Had S. J. Perelman not gone to Los Angeles to write for the movies — including the Marx brothers’ Horse Feathers — we might never have known his reaction to LA’s larger-than-life animals and shoes, etc., housing restaurants that served food he found hilariously weird. In a 1934 series of absurdist essays called “Strictly From Hunger” he portrays his introduction to the “Plushnick Studio” and his efforts to obtain a meal along Hollywood Boulevard.
In a Pig ‘n Whistle café he orders an avocado salad, which the server covers with walnuts and chocolate sauce. He decides to order something else. She suggests the special nutburger. “‘Hamburger with chopped nuts,’ she offered helpfully. ‘Double ball of vanilla on the side.’ ‘What would a man drink with that’ I muttered averting my eyes. ‘Well, how’s about a Mammoth Malted Milk?’” He faints.
Next he goes to “a pink-and-blue shack whose neon lights told me that it was Burp Hollow, Home of the Realistic Ten Cent Hot Dog. My head began to swim again and I hurried on.”
After passing up Bamboo Isle (“Strictly Kosher Turkey Sandwiches, Fifteen Cents”), he heads to what was probably Mother Goose. “Finally, in an eatery built in the shape of an old boot I was able to procure a satisfying meal of barbecued pork fritters and orangeade for seventy-five cents. Charming platinum-haired hostesses in red pajamas and peaked caps added a note of color to the scene, and a gypsy orchestra played Victor Herbert on musical saws.”
In a 1936 photo series called “Chamber of American Horrors” for which he wrote captions he describes Mother Goose as a place where “Inside, kiddies from six to sixty, most of whom are indistinguishable from each other, gnaw sizzling steaks and discuss their movie favorites.” Other eating places included in the Chamber were the Toed Inn (“tasty combinations of avocado and bacon, pimento and peanut butter”), the Laughing Pig Barbecue Pit (“Etched in red and blue neon lights against the velvety southern California night, it can be seen and avoided for miles.”), and the Pup (“The most ravenous appetite fades before this elaborate cheese dream.”).
© Jan Whitaker, 2009
If it weren’t for the steady number of souls searching the spheres for Nucleus Nuance, I’d hesitate to touch this subject. After all, it was a clubby hangout that I never experienced personally so I’m at risk of leaving out things that true-blue fans care about. On the other hand, there doesn’t seem to be much written about the restaurant side of this jazz nightclub, so here goes.
In 1979 Nucleus acquired new partners, the Venieros, who introduced fine vintage California wines, hooked up the restaurant with the Garlic Festival, and expanded the premises. Evidently, though, it remained unbeautiful. According to the Los Angeles Times in 1976, the dining room was windowless and “The front door leads you down a long corridor that makes you think you’ve walked in the back door by mistake.” In 1988 it sounded pretty much the same. A review by Alan Richman describes the entrance as “a nightmare, a series of twists and turns along a gloomy cinder-block passageway,” adding that the uninviting exterior was “white cinder-block, the front door solid black, the overhead awning worn out.” (He liked the place once he got settled.)
A “faux” want-ad for a young clerk, allegedly placed by “Iscariot Grasp, 1 Brokers’ Alley,” was published in New York in 1849. It represents a humorous take on Puritanical notions of morality of that time. Evidently an upstanding young man then was supposed to confine his dining to home. If he wanted the clerk job he had to promise to reside with his parents and not to frequent “oyster-cellars, porter-houses, theatres, balls, ten-pin alleys, billiard rooms, sweat-boards [a dice game], raffles for poultry or game, restaurants, confectioners, steam-boats, Coney-Island, Rockaway or Saratoga.”
In the late 19th century owners of large popular-price restaurants began to look for ways to cut costs and eliminate waiters. The times were hospitable to mechanical solutions and in 1902 automatic restaurants opened in Philadelphia (pictured below) and New York. In both cities, a clever coin-operated set-up – and a name – were imported from 
The Automat in NYC was owned by James Harcombe, who in the 1890s had acquired Sutherland’s, one of the city’s old landmark restaurants located on Liberty Street. The Harcombe Restaurant Company’s Automat was at 830 Broadway, near Union Square. Reportedly costing more than $75,000 to install, it was a marvel of invention decorated with inlaid mirror, richly colored woods, and German proverbs. It served forth sandwiches and soups, dishes such as fish chowder and 
Undeterred by the first Automat’s fate, Horn & Hardart moved into New York in 1912, opening an Automat of their own manufacture at Broadway and 46th Street (pictured). It turned out that New Yorkers did indeed use slugs, especially in 1935 when 219,000 were inserted into H&H slots. But despite this, the automatic restaurant prospered, expanded, and became a New York institution. By 1918 there were nearly 50 Automats in the two major cities, and eventually a few in Boston. Horn & Hardart tried Automats in Chicago in the 1920s but they were a failure. On an inspection tour in Chicago, Joseph Horn noted problems such as weak coffee, “figs not right,” and “lem. meringue very bad.”
