Tag Archives: theme restaurants

Spooky restaurants

spookycolumbusohnightclub

Montmartre in Paris was the birthplace of what would come to be known in the U.S. as the theme restaurant. In the late 19th and early 20th centuries, Parisian entrepreneurs conjured up fantasy atmosphere in strange and unsettling forms. Themes included assassination, imprisonment, death, hell, and that harbinger of bad luck, the black cat.

As much devoted to drinking and entertainment as food, Montmartre’s ghoulish restaurants, cafes, and cabarets inspired Americans to duplicate them. Needless to say, both in France and in America such places were heavily geared to tourists and considerably short of good taste.

One Paris establishment, the Cabaret du Néant, deliberately transgressed the boundaries of decency serving wine in skulls (thankfully artificial), using coffins for tables and x-rays to turn patrons into skeletons, and – worst of all, in 1915 – digging trenches in the backyard so patrons could experience World War I warfare conditions while dining by candlelight.

spookycabaretduneantIn 1896 the Cabaret du Néant, renamed the Restaurant of Death, had been recreated in the Casino in New York’s Central Park, right down to a candelabra made of “skulls and bones.”

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Greenwich Village’s Moulin Rouge used coffins and skulls in its advertising, though whether it carried the theme over to its interior is unknown. It was padlocked in 1924 for serving liquor illegally. Columbus OH had a nightclub known as The Catacombs in the Chittenden Hotel [at top of page] but I was not able to learn anything about it other than that it was doing business in 1941.

spookyblackcatgreenwichvillageOn the whole, black cats and jails gained greater popularity in the U. S., both themes inspired by Montmartre. New York City’s Black Cat had many lives [shown above], being declared dead with regularity and then reappearing. San Francisco also had a Black Cat, opened in 1911, but it sounds as though it was quite tame, filled with ferns and potted palms and an orchestra hidden behind a screen. Perhaps another Black Cat Café in San Francisco, or maybe this one transformed, operated from the 1930s into the 1960s as a center for bohemians and beats as well as a gay clientele.

As sinister animals go, rats and bats were also celebrated. Greenwich Village’s café, The Bat, was said to have a “macabre interior” similar to Paris’s famed Le Rat Mort (The Dead Rat). It’s likely that the advertising of both made them out to be far more sinister than they were.

spookysfjailrestaurant1921

As for jail restaurants and cafés, they were fairly numerous in this country. The first, labeled dungeons, opened in New York City and were places where patrons sat on crude boxes in cellars and ate steaks with their hands. They were particularly popular with men’s groups and conventioneers. In the 1920s and 1930s, restaurants and drinking places with jail themes, often with servers dressed as jailers or prisoners, appeared in Los Angeles, Indianapolis, and even a small town in Iowa. Strangely, San Francisco’s Dungeon restaurant of the 1920s, complete with cells and wardens, etc., served waffles rather than steak. But then sometimes it’s hard to keep themes on track.

I’ve been working on a future post on truly scary restaurants, ones where outbreaks of food poisoning have occurred.

Meanwhile, whether or not you find a spooky restaurant to hang out in for Halloween, have a good holiday!

© Jan Whitaker, 2016

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Filed under alternative restaurants, atmosphere, night clubs, Offbeat places, restaurant decor, theme restaurants

A fantasy drive-in

carl'sviewparkMenu

I am fascinated by restaurants that are bizarrely at odds with their location, climate, and cultural environment. Such as Polynesian restaurants in Arizona.

Drive-ins make sense in car-obsessed Southern California, but a grandiose drive-in such as Carl’s “Colonial” with an Old South theme in Depression-era Los Angeles? With architecture inspired by Southern plantations and white female servers costumed as Southern belles and top-hatted coachmen? With an ornate mahogany doorway leading from the staid dining room into a streamlined moderne barroom? [see below] And a thoroughly modern, thermostatically controlled stainless steel kitchen turning out spaghetti and turkey with New England dressing?

