August 31, 2010 · 2:29 pm

Famous in its day: Tony Faust’s

By the 1880s Anthony E. Faust had established quite a culinary empire in St. Louis. He ran a Café and Oyster House downtown on Broadway which had a nationwide reputation. Since 1878 it had featured rooftop dining, uncommon in the U.S. then. From his adjoining “Fulton Market” he also retailed and wholesaled “Faust’s Own” oysters and other delicacies such as truffles, soy sauce, and curry powder which he shipped to Southwestern and Western states. His Faust label beer, made for him by the Anheuser brewery, was also sold in the West.

He didn’t start out in the food business but as an ornamental plasterer who immigrated from the Prussian province of Westphalia at age 17. After being accidentally shot while watching a parade, he gave up his trade and decided to open a café in 1865.

Obviously he had a knack for the new business. And it helped that St. Louis was a booming hub of shipping and commerce positioning itself to dominate commerce with the West. His closeness to the Adolphus Busch family of beer fame was undoubtedly another asset. In 1886 Tony opened a second restaurant in a huge new Exposition Building on Olive Street between 13th and 14th which hosted conventions of architects, music teachers, fraternal organizations, and the Democratic National Convention of 1888.

In the late 1880s he razed his restaurant and replaced it with a finer building. With an interior of carved mahogany woodwork, a tapestried ceiling, and an elaborate mosaic tile floor, the restaurant catered to the fashionable after-theater crowd. At some point, perhaps in 1889, a second story was added, eliminating the rooftop garden (above image, ca. 1906).

Success seemed to mean Tony could do as he wished. Caught serving prairie chickens out of season (under the frankly fraudulent name “Virginia owls”), he freely confessed and flippantly said he’d pay the fine or “break rock” if need be. When the Republican National Convention was held in St. Louis in 1896 he claimed his staff would not prepare or serve meals for Afro-American delegates. Even after the convention’s managers offered to hire a space, furnish stoves, and buy provisions to feed the black delegates if Faust would oversee the work, he absolutely refused to do it. Period.

In preparation for the 1904 St. Louis World’s Fair (the Louisiana Purchase Exposition), Faust joined half a dozen of St. Louis’s top restaurateurs in a trust, the St. Louis Catering Company, probably designed to buy in large quantities and possibly to set prices too. Faust went into partnership with New York’s Lüchow’s to create a Tyrolean Alps Restaurant at the Fair which seated 5,000 diners and featured costumed singers (pictured). It represented brewers’ interests as well, leading one observer to joke that the enormous beer hall should have been named “Budweiser Alps.” According to the Fair’s Official Program there was also a Faust restaurant in the Fair’s west pavilion on Art Hill.

At the time Tony Sr. died in 1906 the Faust empire included a second Fulton Market location, and another Faust restaurant in the Delmar Gardens amusement park in University City managed by his son Tony R. Faust. Like many a successful businessman in the Midwest, Tony R. went to NYC to see about opening a branch there. There was a Faust restaurant in NYC’s Columbus Circle in 1908 (pictured), but I am not certain whether this belonged to the St. Louis Fausts. In 1911 Tony Jr. was declared insane. After that his older brother Edward, an executive of Anheuser-Busch who was married to a daughter of Adolphus Busch, took over the restaurants and markets. The downtown restaurants in St. Louis and NYC, and probably the others as well, closed in 1915 and 1916, casualties of looming Prohibition.

© Jan Whitaker, 2010

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August 16, 2010 · 3:10 pm

Theme restaurants: prisons

I’ll admit that I’m not fond of theme restaurants. So often they seem designed for tourists who will never return and, therefore, don’t get very good treatment. Food is often a secondary consideration, mediocre at best, while the entertainment is hokey.

Yet obviously many people enjoy places that allow them to escape their everyday lives for a few hours. What kind of escape does a prison concept provide? Appreciation of freedom? The opportunity to tell friends “I was in jail last night”?

