Tag Archives: self-service

All the salad you can eat

The salad bar most likely developed from the Americanized version of the smorgasbord which, by the 1950s, had shed its Swedish overtones and turned into an all-you-can-eat buffet. The smorg concept lingered on for a while in the form of salad “tables” holding appetizers and a half dozen or so complete salads typically anchored by three-bean, macaroni, and gelatin. Eventually someone came up with the idea of simply providing components in accordance with the classic three-part American salad which structurally resembles the ice cream sundae: (1) a base, smothered with (2) a generous pouring of sauce, and finished with (3) abundant garnishes. Or, as a restaurant reviewer summarized it in the 1980s, “herbage, lubricant and crunchies.”

Whatever its origins, the salad bar as we know it – with its hallmark cherry tomatoes, bacon bits, and crocks full of raspberry and ranch dressings — became a restaurant fixture in the 1970s. Introduced as a novelty to convey hospitable “horn-of-plenty” abundance and to mollify guests waiting for their meat, it became so commonplace that the real novelty was a restaurant without one. Though strongly associated with steakhouses, particularly inexpensive chains, salad bars infiltrated restaurants of all sorts except, perhaps, for those at the pinnacle of fine dining. Salad bars were positively unstoppable at the Joshua Trees, the Beef ’n Barrels, and the Victoria Stations, some of which cunningly staged their salad fixings on vintage baggage carts, barrels, and the like.

Although industry consultants advised that a salad bar using pre-prepared items could increase sales while eliminating a pantry worker, restaurant managers often found that maintaining a salad setup was actually a full-time task. Tomatoes and garbanzos had a tendency to roll across the floor, dressings splashed onto clear plastic sneeze-guards, and croutons inevitably fell into the olde-tyme soup kettle.

The hygienic sneeze-guard came into use after World War II, first in schools and hospital cafeterias. Although a version of it had made its appearance in commercial restaurants in the early 20th century with the growth of cafeterias, many restaurants served food buffet style into the 1950s and 1960s without using any kind of barrier. The Minneapolis Board of Health required that uncovered smorgasbords either install sneeze-guards or close down in 1952, but it seems that their use did not become commonplace nationwide until the 1970s. Eklund’s Sweden House in Rockford IL thought it was novel enough to specifically mention in an advertisement in 1967. Massachusetts ordered them to be used in restaurants with buffets or salad bars in 1975.

On the whole salad bars went over well with the public – and still do — but by the late 1970s professional restaurant critics were finding it hard to hide their disdain. Judging them mediocre, some blamed customers who were gullible enough to believe they were getting a bargain. Others were wistful, such as the forbearing reviewer in Columbia, Missouri, who confessed, “It would be a nice change to get something besides a tossed make-it-yourself salad, and to have it brought to the table.” The trend at the Missouri college town’s restaurants, however, was in the opposite direction. In the 1980s Faddenhappi’s and Katy Station ramped up competition by offering premium salad makings such as almonds and broccoli while Western Sizzlin’ Steaks pioneered a potato bar.

© Jan Whitaker, 2017

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Filed under chain restaurants, food, restaurant customs, sanitation

All you can eat

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Except for the patrons of rarefied restaurants for whom exquisitely hand-crafted miniature food represents the triumph of artistic appreciation over animal hunger, most people like food in quantity. Even if they do not eat a great deal, they like the idea that they could if they wanted to.

allyoucaneatJPG1896ElyriaOHRestaurants advertising free seconds — or thirds — can be found in the 19th century, one example being the City Restaurant in Elyria OH in 1896 [shown here]. But it wasn’t until the Depression of the 1930s that the all-you-can-eat idea became a newsworthy phenomenon. In response to declining business, restaurants such as Childs in the East and Boos Brothers in the West took advantage of falling food prices by offering patrons as much of whatever they wanted for a set price of 50 or 60 cents.

In this Depression experiment restaurant proprietors learned something important about how people react when offered unlimited food. A few people went crazy, stuffing down as much as they could [below: Peter Rabbit cartoon by Harrison Cady, 1933], but most didn’t eat more than they normally would. If they overindulged in anything, it was desserts.

allyoucaneatJPG1933PeterRabbitHarrisonCady

All-you-can-eat as an adaptation to challenging economic conditions did not altogether disappear with the end of the Depression. Many restaurants found that having one night a week when they offered a special deal on a particular food, especially fried chicken or fish, could fill the house on a perpetually slow weeknight or help to build business generally.