Carl'sViewparkdiningroomwithbar

All societies offer some form of escapism, traditionally wild festivals where revelers are released from everyday roles and inhibitions. But restaurants such as Carl’s offered a different kind of  escapism that shored up inhibitions and insured that roles were strictly adhered to. Far from allowing revelry or role reversal, gracious Southern dining took place in a forbidding room decorated with murals of slaves picking cotton and a portrait of George Washington looming from above the mantle. [shown above; the murals are barely visible]  Only white girls were allowed to dress as Southern belles; ice water and rolls were dispensed by dark-skinned “mammies.”

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Yet in another way Carl’s was totally in sync with its environment. A Los Angeles Times story in 1940 noted, “Los Angeles restaurants serving American food often reflect the architecture of other lands.” Undoubtedly part of the explanation for the scenographic quality of Carl’s – and many other unusual theme restaurants in Southern California – was that they played to tourists’ fantasies. And why not, since a hefty 25% of restaurant revenue was estimated to come from tourists?

carl'sViewparkMarch1938The “Colonial” Carl’s, on the corner of Crenshaw and Vernon, was built by the Los Angeles Investment Company and leased to its operators, Carl B. Anders and A. V. Spencer. The area was under development with about 13 new stores on Crenshaw skirting the residential subdivision of Viewpark. When Carl’s opened in 1938 there were close to 1,000 homes in Viewpark with more underway following the company’s acquisition of acreage that had housed the Olympic Village in 1932. Under restrictive covenants, houses could be sold only to white buyers.

Despite serving up to 4,000 customers a day, many of them groups such as women’s and businessmen’s clubs, Carl’s Colonial in Viewpark went out of business in 1953. After a brief run as Martha’s Restaurant, it was torched in 1954, destroying the building that had cost the fabulous sum of $115,000 when it was constructed.

Carl’s in Viewpark was one of five in the Carl’s chain (not to be confused with Carl’s, Jr.). The first was opened in 1931 on Figueroa and Flower as a simple hamburger stand built to serve people attending the 1932 Olympic Games. It was so successful it was enlarged three times in four years, serving up to 5,000 people daily in 1937. The chain became known for its multi-purpose restaurants that included a drive-in component as well as full-service dining rooms, banquet facilities, outdoor dining patios, and cocktail lounges. Other Carl’s included one on the Plaza in Palm Springs, one on the Pacific Coast Highway that was featured in the movie Mildred Pierce, and one on East Olympic Blvd. at Soto Street.

According to John T. Edge, Southern theme restaurants have recently resurfaced in Los Angeles.

© Jan Whitaker, 2016

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Image gallery: dinner “on board”

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There are numerous historical links between restaurants on land and vessels that navigate seas, lakes, and rivers. Ocean going sailors arriving in port, for instance, made up a notable fraction of early restaurant customers. Their ranks also provided stewards, cooks, and chefs, bringing new skills and cuisines wherever they took up their profession on land. San Francisco in the 1850s provides a striking example. In the United States steamboats that traveled the rivers and Great Lakes contained dining salons that were among the 19th century’s most luxurious and among the few places where ornamental French cuisine flourished.

But . . . this post isn’t about that. Instead it illustrates how far restaurants featuring ship and boat themes have strayed from a connection with their watery history. Ship restaurants are for the most part little more than a novelty – but a novelty that can be traced back at least to the 1850s. Despite quite a lot of ship restaurants running aground or sinking, literally and figuratively, there is some kind of primal appeal that keeps them going.

Frank Bazzuro may have been first. He arrived in San Francisco from Italy in 1852 and installed a restaurant in one of the hundreds of ships abandoned in the Bay, introducing his customers to a Genoese fish stew, cioppina. In the 1880s Capt. Paul Boyton, a world-famous swimming champion who popularized rubber wet suits, opened a restaurant on West 29th in NYC called “The Ship” which resembled a ship’s cabin. On Venice Pier in CA, a developer constructed a replica of a Spanish Galleon in 1904, after which it rode the waves of good and bad luck until its demolition in 1946. After an underworld shooting in 1928, it went through a couple of name changes, from Show Boat Café to Volga Boat.