Whatever it may be, it’s never been a common restaurant motif, yet it endures today. The theme can be traced back to 19th-century Montmartre’s Café of the Penitentiary (Café du Bagne). The beat was picked up in the US by “beefsteak dungeons” that sprang up around 1900. In another variant, Don Dickerman led patrons down into a dark cellar, the brig, in his Pirates’ Den in the Greenwich Village of the 1920s, which he recreated in Miami, Washington, and Hollywood CA (shown) in the 1930s and 1940s.

Los Angeles was host to several jail theme eating/entertainment venues, the first in the early 1920s when LA entrepreneurs were eager to cash in on the popularity of Greenwich Village by creating outlandish eating places that resembled the Village’s. One LA attraction was a coffee shop largely patronized by sailors where the walls were painted to resemble the stone walls of a prison on which patrons scrawled their names. Then, in 1925, The Jail opened on Sunset Boulevard. Each table occupied its own barred cell. Just like in Montmartre of the late 1800s, waiters dressed as convicts — the bitterly ironic yet unconscious American twist being that they were black men.

Within a year the proprietors of The Jail opened a second place. This location, or perhaps the first, became the set for two movies which have subsequently fallen into obscurity: Sweet Daddies (silent, 1926) and Ragtime (1927).

The Jails featured chicken dinners. Diners were furnished with no knives or forks, thus carrying on the beefsteak dungeon’s “caveman” tradition of eating with the hands. In 1930 a newspaper columnist named The Jail as one of the “seven wonders of Hollywood,” along with the Hollywood Bowl and the residence of Harold Lloyd. That honor may have marked its swan song as it seemed to disappear around then.

There were also jail-themed restaurants in other parts of the country. Depression-era Indianapolis had Fox’s Jail House Restaurant (shown above) where the “inmates” ate behind bars, while Fairfield, Iowa, enjoyed Turner’s Jail Café where, in 1939, Mr. and Mrs. Turner invited guests to Eat (plate lunches) at the Jail!

Believe it or not, the macabre subject of execution has also served as a theme for some eating places, such as The Noose Coffee Shop located across from Chicago’s Criminal Courts building in the 1920s. It supplied condemned prisoners with their last meals and they reciprocated with autographed photos. In the 50s, 60s, and 70s, Tarzana CA had a jokey place called The Hangman’s Tree Café, whose menu cover featured a noose dangling from a tree and the slogan “Jail Fare.” Although it was presumably meant to invoke the Wild West I feel reasonably certain not many black guests chose to accept the invitation to “hang out” there. I almost hate to mention the Taipei, Taiwan, restaurant called The Jail which in 2000 was grotesquely (but briefly, following public outcry) decorated with photo murals of emaciated prisoners of German concentration camps and a sign for the rest rooms that read “gas chamber.”

© Jan Whitaker, 2010

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August 10, 2010 · 6:01 pm

L’addition: French on the menu, drat it

In his 1904 Culinary Handbook, Charles Fellows pledged: One of my first thoughts in writing this handbook was to abstain from French terms. I said to myself, I WILL WRITE AN AMERICAN CULINARY HANDBOOK FOR AMERICANS. I have heard it frequently stated that the terms for the bill of fare could not be properly represented in the American language. I SAY IT CAN, and as proof positive you have it here. There are no French terms used for the receipts [recipes] of this book, and the headings as given are what should in my opinion be placed on the bill of fare, as perfectly adequate in describing the dish.

He was unable to keep his pledge. There are French terms throughout the handbook. On one typical page appear not only the fairly commonplace French words purée and sauté, but also béchamel, epigramme, haricot, matelote, saûtoir, and vélouté. He duly translates Chicken Chasseur as “Broiled chicken, Hunter’s Style,” but then instructs the cook to serve it with “sauce chasseur.”

Fellows felt that many dishes on restaurant menus went unordered simply because diners didn’t know what they were. This may have been true, especially since the dining public was broadening in the early 20th century, bringing unsophisticated but monied newcomers into  high-class restaurants.