Smorgasbords based on Swedish hors d’oeuvres tables also grew popular in the 1930s. At Childs and other Depression all-you-can-eat restaurants patrons relied on a server to bring their order, but smorgasbords introduced a novel approach: patrons helped themselves to relishes and appetizers from an attractively laid out table, and were then served with their main course as in a traditional restaurant.

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The smorgasbord idea, it turned out, was a step on the way to the all-you-can-eat buffet. In the 1950s and 1960s chains developed whose entire business plans were based on bargain-priced buffets abounding with macaroni and cheese, chow mein, fried chicken wings, and “sparkling salads,” i.e. jello. Chains divested smorgasbords of their ethnic overtones even as some continued to call themselves by that name. In California, the word “smorgy” emerged (variations included smorga, smorgee, & smorg-ette). Rather than using round smorgasbord serving tables with food presented in decorative bowls and platters, high-volume chains tended toward cafeteria-type service with stainless steel pans.

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California smorgys displayed seeming cultural diversity, with Ramona’s Smorgy, Mario’s Smorgy, and Gong Lee’s Smorgy. I’m still trying to grasp the concept behind Johnny Hom’s Chuck Wagon/Hofbrau/Smorgy in Stockton CA, the town that may have merited the title of smorgy capital of the U.S.A.

Along with the Swedish smorgasbord tradition, the spread of buffets and smorgys nationwide may have been aided by the $1.50 midnight spreads in Las Vegas casinos, which in the 1950s gave all-you-can-eat a popular culture imprimatur.

Opinion has been divided as to whether all-you-can-eat (or the more genteel “all-you-care-to-eat”) restaurants tended to serve cheap and inferior food. Many restaurants stressed that they baked daily, made their own sauces, or used fresh vegetables. “At Perry Boys’ Smorgy Restaurant, an inexpensive price doesn’t mean a cheap product,” according to an advertisement listing brand name foods in use. Yet, a 1968 restaurant trade journal seemed to suggest otherwise judging from its advice that “attractive buffet fare based on low-cost foods is essential.” For Quick Chicken Tetrazzini, it recommended mixing pre-cooked diced chicken with condensed mushroom soup and serving it over noodles.

As popular as all-you-can-eat restaurants were in the 1960s and 1970s, they suffered in the public relations department. They often undermined their own mini-industry with insults slung at each other. Is it helpful while touting your own restaurant to remind the public that “the words ‘all you can eat’ often mean quantity at the expense of quality”? And what does it say about the many restaurants advertising fried perch specials when a competitor says of its fish: “This is NOT frozen perch”?

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Likewise some operators took an unfortunate “the customer is not always right” stance by posting signs that warned patrons to take no more than they could eat [see above: “Take all you want. Eat all you take.”]. This was directed at those, admittedly a small minority (but still!), who came equipped with plastic-lined handbags or special pouches in their coats in which to stow food to carry away. Meanwhile, other proprietors denounced these warning signs as an insult to guests.

Customers with huge appetites were another species of problem that most all-you-can-eat restaurants tried to be philosophical about, figuring above-average consumption would be balanced by the light eaters. Proprietors told themselves that the man who downed 90 steamed clams, or the one who swallowed 40 pieces of fried chicken, would provide free advertising when he boasted at work how much he ate. Families were prized customers, construction gangs less so. And they dreaded school football teams. Some restaurants located near the University of Michigan in Ann Arbor found it necessary to put restrictions on salad bars.

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Let’s face it, since the fall of Rome, gorging has been seen as unattractive. Restaurant owners and employees sometimes expressed disgust at customer behavior such as grabbing food off trays as staff tried to replenish buffets. “It’s disgusting,” said the proprietor of a Dallas all-you-can-eat steak restaurant, adding, “Some of them just ought to be led off to a big, old hog trough.” Another manager admitted that workers called customers “animals” in private. “You lose your appetite working in a place like this,” said one.

As a reporter wrote of Las Vegas buffets in 1983, “If I ever see another metal pan of mashed potatoes awash in melted margarine, another sea of macaroni salad, another ‘medley’ of canned corn, carrots and peas . . .” Stop right there!