Most ship restaurants that float on water – which not all do – have had checkered pasts as more utilitarian vessels or ones that have spent some time under water. Before it became a floating restaurant in Wilmington NC in 1951, the Ark had transported troops, hosted gamblers, and housed the coast guard. The SS Catala was one of about ten ships that appeared in Elliott Bay during the 1962 World’s Fair in Seattle. Previously it had served as a coastal passenger steamship, then fish transporter. When the fair ended it was towed to Los Angeles where it failed as a nightclub restaurant, then appeared in an Perry Mason TV episode before returning to restaurant-ing in Washington where a storm ran it aground.

Dining on a floating restaurant can be hazardous. A storm tore St. Louis’s Becky Thatcher Riverboat from its moorings, sending it downstream where it ran onto the opposite side of the Mississippi in 1969. Bar business was said to be brisk in the interlude before its 100 diners were rescued.

Ships moored on land are safer but rarely very convincing in their roles, particularly if they are in Dallas or Phoenix (below, respectively), smack on a roadway or surrounded by an asphalt parking lot where the water consists of a few puddles.

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A parking lot might seem like a strange place for a ship but, a little reflection tells you that Noah’s Ark could have ended up almost anywhere. And that may be the reason enterprises with that name have done business not only on the beach in Leucadia CA, but near the interstate in St. Charles MO (pictured) and in Grovetown GA and Des Moines IA.

ShipNoah'sArk

Some sites present a real challenge. How do you make your restaurant resemble a ship when it’s in the middle of a block? Boyton’s ship cabin restaurant where only the interior resembles a ship gives an answer, but so do a number of storefronts that have been adorned with protruding ship’s prows, such as Bernstein’s in San Francisco (pictured).

shipBernstein'sFishGrotto

Babette'sYachtBarThere were oh so many bars shaped like boats and yachts, of which Babette’s was one (above).

Many restaurants with ship themes specialize in fish and seafood, but not all. Why not Chinese and American cuisine as in the 1940s Ship Ahoy chain with restaurants in  Atlanta and Augusta GA, Charlotte NC, Columbia SC, and Houston TX? Or hamburgers (McDonald’s, St. Louis riverfront, shown below)?

ShipSTLRiverfrontMcDonald's

In researching this topic I learned that almost every city or town will sooner or later have a ship restaurant. And many of them will sink, be scrapped, or get towed to another location. The fate of the Showboat Restaurant in Beaverton OR was ironic. In 1981 it became Showboat Liquidators where “Selling Your Boat Is Our Only Business!”

© Jan Whitaker, 2013

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Taste of a decade: 1970s restaurants

1979restaurantIn the 1970s the restaurant industry and the custom of eating in restaurants grew rapidly. The decade was the gateway to the present in many ways. Despite economic woes (recession and inflation), the energy crisis, urban decline, crime, and escalating restaurant prices, restaurant-going continued to rise.

The president of the National Restaurant Association proclaimed “Dining out is a significant part of the lifestyle of this great country,” noting in 1976 that one out of three meals was being consumed outside the home.

Restaurant patronage was encouraged by all kinds of things, including relaxed liquor laws in formerly dry states and counties, which brought more restaurants into the suburbs, the spread of credit cards, more working wives and mothers, youth culture, and a me-generation quest for diversion.

New York exemplified the problems faced by restaurants in troubled inner cities. Fear of crime kept people from going out to dinner. Restaurants closed, few new ones opened, and cash-strapped survivors began to trade vouchers for heavily discounted meals for advertising. But as New York struggled, California experienced a culinary renaissance as did other parts of the country. Still, much of the U.S. wanted only steak and potatoes, and hamburger was the most often ordered menu item nationwide.

A number of restaurant formats and concepts faced senescence, but new ones came on the scene at a rapid pace. Going, going, or gone were automats, coffee shops, continental cuisine, diners, drive-ins, formal dining, Jewish dairy restaurants, and Polynesian restaurants, not to mention the rule of elite French cuisine.