French terms began to appear on American menus in the 1850s. By the 1890s their use was considered essential for luxury restaurants. But the tide began to turn around the 1920s when people started eating lighter, faster meals and menus were greatly scaled down, simplified, and rendered in English. The 1918 menu of the Tuxedo Rotisserie and Grill actually listed “Frog Legs in Paper Bags” rather than the dreaded en papillote. But, there are terms that remain today and still puzzle diners. Many of the menu terms below were not well known by most Americans in the 1890s, nor even 40 years later.

compote – a dish of fruit stewed in sweetened liquid, sometimes a dessert as was the case with Compote of Apricots and Rice which appeared on an 1893 menu at San Francisco’s Delmonico’s Restaurant. But I have also seen “Pigeons en compote” on an 1841 menu.

fricandeau – sliced meat or fish fried or braised and sauced, similar to a fricasée. In 1839 Fricandeau of Veal appeared in the French section of a menu of the Astor House, a first-class NYC hotel. This term is antiquated today.

glacé – according to Restaurant Menu Planning (1954), this word is an excellent one for menus, right up there with oven-baked and crisp. It properly refers to reduced meat stock that can be used to give flavor and sheen to dishes. Sweet Breads Glace was on the menu for a special dinner at the Rankin House, Columbus GA, in 1887.

jardiniere – Le Jardinier de Macaroni à la Italienne appeared on an 1843 Tremont House menu under Hors D’Oeuvres. In 1915 the Budweiser Café in Indianapolis IN offered “Fricandeaux (perhaps indicating by the “x” that there is more than one slice) of Veal, Jardiniere” for a mere 30c. Jardiniere indicates a dish served with a garnish of cut up mixed vegetables, perhaps in gravy. In 1965 the Armour Company advertised a new product which provided restaurants with flexible film pouches containing eight servings of braised oxtails jardiniere.

la financiere – Sweetbread patties a la Financiere as served at Fleischmann’s in NYC in 1906 undoubtedly were patties made from the thymus glands of veal or young lambs with a garnish or sauce of button mushrooms, bits of truffle, and possibly some cockscombs (yes, the red things atop roosters’ heads) with Sherry or Madeira wine.

maitre d’hotel – The Broiled Halibut, maitre d’hotel on the menu of New York’s Café des Ambassadeurs in 1905 was fish with a melted butter sauce to which was added lemon juice, chopped parsley, and a little grated nutmeg. The popular and expensive Jack’s in San Francisco dared in 1947 to offer Broiled Spring Salmon Steak à la Maitre d’Hôtel, giving the words their full accented treatment. (The menu also featured Tripe à la Mode de Caen.)

ragout – this word, now antique, was almost synonymous with French cooking in the early 19th century and critics always referred to it when criticizing French food for its overseasoned character which was believed to be unhealthy and induce drinking. In short it means spicy stewed meat and vegetables. When given a French name, western restaurants could sell stew at high prices to miners who felt they were living large. Ragout of Mutton appeared on a 1903 menu of the Occidental Hotel, Breckenridge CO.

rissole – According to Delmonico’s long-time chef Charles Ranhofer, in the 1890s rissoles were one of many items that could be served for the hors d’oeuvres course which followed soup. They were made of chopped meat, or possibly fish, vegetables, or even fruit, which was held together with egg, formed into a rounded shape, encased in crumbs or pastry, and fried.

quenelles – meat or fish forced through a small mesh and formed into balls, such as the marrow balls in the Green Turtle Soup aux Quennells a la Moelle served at the Central Hotel in Charlotte NC in 1896 or Quenelle of Calves Liver, German Style, served at Kentucky’s Louisville Hotel in 1857. Not long ago I attended a forum in NYC which declared quenelles, and the fancy cuisine they represent, totally decrepit.

vol au vent – a pastry basket from which a “lid” is cut and replaced after inserting a filling of delicately sauced meat, fish, vegetables, or fruit. The case is then baked. Sometimes found grossly misspelled on menus as in “voloven garnie de clams a la poulette,” which presumably is pastry with a chicken filling garnished with clams.