The Automats hit their peak in the mid-20th century. Slugs aside, the Depression years were better for business than the wealthier 1960s and 1970s when some units were converted to Burger Kings. In 1933 H&H hired Francis Bourdon, the French chef at the Sherry Netherland (fellow chefs called him “L’Escoffier des Automats”). In 1969 Philadelphia’s first Automat closed, being declared “a museum piece, inefficient and slow, in a computerized world.” That left two in Philadelphia and eight in NYC. The last New York Automat, at East 42nd and 3rd Ave, closed in 1991.
James Beard enjoyed eating out – in fact much of his life revolved around restaurants. When he was a child his mother often took him to places such as the Royal Bakery in his hometown of Portland OR and Tait’s in San Francisco (pictured). Although he was an accomplished cook, cooking teacher, and author of over 20 cookbooks, like many a New Yorker he patronized restaurants frequently, including 
He preferred restaurants that were “homey” and where he was known and liked, such as the Coach House and Quo Vadis. At the latter he became good friends with owners Bruno Caravaggi and Gino Robusti with whom he shared a love of opera. As a young man (pictured, age 19) he prepared for a musical career at London’s Royal Academy of Music. He said that his early performance training helped him with radio and TV appearances.
In the early 19th century Philadelphians enjoyed driving their carriages to the falls on the Schuykill River, the area now known as East Falls, then lined with hotels and restaurants. Eating places there specialized in a favorite dish associated with Philadelphia long before the advent of cheese steaks, namely catfish and waffles. (I’d like to believe that the dish did not include maple syrup.)
Well into the 20th century waffles were familiar fare in boom towns such as Anchorage, Alaska, and the oilfields of Oklahoma. Around 1915 two young women from Seattle decided to seek their fortune in Alaska with the Two Girls Waffle House (pictured). In what was not much more than a shack with a canvas roof they could handle only eight customers at the counter. But after a year they had made enough money from railroad construction workers to build a permanent structure. A similar success story could be told about the two young men who ran the Kansas City Waffle House in Drumright, Oklahoma, before graduating to a bigger enterprise in Tulsa.
Waffles were also a staple of tea rooms in the early 20th century. In places as varied as big city afternoon tea haunts and humble eateries in old New England homesteads, waffles attracted patrons. In 1917 New Yorkers could choose among the 
The Downing family of caterers and restaurateurs, Thomas and his sons George T. and Peter W., were activists in the causes of the abolition of slavery, black suffrage, and black education. They assisted Afro-Americans fleeing slavery before Emancipation as well as those escaping terrorism in the South in the post-Civil War period. Like many free blacks living in cities, they took up the catering trade. Similar to undertaking and barbering, catering was a personal service occupation which offered a degree of opportunity for enterprising people of color.
Thomas Downing (pictured), the son of freed slaves from Virginia, specialized in oysters. He opened an oyster cellar on Broad Street in New York City in the 1820s, gradually expanding it and earning a fine reputation. Often oyster cellars were “dives” but his was considered first class. He won awards for his pickled oysters which, along with his boned and jellied turkeys, were especially popular at Christmas (see 1856 ad). Over time he owned the Broad Street place and at least one other in NYC and, according to a Rhode Island directory, another in Providence. However, the press seemed always to confuse the various Downings, so it’s possible the latter was under the direction of a son.
Thomas’s place on Broad was patronized by men in political and financial circles and he was rumored to have influential connections. Both his sons, George and Peter, had enough pull to win concessions for restaurants in government buildings. Peter ran an eating place in the Customs House in NYC, while George, a friend of MA Senator Charles Sumner, managed one in the House of Representatives in Washington, D.C. George (pictured) was also well known as the proprietor of a resort hotel, the Sea Girt House, in Newport, Rhode Island.