Fast-food chains continued to grow, with the number of companies increasing by about two-thirds. Growth was especially strong in the Midwest which was targeted as a region susceptible to their appeal. Toledo was bestowed with Hardee’s, Perkins Pancakes, a Mexican chain, and, in 1972, the arrival of two Bob Evans eateries. Another Ohio city, Columbus, was christened a test market for new fast-fooderies while Junction City KS, bordering Fort Riley, looked like a franchiser’s fast food heaven. By contrast, greater Boston had only one Burger King and one McDonald’s in 1970.

HamburgerFactoryAlong with the chains and a shortage of (cheap) kitchen help, came an upsurge in restaurants’ use of convenience foods and microwaves. In response, municipalities across the country enacted ordinances to protect consumers against false claims on menus, many of them centering on misuse of the words “fresh” and “home-made.”

Yet as the country was swamped with fast food, it experienced the flowering of restaurants specializing in ethnic, artisanal, and natural foods. Hippie and feminist restaurants stressed honest, peasant-style meals. Burgeoning interest in nutrition made salad bars popular. Bean sprouts, zucchini, and more fish showed up on menus. Diners learned that Chinese food was not limited to Cantonese, but might also be Mandarin, Szechuan, or Hunan. Once languishing behind luxurious decor, impeccable service, and famous patrons, food took center stage in deluxe restaurants as they purged Beef Wellington from their repertoire and took up the call for culinary creativity and authenticity.

Though not unknown in earlier decades, the restaurant-as-entertainment-venue came into full flourish with the proliferation of theme restaurants with unbearably cute names such as Orville Bean’s Flying Machine & Fixit Shop. To supplement a shrinking supply of old stained glass windows, telephone booths, and barber chairs, restaurant fixture companies began to manufacture reproduction antiques.

However crazy and mixed up the foodscape, America had become the land of restaurants for every taste and pocketbook.

Highlights

ChezPanissecookbook1971 – In Berkeley CA Alice Waters and friends found Chez Panisse, marking the movement of college and graduate students into the restaurant field, a career choice which is beginning to have cachet.

1972 – NYC’s Le Pavillon, considered the finest French restaurant in the U.S., closes. In Kansas City MO the first Houlihan’s Old Place, adorned with nostalgia-inducing decorative touches, opens, as does Mollie Katzen’s natural-food Moosewood Restaurant in Ithaca NY.

1972 –Dry since 1855, Evanston IL, home of the Women’s Christian Temperance Union, grants liquor licenses to two hotels and six restaurants. Their business doubles in a few months.

1973 – Los Angeles County becomes the first jurisdiction in the country to enact a “truth in menu” ordinance. During the pilot program, the scenic Sea Lion Restaurant in Malibu is caught selling the same fish under five different names with five different prices.

1974 – A Chicago food writer throws cold water on arguments about which restaurant has the best lasagne, asserting that the debaters “might have found that same lasagne in restaurants all over the country” courtesy of Invisible Chef, Armour, or Campbell’s.

1974 – Restaurateur Vincent Sardi spearheads a campaign to get New Yorkers to eat out, claiming that the city’s major restaurants have lost up to 20% of their business in the past two years, thus precipitating the closure of 20 leading restaurants.

1976 – The CEO of restaurant supplier Rykoff says whereas his company once supplied whole tomatoes it now provides diced tomatoes “because the operator just can’t afford to pay someone to cut them up.”

RjGrunts1970s1976 – Richard Melman’s Chicago restaurant company, Lettuce Entertain You Enterprises, operator of RJ Grunts, Great Gritzbe’s Flying Food Show, and Jonathan Livingston Seafood, opens Lawrence of Oregano and prepares to take over the flamboyant Pump Room.

1977 –Industry journal Restaurant Business publishes survey results showing that, on average, husband & wife pairs eat out twice a month, spend $14.75 plus tip, prefer casual restaurants, and tend to order before-dinner cocktails and dishes they don’t get at home. Measured by sales, Lincoln NE is one of the country’s leading cities for eating out.