© Jan Whitaker, 2010

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July 29, 2010 · 6:49 pm

Anatomy of a restaurateur: Romany Marie

Marie Marchand, whose business name was Romany Marie, was taken aback in the 1950s when a Greenwich Village restaurateur declined to host a dinner for Marie’s artist friends on the grounds they would occupy the tables too long. In a 1960 interview recorded in Romany Marie, Queen of Greenwich Village by Robert Schulman, Marie reflected, “It was a little shock to me. Poor dear, she felt she had to have turnover, she was in the restaurant business, not in the venture of maintaining a center for lingering tempo.”

For someone such as Marie who had herself been in the restaurant business for over 30 years, this would seem to be an odd reaction. But hers were odd restaurants – she preferred to call them centers – where patrons were encouraged to linger. If they lacked money for a meal, and they fit her criteria as creative spirits, she let them eat for free. Luckily, she had a brother who helped her out financially because hers was not a lucrative business. On the other hand, she encouraged and helped sustain dozens of artists and creators such as Buckminster Fuller, Burl Ives, Stuart Davis, Edna St. Vincent Millay, and John Sloan (one of the many artists who painted her portrait – pictured above).

Marie, who as a teenager came to the US from Romania in 1901, said she patterned her taverns (so-called though she served no alcoholic drinks) after the inn her mother ran for gypsies in the old country. To honor her mother, Marie dressed as a gypsy and usually decorated in rococo style with peasant scarves, batiks, pottery, and her patrons’ paintings. Several of the 11 locations she occupied over the years featured fireplaces, which to the horror of health inspectors she used for broiling steaks.

After working initially in the garment industry Marie brought her mother and sisters to New York. The family lived on the lower East Side near the Ferrer School which offered workers free adult education. She became involved with the school where she met artists and thinkers who later became her patrons and, sometimes, volunteer waiters. In 1914 she opened her first place in the Village’s Sheridan Square. Amenities were sorely lacking, with both stairway and toilet facilities located outdoors. For years she had no electricity, candles furnishing the only lighting.

AtmosphereRomanyMarieSummer1921In 1915 she moved to 20 Christopher Street and it was at this location, the one she occupied the longest, that her name became well known. Another location of renown was 15 Minetta Street, with an interior designed by Buckminster Fuller in the late 1920s. In the 1960 interview Marie quoted Fuller as saying, “I’m going to fix up this place in a Dymaxion way.” He outfitted the restaurant with canvas sling chairs, “aeroplane tables,” and aluminum cone lights. Instead of the darkness her patrons were accustomed to, Fuller lit the place up by painting the walls silver. Sculptor Isamu Noguchi assisted (“Bucky got me to help him with painting the place up solar.”). Everyone disliked the brightness, the tables wobbled when food was placed on them, and the chairs collapsed when sat on. The experiment failed but Marie promised Fuller one free meal a day for the rest of his life, a benefit that carried him through the Depression.

In addition to Romanian dishes such as meat pies and cabbage rolls, Marie specialized in strong coffee which she advertised as Café Noir à la Turque. Her signature dish was ciorbă, a soup of vegetables, meatballs, eggs, lemon juice, and sour cream. Marie’s husband Arnold, a difficult man who was known to deliberately break dishes and otherwise sabotage her efforts, rendered this dish on his phonetic menu as “Tchorbah, peasant soop.” A menu by him also listed “Boylt Beeph wit been’s & hors radish,” and “Lone Guy Land Greens.”

Marie continued in the restaurant business until 1946 when she retired to care for Arnold. Each time Marie moved her restaurant she announced it with a sign which said “The caravan has moved.” Its last move was to 49 Grove Street.

© Jan Whitaker, 2010

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July 26, 2010 · 8:16 pm

Between courses: only one?

The gruff waiters and rowdy patrons found in cheap restaurants of the 19th century provided rich inspiration to story tellers. No story was more popular than the “Lone Fish Ball” which was published in newspapers before being turned into a favorite college song around 1854 (attributed to a Harvard professor of Latin), translated into Italian, and even performed in Tableaux Vivants.

The latter form of entertainment, where actors silently act out scenes, was a singularly odd one since the story is all about words uttered by a waiter and their mortifying effect upon a hapless patron.