© Jan Whitaker, 2016

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Filed under chain restaurants, family restaurants, food, patrons, popular restaurants, restaurant etiquette

Bumbling through the cafeteria line

In 1931 the American humor magazine Life (not to be confused with the later photojournalism magazine of the same name) published “The Cafeteria,” an essay that described an inexperienced patron’s befuddlement in composing a meal item by item while being propelled forward by an ever-moving line. (The illustration by W. E. Hill is also from 1931.)

The essay, from which I have selected sentences to shape into a “poem” similar to Charles Green Shaw’s The Bohemian Dinner, was written by John C. Emery. It’s likely that at the time he wrote about his cafeteria experience he was a 27-year old editor with Railway Age, a trade journal located in Chicago. Chicago, it happens, was a city with plenty of cafeterias. In its early stages cafeterias were identified with women while men were notoriously resistant to them.

Turns out Mr. Emery had an interesting biography. As a naval commander during World War II, he was in charge of expediting air cargo. Following the war he founded Emery Air Freight, which began as a freight forwarder that leased space on existing airlines and grew into a major corporation. Alas, I know nothing about his further adventures in eating out, but I doubt he continued to go to cafeterias.

The Cafeteria
The trays.
The cutlery.
The selection of a knife, a fork and two spoons.
The selection of two pieces of bread and a roll.
The after-thought selection of another roll.
The sudden realization that you have a lot of bread.
The hesitancy to put any of it back, under the eagle eye of a waitress.
The great variety of salads.
The quick selection of one kind.
The immediate regret that you did not take another kind instead.
The inclination to make a change.
The nudge of a tray in the hands of a woman in line behind you.
The decision to move along.
The bowl of soup.
The meat order.
The potatoes.
The string beans.
The beets.
The realization that your tray is getting pretty full …
The decision to forego dessert.
The tempting pies.
The urgent desire for a piece of pie.
The selection of a piece of pie.
The difficulty of finding space for it on your tray.
The check, amounting to $1.32.*
The vast surprise.
The realization for the first time that you have enough food for about three hungry men.
The search for a table.
The unloading of your tray.
The vast array of dishes.
The growing conviction that other patrons are laughing at you.
The discovery that you forgot to take a napkin.
The consumption of every bit of food before you.
The gorged feeling.
The sluggish return to the office.
The surreptitious nap.

© Jan Whitaker, 2012

* Equal to about $18.90 in 2010 dollars, probably about double what he usually paid for lunch.

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Filed under cafeterias, miscellaneous

Fast food: one-arm joints

The wooden one-arm chair was a characteristic feature of the “quick lunch” type of eating place which became the popular choice for businessmen around the turn of the last century. The chairs were unattractive and uncomfortable as the cartoon below depicts. But considering that prior to their introduction patrons seeking a speedy lunch often ate while standing at a counter, they offered relative luxury. Solitary seating made sense in a café where businesspeople usually came in alone and spent little more than 10 or 15 minutes at their meal before rushing back to the office or store. (Later, in fact, more attractive one-arm chairs were used in Lord & Taylor Bird Cage restaurants.)

As is true of the fast food restaurants of today, one function of uncomfortable seats in the quick lunch eatery was to discourage lingering. These restaurants were usually shoe-horned into tight quarters in high-traffic, high-rent business centers, so it was paramount that each chair turned customers rapidly. The one-arm chair was patented by a Vermonter named James Whitcomb who designed fixtures for the Baltimore Dairy Lunch and also manufactured portable typewriters.

The core cuisine of the one-arms, and quick lunches in general, consisted of coffee and pie, supplemented by sandwiches and doughnuts. Some of the big one-arm concerns were the Chicago-based companies of John R. Thompson and Charles Weeghman, and the Baltimore Lunch and the Waldorf System, both of which originated in Springfield MA. The companies eventually broadened their menus to include hot dishes, supplying their locations in each city from central commissaries. Though the chains kept prices low, Waldorf prided itself on grating lemons for lemon pies and avoiding manufactured pie fillings, powdered milk, dried eggs and other cost-cutting ingredients developed for the military in World War I and widely used by chains in the 1920s.

Under the intense competition of the late 1920s and the depression, the Lunches replaced their one-arm chairs with tables and chairs and abandoned their utilitarian decor in favor of more colorful interiors in hopes of attracting more women.

© Jan Whitaker, 2008

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Filed under lunch rooms