1977 – Once characterized by blandness, San Diego now has restaurants specializing in cuisines from around the globe, an improvement one observer attributes in part to the new aerospace industry there.

1978 – A reviewer in Columbia MO complains, “A brick floor and pillars, old photos, Tiffany lamps, stained-glass windows and trim on the tops of the booths as well as revolving single-bladed, old-fashioned fans [is] a familiar type of decoration these days and I’m getting a little weary of the sameness of so many restaurants.”

1979 – As the year ends restaurant reviewer Phyllis Richman observes that more people are eating out than ever before, transforming once-lackluster Washington D.C. into “what is known as a Restaurant Town.”

Read about other decades: 1800 to 1810; 1810 to 1820; 1820 to 1830; 1860 to 1870; 1890 to 1900; 1900 to 1910; 1920 to 1930; 1930 to 1940; 1940 to 1950; 1950 to 1960; 1960 to 1970

© Jan Whitaker, 2013

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Ohio + Tahiti = Kahiki

kahikiExterior

In the heyday of Polynesian restaurants, the 1960s and 1970s, the business attracted operators because of high profits in rum drinks. Their marketing relied on bar decoration, bartender apparel, drink names, elaborate serving vessels, and imaginative presentation.

The same was true for “Polynesian cuisine.” There could be no such thing as a Polynesian restaurant without fabulously kitschy decor.

Whatever Polynesian cuisine was, it certainly wasn’t what real Polynesians ate past or present. The Kahiki’s reference point was Tahiti. So, what were Tahitians eating in 1961 when the Kahiki opened? According to a geographer, the traditional Tahitian diet consisted of baked fish, breadfruit, and taro, but natives then preferred French baguettes with Australian butter, rice from Madagascar, canned beef from New Zealand, and Canadian canned salmon, all “washed down with generous drinks of Algerian red wine.”

KahikiDrinksIt’s doubtful that Tahitians ate much in the way of Oriental Beef or Tahitian Flambee (flaming ice cream with rum). Not to mention Tossed Green Salads, Eggs Benedict, or Reuben Sandwiches.

But people didn’t go to the Kahiki mainly for its food. As an unenthusiastic reviewer wrote in 1975, “If decor is your reason for dining out, the Kahiki in Columbus is the place for you.”

Its drinks, on the other hand, were hard to resist. With three bars on the ground floor alone, the Kahiki’s menu at one point illustrated drinks served in 30 different glasses, goblets, and ceramic cups and bowls. The most expensive was the Mystery Drink served with four straws. Its presentation involved a scantily dressed server, a gong, a lei, and a kiss. There were also Smoking Eruptions, with fumes emanating from chunks of dry ice, as well as Pago Passages, Malayan Mists, Tonga Tales, and Native Nectars.

kahikiserverBeyond rum, customers were dazzled by the restaurant’s architecture, decor, and theatricality (e.g., periodic thunder and lightning). In the restaurant’s last decades its fans celebrated it as a temple of kitsch but, surprisingly, in earlier years it was often regarded as authentic.

The building reportedly cost $1 million to build in 1960 and, with 560 seats, was the largest Polynesian restaurant in the U.S. In a flat landscape peppered with indifferent utilitarian structures, it was a startling sight that promised relief from drab ordinariness. Stepping beyond the up-swooping 50-foot facade the visitor entered a darkened Tahitian village with tall palm trees, waterfalls, thatched huts, idols, and a wild profusion of South Seas-style artifacts.

The Kahiki’s decorator, artist and engineer Coburn Morgan, was a prominent Ohio restaurant designer whose career may have been launched by his work on the Kahiki. The flamboyant design of the Kahiki was undoubtedly due to him.