In the 1840s, the decade in which the event allegedly took place, it was the custom of waiters in cheap eating houses to shout orders to cooks while standing at the tables. New patrons unfamiliar with this practice were invariably embarrassed when their orders were revealed to a roomful of none-too-polite patrons.

According to the tale, a young man who is short of money enters a cheap restaurant (sometimes identified as Daniel Sweeny’s Old Established Eating House in New York City) and realizes he has only enough money (6 cents) for a half order of fish balls – i.e., one fish ball – and a cup of tea. He timidly whispers his order to the waiter, hoping his oafish neighbors won’t overhear it, whereupon the waiter bellows it forth, emphasizing the word ONE. The oafs snicker.

He receives his order and again whispers to the waiter, “A piece of bread, sir, if you please.” Then, as the song goes:

The waiter roars it through the hall,
We don’t give bread with one fish-ball.

Now the entire house breaks out in laughter and the humiliated patron slips out.

© Jan Whitaker, 2010

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July 12, 2010 · 1:52 pm

Restaurant-ing al fresco

Today there are many opportunities to eat outdoors, but for much of our history it was fairly uncommon. Partly explained by dust and dirt from unpaved roads, even in the 20th century when this had been overcome there were still few outdoor restaurants, particularly with the spread of air-conditioning after World War II. Though impossible to quantify, it’s possible that dining in open air was more in vogue in the late 18th century than in 1960.

“Pleasure gardens,” as they were called, were enjoyed in 18th-century American cities. Smaller ones were called tea gardens. Patrons, including whole families, were invited to lounge, stroll, and possibly spend the day. They offered a variety of food and drink, but by far the most popular order was ice cream. Many gardens were run by English tavern-keepers or French confectioners. New York’s Vauxhall Gardens, which contained a wax museum, was managed in the 1760s and 1770s by Sam Fraunces of the West Indies, later steward to George Washington. In 1798 a tea garden behind a Philadelphia tavern advertized it was “laid out in grass plats, provided with tables, benches, boxes, bowers, etc. and delightfully shaded by fruit trees.”

Outdoor gardens where patrons consumed mead, lemonade, and light snacks gave way around the Civil War to German beer gardens (Bismarck Gardens, Chicago, pictured) which, like tea gardens, were often situated on the outskirts of cities. They continued until the second decade of the 20th century when burgeoning suburbs wishing to eliminate alcohol purveyors succeeded in closing them down. Prohibition also defeated the dreams of American soldiers returning from WWI who had enjoyed sidewalk cafes in Paris and wanted to reproduce them in their homeland. But would they have caught on in a pragmatic country like America so dedicated to business and industry that sitting at a sidewalk café seemed like decadent loafing?

In truth dining outdoors was enjoyed by Americans mostly when they were in tourist mode, at the seashore or in Europe. Seasonal tea rooms delightfully situated in places such as Marblehead MA (pictured) commonly offered afternoon tea, lunch, and dinner on porches, lawns, and patios. World’s fairs were another place to enjoy Continental ways. Beginning with the 1876 Centennial in Philadelphia, fairs always included provisions for dining al fresco.

There were a few 20th-century exceptions to the general disinclination to dine outdoors. Rooftop restaurants, usually atop hotels such as the Astor (pictured here), attracted fashionable patrons around 1900 and persisted through the 1920s. New York had more than most cities, but they did flourish elsewhere, such as at San Antonio’s St. Anthony hotel. The title of “first” was claimed by St. Louis restaurateur Tony Faust who added rooftop dining in 1877.

And some odd artistic types — “bohemians” — enjoyed summertime dinners in the backyards of small Italian and French restaurants as early as the 1890s. By 1905, Town & Country magazine declared this habit had attained fad status among adventure seekers.

Louis Sherry claimed to have set up the first sidewalk café in this country, outside his Fifth Avenue restaurant in 1900. He wasn’t actually the first. In 1891 women out shopping in Manhattan liked to “eat al fresco under the vineclad, bush-shaded bower” in front of the Vienna Café. Not too surprisingly, the warmer climates of Florida and California proved most hospitable to sidewalk dining. The custom did not really catch on in a big way across the U.S., though. Those sidewalk cafes that were created in the mid-20th century, such as the St. Moritz Hotel’s Café de la Paix (NYC, pictured), usually advertised their Continental atmosphere, suggesting that eating on sidewalks had not yet earned true American status.

