” characterizing it as an “all-America culinary nightmare.” “I take it to the hotel I am staying at and use it instead of soap for a shower,” he wrote. “I rub it on my head as a shampoo.”
In 1921 a café in Kalamazoo, Michigan, advertised that it would offer a selection of Thanksgiving dinners at different prices. The most expensive was 85 cents, then came a 65-cent dinner, one at 60 cents, and a 50-cent dinner. In today’s dollars, they would range in price from a high of $11.10 to a low of $6.51.
All dinners began with tomato soup. They featured four types of roast meat: beef, pork, turkey, and chicken, with accompanying dishes that were not fancy. Strangely the menus made no mention of dessert. Perhaps it was not included in the price of the dinner. Since selling alcoholic beverages was illegal in 1921, it’s likely that Thanksgiving diners would have had coffee.
The name of the restaurant was the Bon Ton. Its proprietors were the Thenos brothers, Nicholas and George, of Greek heritage. The small restaurant advertised that it was “open all hours” and had moderate prices. It employed women as servers. I have not been able to find a photograph of it, but undoubtedly it followed the typical café configuration of its time with a counter running down one side of a narrow storefront space and tables on the other side, with the kitchen at the rear.
Can you identify the most expensive dinner? Study the four Thanksgiving menus (which I have re-created using menu blanks) and decide which you think was the 85-cent dinner, which the 65-cent dinner, etc.
I'm not Siri! I love to hear from readers and I take time to answer queries. But about 50% of you don't say thank you. It's depressing. So, if you are someone who doesn't bother to say thanks, please ask Siri instead.
Otherwise, e-mail me!