In 1960, when he drew the sketch shown above, Morgan was head of the design division of the Tectum Corporation which furnished many of the composite building materials used in the construction of the Kahiki, including pressed wood for roof supports as well as for soundproofing and decorative wall panels. It may also have been used for flooring and for the stylized fish arrayed along the roof’s crest.

kahikiTangierCMorganFollowing completion of the Kahiki, Morgan designed the Aztec-themed Thunderbird Restaurant (Lima), a red-fronted prototype for the Bob Evans chain (Chillicothe), McGarvey’s Nautical Restaurant (Vermillion), the Wine Cellar (Columbus), Jack Bowman’s Steak House (Columbus), the Brown Derby (Columbus), the 18th-century-themed Old Market House Inn (Zanesville), the Tangier Restaurant (Akron — pictured), Mawby’s (Cleveland), and the “Western Victorian-style” Judd’s (Cleveland).

For theme-restaurant inspiration, Morgan traveled to the American West for the Bob Evans chain and to Lebanon for the Tangier, which was modeled on the summer palace of the head of state. The Wine Cellar, owned by Kahiki creators Bill Sapp and Lee (Leland) Henry, had a Shakespeare theme. When it failed in 1991 “16 tall carved knight’s chairs” and a “grand piano bar with winged dragon” were among the furnishings auctioned.

During its more than 50-year run the Kahiki, which was also a nightclub and banquet center, entertained hundreds of thousands of individuals and groups such as Jaycee-ettes, senior citizens, anniversary and wedding parties, and so on. Despite its listing on the National Register of Historic Places and the efforts of local preservationists who felt the Kahiki was an important part of Columbus’ cultural identity, it was demolished in 2000.

© Jan Whitaker, 2013

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The power of publicity: Mader’s

Compared to cities of comparable size in 1910 — such as Los Angeles, Minneapolis, or New Orleans — Milwaukee at first appears to be a town where people rarely ate outside the home. But statistics can be deceiving. In the city made famous by its breweries, most eating places were primarily saloons before Prohibition, usually set up in business by one or another brewery.

This is how Charles Mader got his start, as a saloonkeeper who also served meals of the homely sort. Although 1902 is commonly given as the year in which he began, I suspect it was a few years later that he opened his own place. Throughout most of his early career he worked with a partner. He and Gustav Trimmel joined up in 1915, the year the saloon moved to the present-day restaurant’s address. In 1921 Mader had a new partner, Charles Ruge, with whom he remained in business until 1928. Thereafter his partners were his sons George and Gus who assumed ownership when Charles died in 1937. [pictured above, 1950s]

Although many restaurants get a good share of patronage from out-of-towners, relatively few located in America’s midsection make a determined bid for nation-wide recognition. Mader’s was one of those that did so successfully. A late 1920s photograph in the historic photo collection of the Milwaukee Public Library shows the restaurant with a prominent “Tourists’ Headquarters” sign in its front window. In 1929, a newspaper item suspiciously resembling an advertorial (publications didn’t identify them as such then) claimed that Mader’s had won a reputation for hospitality extending “the length and breadth of this land and to distant lands as well.”

Charles Mader was known for his belief in advertising, often remarking, “If your business is not worth advertising, advertise it for sale.” Beginning afer Prohibition, Mader’s would intensify its advertising program and accentuate its Germanness, following a kind of reverse assimilation common to other German-themed restaurants in the US. Very likely this reflected a proportionate shift in patronage from German-American Milwaukeans to a wider clientele of conventioneers, traveling businessmen, and tourists of all stripes looking for an identifiably ethnic experience. The trend would continue: a 1968 newspaper story reported that at Mader’s and Karl Ratzsch’s, mostly patronized by tourists, German dishes were popular, while at restaurants patronized exclusively by Milwaukeans such as the Fox and Hounds, filet mignon and lobster tail were favorites.

In 1935 the Maders remodeled the 3rd Street building to look more typically German in a style suggestive of medieval architecture with a high stepped gable and two bas relief panels depicting quaintly costumed servers. By contrast, only a couple years earlier Mader’s had a typical plate glass storefront with a centered, recessed entryway and a moderne sign with its name spelled out in bold aluminum lettering. In subsequent decades, the Mader’s compound has been further extended and embellished, given a vaulted ceiling and decorated with heraldic swords and shields. It has taken on a castle-like appearance.