© Jan Whitaker, 2010

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July 6, 2010 · 11:07 pm

A chef’s life: Charles Ranhöfer

Or, how Americans got dishes fit to set before a king.

In the middle of the 19th century highly trained European chefs began arriving in the United States. Many were lured to California by the inflated gold mining economy while others stopped on the East coast. Charles Ranhöfer (he soon dropped the umlaut) arrived in 1856, first working for a Russian diplomat in NYC, then for a Washington DC restaurant and a private family in New Orleans. After spending some time in his home country of France in 1860, he returned to New York and in 1862 accepted a position as chef at the “uptown” Delmonico’s on Fifth Avenue near Union Square.

At this time New York City was engorged with wealth from the Civil War. The rich bought up yachts, race horses, fancy carriages, and real estate. It was the perfect time to introduce them to fancy French cuisine. Despite his young age, 26, Ranhofer had extensive experience, having begun his career as a child and running Paris restaurants and the kitchens of European royalty.

The reputation of Delmonico’s as the premier American restaurant, the one most nearly resembling the finest in London and Paris, was built largely during Ranhofer’s reign which lasted from 1862 to his death in 1899, with a brief interruption when he returned to Paris in 1876 around the time Delmonico’s moved from Union Square to Madison Square (shown).

The restaurant’s glory was founded less on regular patronage than on lavish banquets given to honor prominent men. Grand dinners of the 1860s included one given by British railway tycoon Sir Morton Peto and one for President Andrew Johnson and another for Charles Dickens. The Peto dinner, costing $30,000 in 1865 (over $400,000 now), spread Delmonico’s fame across the nation. Another celebrated dinner planned by Ranhofer featured a 30-foot pond set into the banquet table, banked with flowers to protect guests from splashing by four live swans.

Ranhofer’s name became widely known after he published his vast cookbook, The Epicurean, in 1894, divulging how “haute” restaurant cuisine was produced. The cookbook reveals just how many props and quantities of plaster of paris and glue (jelly) are needed to turn out highly decorated French dishes. The illustration of salmon steaks from The Epicurean shown here exhibits salmon coated along the sides with butter paste onto which circles and diamonds cut from truffles have been attached. Truffles also cover the yolks in the boiled egg border. On either side of the salmon dish are decorative spears (hatelets/attelets) of prawns. Ranhofer is also known for inventing baked Alaska – in his recipe ice cream is stuffed inside a hollowed out cone-shaped cake before the meringue is added.

Although his early training was similar to other top chefs, he was atypical in holding one job for over 30 years. Perhaps his percentage share of profits explains his long tenure with Delmonico’s. His base pay was good for its time – $300 ($7,300 today) a month in 1890 – yet not the highest on record. William K. Vanderbilt’s top kitchen man reportedly earned $6,000 a year. However when his share was added, it’s likely Ranhofer’s income exceeded Vanderbilt’s chef’s as well as those of the top men at New York’s Savarin Café and Hoffman House.

© Jan Whitaker, 2010

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June 20, 2010 · 4:40 pm

The (partial) triumph of the doggie bag

I can’t remember when restaurant servers began automatically asking if you wanted to take home food left on your plate but I know it’s a relatively recent phenomenon. It used to be that food was wrapped up only if patrons asked.

Probably some customers have always smuggled away food from restaurant tables, usually in napkins. Maybe to stop this, the custom of furnishing diners with bags in which to take home leftovers began after the second World War when upward mobility widened the dining public. Doggie bags went into production around the mid 1950s and their use increased tenfold in Chicago in the 1970s, according to a Chicago Tribune story.