By the end of the decade almost 40% of Americans live in suburbs and 75% have televisions. Church-going enjoys a revival. “Under God” is added to the Pledge of Allegiance and “In God we trust” is stamped on coins. Even as social pressures push women toward homemaking, 40% work outside the home. Congress passes the Internal Security Act requiring communists to register with the Attorney General. In Brown vs. Board of Education the Supreme Court rules that “separate but equal” education must end. Casual dining prevails, both at home and in public, yet interest in new dining experiences, luxury, and exotic cuisines is apparent. The restaurant industry looks forward to a bright future.
1952 A Chicago restaurant advertises its “atomic menu,” with items such as “Guided Mussels.” – Teens get behind the wheel and drive-ins flourish. In Stockton CA patrons can choose among Billy’s Drive-In, Dick’s Drive In, Don’s Drive-In, Travo-Burger Drive Inn, or the Snow White Drive Inn. – A prominent black Denver physician wins a suit against a drive-in restaurant in Fort Morgan CO after he and his wife are 
1957 The Hot Shoppes company operates restaurants and cafeterias in 11 states and D.C. as well as serving meals on airlines, the NY Thruway, and in government dining facilities. It keeps a 3,000-acre sheep and cattle ranch in Virginia, as well as a commissary, butcher shop, bakery, and ice cream plant in D.C. – In NYC the Forum of the Twelve Caesars opens. Unfazed by its campy decor and toga-clad waiters, NYT reviewer Craig Claiborne hails its “lusty elegance,” “opulent” food, and “superb” service.
1958 When the IRS cracks down on expense accounts by requiring detailed proof of expenses, membership in The Diners’ Club rises sharply. In NYC, advertising executives make up the largest category of members, followed by people in the TV industry. – The Burger Chef chain gets its start.
For decades pizza was seen as a light snack rather than a meal, much as it had been on the streets of Naples for centuries. An English visitor to Naples in 1843 noticed small bakeshops where “a constant hissing and thick smoke indicated the preparation of pizze, (composed of flour, lard, eggs, and garlick) and muzzarella.” In 19th-century Italy, as now, there were a variety of toppings: grated Swiss cheese, olive oil, tomatoes, and anchovies or other fish. Southern Italians brought the dish to America, and in 1903 a New York newspaper took note of a dish known as “pomidore pizza” or “tomato pie” sometimes topped with salami.
Boosted by prosperity, casual suburban lifestyles, and burgeoning youth culture after the Second World War, pizza leaped into popularity. But it was not known well everywhere. For instance, in 1948 a Corpus Christi TX restaurant review referred to the “unusual” item as “pietza pie.” It was much better known in Chicago. In 1953 there were already more than 100 pizza parlors there.
Historically, few tea rooms have enjoyed financial success. So, while “empire” may be a bit grandiose, it’s hard not be impressed by the tea rooms enterprise Ida Frese and her cousin, Ada Mae Luckey, built in New York City in the early 20th century. Ida and Ada, both from a small town near Toledo OH, struck it rich by winning the patronage of wealthy society women. Over time they owned six eating places: the Colonia Tea Room (their first), the 5th Avenue Tea Room, the Garden Tea Room in the O’Neill-Adams dry goods store, the Woman’s Lunch Club, and two Vanity Fair Tea Rooms.
Clearly they valued a good location. The Vanity Fair at 4 West Fortieth Street began in 1911, bearing a notice on its postcard (pictured) that it was across the street from the “new” public library which also opened in 1911. The tea room’s upstairs ballroom was the site of many a party, such as a Shrove Tuesday celebration in February 1914 attended by 150 masked guests.
Adding to their financial success were several real estate coups. In 1914 Ida somehow obtained a lease on a coveted Fifth Avenue property. Her feat astonished everyone who followed real estate deals since the owner, a granddaughter of William H. Vanderbilt, had turned down repeated offers from would-be lessees and buyers. The house at #379 was one of the last residences on Fifth Avenue between 34th and 42nd streets which had not been turned into a store or office building. Ida and Ada moved the Colonia, previously on 33rd Street, to this address and rented the remaining space to retail businesses, dubbing the structure the “Women’s Commercial Building.”
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Restaurant-ing through history 