Along with arch competitor Karl Ratzsch’s, a Viennese-inflected restaurant pursuing much the same strategy, Mader’s began to win awards and listings in national magazines and restaurant guides, such as Duncan Hine’s Adventures in Good Eating and those of the Automobile Club of America and Ford Motor Company. It began attracting visiting Hollywood stars in the 1930s, hanging their autographed photos on its walls. In 1937 and again in 1949 and 1952 a poll of traveling business men voted it America’s favorite German restaurant and one of their ten favorite restaurants overall. Accolades continued coming in up to the present day.

Mader’s is a survivor, having outlasted most of Milwaukee’s venerable German restaurants, some of which, Forst-Keller and the Old Heidelberg for example, were associated with the city’s breweries. Cafes originating with Fritz Gust, Joe Deutsch, and John Ernst have all passed from the scene, the last as recently as 2001.

Long considered “heavy” eating, German cuisine has perhaps sunk in popularity somewhat from the middle of the 20th century, although Pork Shanks – ever popular at Mader’s – remain on the restaurant’s menu to this day. Notably, though, this once-humble dish has become an expensive entree.

© Jan Whitaker, 2012

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Theme restaurants: castles

So often restaurant reviewers seem to struggle to say something positive about a restaurant. Is it my imagination or did they try twice as hard when reviewing restaurants with medieval castles and King-Arthur-and-his-knights themes? No doubt there were a handful of restaurants of this sort that really cared about food but, mainly, I think not. Of course most were actually steak houses in disguise — but what wasn’t a steak house around 1967, the year that the movie Camelot came out, almost certainly boosting this restaurant-ing trend?

In America Eats Out, John Mariani comments that during the 1960s many “strained and mawkish” restaurant themes prevailed. For example, he writes, “‘Old English pubs’ proliferated in places with names like Ye Olde Bull & Bush in Atlanta, The Golden Bee in Denver, and His Lordship’s in St. Louis. At Atlanta’s Abbey restaurant, waiters came to the table dressed as monks (a sartorial gimmick also featured at New York’s Monk’s Inn).”

The popular movie Camelot explains some but not all instances of medieval English resorts in this country. There were none in the 19th century that I’ve discovered, but a few can be found before the 1960s. I do not include White Castle hamburger stands. Despite their name and laughably minimal crenellated exteriors, they were so clearly not castles that they may be excused from consideration. They didn’t print menus on parchment scrolls, didn’t decorate with suits of armor, and didn’t dress countermen in monks’ robes or velveteen rompers with tights. As others have commented, White Castle interiors looked more like morgues than baronial halls. And while White Castles were sited near bus stops and factory gates, only a novelist like Vladimir Nabokov could have created the existential contexts for English castles: The Coat of Arms on Oracle Blvd. in the Casa Adobes Plaza; the Camelot Castle, a smorgasbord in Azusa CA; King Arthur steaks in Long Beach.

knightCrownRoomSheratonMotorHotelNYC

Back in the 1920s entrepreneurs in Los Angeles were knocking together roadside castles – and windmills, Irish shanties, French Bastilles, giant igloos, anything that would catch the eye of a speeding motorist. It may have been a similar motive that led to the ca. 1920s erection of a castle in Westhampton, Long Island, once the home of the Gray Lion Tea House (another medieval castle would spring up in a Valley Stream shopping center in the mid 1960s housing a unit of the Steak Pub chain). The 1939 Chicago World’s Fair occasioned many theme restaurants including The Hunting Lodge, an English castle whose guests were attended by young women dressed as Robin Hoods.

Quite unlike White Castles’s tiny beef patties, Olde English castles encouraged “royal” self-indulgence, designed principally for male guests. Stiff drinks in front of the roaring fire, the color red, chunky chairs, cheese crocks, T-bone steaks, jumbo shrimp, and oversize desserts were typical of these castles.

The proliferation of restaurants of this type in the 1960s makes me think that it took a lot of coaxing to get men to go out to dinner in that decade.

© Jan Whitaker, 2011

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