But what is interesting is how many people were embarrassed by the practice. Well into the 1970s etiquette columns in newspapers got letters from restaurant patrons asking if it was ok to ask for a doggie bag if they didn’t have a dog. Usually the writer cited a spouse or friend who objected to the custom. A typical query is the one in 1964 from a wife whose husband “looked aghast” when she asked for a bag and told her it was in poor taste to take home table scraps. Nonetheless, with the exception of Elizabeth Post, Emily Post’s granddaughter by marriage, advice columnists invariably approved of doggie bags as sensible if not downright virtuous.

Doggie bags and other containers grew more acceptable in the 1970s – but not in all restaurants. The most expensive and elegant places, such as the Four Seasons and upscale French restaurants, showed a distinct dislike of the custom. Many would only provide a container if asked, and then often fashioned a swan of aluminum foil as if to say, “We don’t make a habit of this – this is just for you.”

There are a number of explanations why taking home leftovers has not always been universally accepted by restaurants or their guests. Some restaurants cite health concerns. French restaurateurs are offended by the idea of someone microwaving their cuisine; they believe food should be eaten just at the moment the chef sends it to the table. Diners who are the least bit intimidated by a restaurant or its servers are unlikely to ask to take food home. I was recently in a restaurant that does not permit guests to place jackets or coats on the back of their chairs. I am certain they would cringe at a request to take away uneaten food (and I’ve never seen it done there). In any event, the small portions served in this and other upscale restaurants do not allow any provision for future meals. Other restaurants handle the matter discreetly. In a power lunch spot in Los Angeles, diners must pick up their leftovers, packed in a tasteful tote bag, at the front desk as they leave. No styrofoam box sitting on tables through the dessert course there!

On a deep socio-psychological level the reasons doggie bags carry a degree of embarrassment and often are not accepted by elite restaurants are the same as why it’s considered poor manners to smack or gobble. Higher status accrues to those who disguise hunger by eating slowly, who appreciate small portions, and whose delicate appetite requires “appetizers” and little dainties with names such as “amuse bouche.” Leaving food on the plate communicates the absence of animal neediness. It is a version of Thorstein Veblen’s concept of “conspicuous consumption” in that it flaunts the diner’s ability to walk away from perfectly good food.

© Jan Whitaker, 2010

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June 10, 2010 · 7:48 pm

Early chains: John R. Thompson

Although it is largely forgotten today, the Chicago-based John R. Thompson company was one of the largest “one arm” lunchroom chains of the early 20th century. We so strongly associate fast food chains with hamburgers that it may be surprising to learn that Thompson’s popular sandwiches included Cervelat, smoked boiled tongue, cold boiled ham, hot frankfurter, cold corned beef, cold salmon, and Herkimer County cheese, served on “Milwaukee Rye Bread” baked by the chain’s bakery. Thompson was proud that his meals were suited for sedentary office workers of the 1900s and 1910s. A 1911 advertisement claimed that lunch at Thompson’s “won’t leave you logy and lazy and dull this afternoon.”

Thompson, an Illinois farm boy, ran a rural general store as his first business. He sold it in 1891, moved to Chicago, and opened a restaurant on State Street. He proved to be a modernizer in the restaurant business as well as in politics.

He operated his restaurants on a “scientific” basis, stressing cleanliness, nutrition, and quality while keeping prices low. In 1912 he moved the chain’s commissary into a premier new building on North Clark Street (pictured, today). Thompson’s, then with 68 self-service lunchrooms plus a chain of grocery stores, became a public corporation in 1914, after which it expanded outside Chicago and into Canada. By 1921 there were 109 restaurants, 49 of which were in Chicago and 11 in New York (with a commissary in NYC). By the mid-1920s Thompson’s, Childs, and Waldorf Lunch were the big three U.S. chains, small by comparison to McDonald’s but significant nevertheless.

In politics Thompson served as a Republican committeeman and managed the campaign of a “good government” gubernatorial candidate in 1904. A few years later he failed in his own bid to run for mayor, promising he would bring efficiency to government while improving schools and roads. In the 1920s he financed a personal crusade against handguns.

