In 1965 impresario Warner LeRoy, son of Hollywood producer Mervyn LeRoy (Wizard of Oz, Mr. Roberts, Quo Vadis), opened Maxwell’s Plum as part of his theater on First Avenue and 64th Street in NYC. Hamburgers and a good wine list made it a hit with the swinging singles who crowded into the café. It was so popular that a few years later he closed the theater and expanded the café, adding a luxurious dining room with a Tiffany glass ceiling that reminded some of Maxim’s in Paris. Patrons could choose to experience Maxwell’s Plum either as a singles’ bar, a boulevard café (pictured), or a grand restaurant which, as a bonus, provided a fine view of the bar scene located on a lower level.
After a 1969 expansion the Plum seated about 250 and produced 1,000 to 1,500 meals a day. It rapidly ascended to the ranks of the city’s biggest grossing restaurants, taking in well over $5 million in the mid 1970s, with a big chunk — more than a third — from alcohol sales.
With offerings ranging from burgers to wild boar, the restaurant enjoyed excellent reviews, winning four stars from NY Times reviewers Craig Claiborne and John Canaday. For a riotously overdecorated Art Nouveau/Deco/Etc. pleasure palace, the Plum provided far better cuisine than it needed to. In the egalitarian spirit of the later 1960s and 1970s, many diners appreciated that its good food was uncoupled from the snobbery then associated with New York’s top restaurants. Canaday hailed the Plum for delivering first-class service “whether you were known or not,” while he stripped stars from La Côte Basque and La Grenouille because of the “disparity in their treatment of favorite (usually fashionable) customers and unknowns.” LeRoy claimed that he didn’t object to patrons looking shaggy, adding, “And if they don’t want to eat fancy food, they can have a hamburger. Whatever.” James Beard declared that he enjoyed hamburgers as much as paté en croute and decided to feature the Plum’s chili recipe for one of his 1973 columns.
LeRoy’s expansions were funded by Hardwicke Companies which ran resorts, wild animal parks, duty-free border shops, and Benihana restaurants. Hardwicke also financed LeRoy’s acquisition of the even-bigger-grossing Tavern on the Green, a failed San Francisco version of Plum (below), and a short-lived 900-seater in DC called Potomac. Hardwicke, under the control of a former Sara Lee exec, came under suspicion for influence buying in its efforts to get a gambling license for its Atlantic City Ritz Hotel. LeRoy broke with Hardwicke in the 1980s, blaming them for the failure of the San Francisco Plum.
New York’s Plum did not survive the 80s. Due to changing tastes and weak reviews that a succession of chefs could not remedy, LeRoy closed it in 1988, announcing that he wasn’t having fun anymore. He sold the First Avenue building for a nifty sum, while Donald Trump plunked down $28K for one of its Tiffany glass windows. At the same auction, the Tribeca Grill acquired the Plum’s large island bar.
© Jan Whitaker, 2009

No matter whether you prefer Roast Goose, Chicken Tiki Masala, or Chinese, don’t forget to visit your favorite restaurants over the holidays. I’ll be back in a couple of weeks. Upcoming posts in the works include James Beard (launching a “good eaters” theme), the 19th-century Downing family of black restaurateurs, the spectacular Maxwell’s Plum, famous restaurants in Paris, World’s Fair cafés and restaurants, linen supply and “the mob,” early cafeterias, and more “tastes of the decades.”
In 1890 Harry Gordon Selfridge, manager of Field’s in Chicago, took the then-unusual step of persuading a middle-class woman to help with a new project at the store. Her name was Sarah Haring (pictured) and she was the wife of a businessman and a mother. In the parlance of the day, she was needed to recruit “gentlewomen” (= middle-class WASPs) who had “experienced reverses” (= were unexpectedly poor), and knew how to cook “dainty dishes” (= middle-class food) which they were willing to prepare and deliver to the store each day.
And so — despite Marshall Field’s personal dislike of restaurants in dry goods stores — the Selfridge-Haring-gentlewomen team created the first tea room at Marshall Field’s. It began with a limited menu, 15 tables, and 8 waitresses. Sarah Haring’s recruits acquitted themselves well. One, Harriet Tilden Brainard, who initially supplied gingerbread, would go on to build a successful catering business, The Home Delicacies Association. Undoubtedly it was Harriet who introduced one of the tea room’s most popular dishes, Cleveland Creamed Chicken. Meanwhile, Sarah would continue as manager of the store’s tea rooms until 1910, when she opened a restaurant of her own, patenting a restaurant dishwasher in her spare time.
A graduate of Chicago’s School of Domestic Arts and Sciences named Beatrice Hudson opened the all-male sanctum Men’s Grill (pictured) about 1914 and was responsible for developing a famed corned beef hash which stayed on the menu for 50+ years. Later she would own several restaurants in Los Angeles, coming out of retirement at age 76 to manage the Hollywood Brown Derby and again in her 80s to run The Old World Restaurant in Westwood.
Don Dickerman was obsessed with pirates. He took every opportunity to portray himself as one, beginning with a high school pirate band. As an art student in the teens he dressed in pirate garb for Greenwich Village costume balls. Throughout his life he collected antique pirate maps, cutlasses, blunderbuses, and cannon. His Greenwich Village nightclub restaurant, The Pirates’ Den, where colorfully outfitted servers staged mock battles for guests, became nationally known and made him a minor celebrity.
Over time he ran five clubs and restaurants in New York City. After failing to make a living as a toy designer and children’s book illustrator, he opened a tea room in the Village primarily as a place to display his hand-painted toys. It became popular, expanded, and around 1917 he transformed it into a make-believe pirates’ lair where guests entered through a dark, moldy basement. Its fame began to grow, particularly after 1921 when Douglas Fairbanks recreated its atmospheric interior for his movie The Nut. He also ran the Blue Horse (pictured), the Heigh-Ho (where Rudy Vallee got his start), Daffydill (financed by Vallee), and the County Fair.
On a Blue Horse menu of the 1920s Don’s mother is listed as manager. Among the dishes featured at this jazz club restaurant were Golden Buck, Chicken a la King, Tomato Wiggle, and Tomato Caprice. Drinks (non-alcoholic) included Pink Goat’s Delight and Blue Horse’s Neck. Ice cream specials also bore whimsical names such as Green Goose Island and Mr. Bogg’s Castle. At The Pirates’ Den a beefsteak dinner cost a hefty $1.25. Also on the menu were chicken salad, sandwiches, hot dogs, and an ice cream concoction called Bozo’s Delight. A critic in 1921 concluded that, based on the sky-high menu tariffs and the “punk food,” customers there really were at the mercy of genuine pirates.
Half the population of the largest cities is foreign born. San Francisco continues to attract adventurers and French chefs. The Civil War brings wealth to Northern industrialists and speculators, encouraging high living. With German immigration going strong, beer gains in popularity as do “free” lunches. Saloons prosper and the anti-alcohol movement loses ground as the states where liquor is prohibited shrink from thirteen to six, then to one. Cities grow as young single men pour into urban areas. Restaurants spring up to feed them and cheap lunch rooms proliferate, offsetting the high prices prevalent during and after the war. By the end of the decade, one estimate puts the number of eating places in NYC at an astonishing 5,000 or 6,000.



In interviews and in her two books Alice espoused the value of fresh ingredients, garlic, meals with friends, and an experimental approach to cooking. Her words convey a free-wheeling, irreverent outlook. Some examples:













It's great to hear from readers and I take time to answer queries. I can't always find what you are looking for, but I do appreciate getting thank yous no matter what the outcome.