Despite John R. Thompson’s progressive politics, his business would go down in history as one that refused to serve Afro-Americans. Or, as civil rights leader Marvin Caplan put it in 1985, “If the chain is remembered today, it is not for its food, but for its refusal to serve it.” J. R. died in 1927. Where he stood on the question of public accommodations is unclear but the chain faced numerous lawsuits by blacks in the 1930s. However the best known case occurred in 1950 when a group of integrationists led by Mary Church Terrell was refused service in a Washington D.C. Thompson’s. The group was looking for a case that would test the validity of the district’s 19th-century public accommodations laws. After three years in the courts the Thompson case (for which the Washington Restaurant Association raised defense funds) made its way to the Supreme Court which affirmed the so-called “lost” anti-discrimination laws of 1872 and 1873 as valid.

Over the years the Thompson chain absorbed others, including Henrici’s and Raklios. At some point, possibly in the 1950s, the original Thompson’s concept was dropped. By 1956 Thompson’s operated Holloway House and Ontra cafeterias. In 1971, as Green Giant prepared to buy Thompson’s, it had about 100 restaurants, including Red Balloon family restaurants, Henrici’s restaurants, and Little Red Hen Chicken outlets.

© Jan Whitaker, 2010

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June 1, 2010 · 6:41 pm

Anatomy of a restaurateur: Mary Alletta Crump

Because she ran a tea room, Mary Alletta “Crumpey” Crump (pictured, age 31) actually would not have called herself a restaurateur. She made a distinction between a tea room and a restaurant: the former served light food, mainly lunch and afternoon tea, while a restaurant served heavy food and was open for dinner. Not so The Crumperie. It served sandwiches, salads, soup, and desserts only. At 6 P.M. she and her partner, her mother “Bee,” shut down for the day. (M. Alletta, as she signed herself, advised prospective tea room operators in 1922 that “a mother or older person is a great asset to a young girl who is contemplating the opening of a tea room.”)

The two opened their first Greenwich Village Crumperie in 1917 (pictured), taking over the spot formerly occupied by photographer Jessie Tarbox Beals’ tea room and art gallery. Sharing the other half of the building at 6½ Sheridan Square with The Crumperie was a gift shop known as The Treasure Chest. By the time Crumpey’s mother passed away in 1926, The Crumperie had occupied five locations in the Village, first moving to Sheridan & Grove, then to the basement of 55 Christopher Street, then to 229 West 4th Street, and finally to 104 Washington Street. She would make one more — unsuccessful — attempt at running a Crumperie after her mother’s death, teaming up with Marie Saint Gaudens (niece of sculptor Augustus Saint Gaudens), at 13 West 51st Street in 1927. After this she abandoned the tea room business.

She and her mother opened the first Crumperie on a shoe string, spending only $100 for the first month’s rent plus all the furnishings and equipment. Start simple, that was their motto. Crumpey decorated with odds and ends: tables and chairs she painted herself, illustrations from magazines, a discarded old settle, family quilts, and table runners made from dime store toweling. Her mother did the cooking, specializing in crumpets of course, but also offering pea soup, “crumpled” eggs, and peanut butter sandwiches. Beverages included tea, coffee, and chocolate — nothing alcoholic!

The various Greenwich Village Crumperies were gathering places for New York City artists, musicians, literary figures, and actors with the Providence Players. The tea rooms were frequented by singer Enrico Caruso, artist Tony Sarg, and writers Theodore Dreiser, Eugene O’Neill, Sinclair Lewis, and Edna St. Vincent Millay. Writer and editor Christopher Morley steered his “Three Hours for Lunch” club to the Crumperie, though how they could have stretched out a meal there for that long I don’t know.

During and after her years in the food business, M. Alletta volunteered for war work, entertaining the troops in England with her ukulele playing during WWI (she also sang spirituals and folk songs in the tea room). After 1927 she apparently had a variety of jobs. She had studied at Smith College and trained to become a nurse before opening The Crumperie and may have returned to teaching or nursing. She taught a tea room management class in Brooklyn and worked for a time at the Grenfell Mission in Labrador. In 1958 she made five appearances on the TV quiz show “The $64,000 Question,” winning $16,000 which she used to fund a European trip.

© Jan Whitaker, 2010

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