Today’s specials: books on restaurants

Appetite City

As someone who has spent years researching the history of restaurants I can give no higher praise than to say “I couldn’t have done it better myself.” That is my appraisal of William Grimes’ Appetite City: A Culinary History of New York (Farrar, Straus and Giroux/North Point Press), a book I highly recommend to anyone interested in the history of both restaurants and New York City. And, though I might have matched the book’s exhaustive research, I doubt I could have written it so engagingly. I appreciate Grimes’ level gaze and ability to sidestep the hype that has always surrounded New York restaurants, even as far back as 1825 when a journalist insisted that New York rivaled Paris with its “consummate institutions for cultivating the noble science of gastronomy.” Grimes’ response: “New York a rival of Paris? Hardly.” Though its star would rise throughout that century and the next, there were plenty of dips along the way. In the late 1960s and early 1970s the city was depressed and “cultural energy no longer radiated” from it. California restaurants became the locus of culinary innovation. Inevitably, though, many of its leading chefs migrated to New York as almost everyone who wants to make their mark does at some point.

Readers will find everything they are looking for in this book. All the leading restaurants and restaurant types are covered, in text and illustration: from Delmonico’s to the Automat, speakeasies and lobster palaces, beaneries and night clubs, oyster bars and world’s fairs eateries, from the 1820s to the present. I particularly enjoyed the book’s final chapter in which Grimes discusses his five years as a restaurant critic for The New York Times, during a “frenzied restaurant boom fed by a robust economy” (1999-2004) when “the dining scene was a complete free-for-all, as chefs dipped into Pacific Rim and Nuevo Latino with equal enthusiasm…” If I find anything missing in the book it is a characterization of New York restaurants which identifies how they have been, and are, different from those in the rest of the U.S., and the world — perhaps an impossible task, but worth a try. And something that applies to all capital/global cities that I would have liked to see would have been an attempt to separate the local dining spots (where the natives eat) from those that rely heavily on visitors to the city. But these are minor omissions in a valuable and thoroughly enjoyable book.

Republic of Barbecue

The Republic of Barbecue: Stories Beyond the Brisket (University of Texas Press) takes us far beyond New York City and its trendiness and glitz. Here we are introduced to more than one expects from a purely local tradition in cooking, eating, and restaurant-ing.

The book is by Professor Elizabeth S. D. Engelhardt of the American Studies Department at the University of Texas at Austin and 11 graduate students. With cameras and tape recorders the crew explored Central Texas eateries to create an oral history of barbecue and answer the question, “What does barbecue tell us about who we are?” Proprietors tell in 23 first-person narratives how and why they barbecue. These are supplemented by essays by the authors which explore the area’s history as well as subjects such as gender and race.

So the book sprawls, intentionally. As Engelhardt says, the idea is not to solidify Texas barbecue mythology but to find its complexities. Myth would have it that Texas barbecue is about beef and sausage; cowboys; rich and poor sitting side by side; eating off of butcher paper without utensils; slow cooking over mesquite and post oak in brick pits; no sauce; and only bread or crackers as sides. They find all of these things are real, but they also trace historical roots to Southern cotton culture rather than Western cattle culture; find decades of exclusion of blacks and Mexicans as customers; discover pork, chicken, turkey, goat, and mutton alongside beef; and find varied practices such as some barbecuers using sauce, some cooking on rotisserie pits fueled by propane instead of wood pits, and some cooking the meat for only three hours rather than twelve or more.

The book is well illustrated and, though somewhat repetitive and a bit inconclusive, filled with fascinating essays and narratives. I enjoyed reading about what to drink with barbecue – Big Red and Dr. Pepper sodas, and Shiner Bock and Lone Star beers. I appreciated Gavin Benke’s “Authenticity” which explores issues such as the restoration of butcher paper for the feel of the “real barbecue” experience, Eric Covey’s “Keep Your Eye on the Boll,” which examines barbecue in the context of a cotton-growing economy, and Remy Ramirez’s essay on her Mexican-American grandparents. The book is nicely produced and a pleasure to read and a must-have for anyone interested in barbecue or restaurant history and culture.

© Jan Whitaker, 2009

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With haute cuisine for all: Longchamps

Staked by his brother-in-law, gambler Arnold Rothstein, Henry Lustig expanded from the wholesale produce business into restaurants in 1919. His first location, at 78th and Madison Avenue, was a property that belonged to Arnold. By 1924 he had two more restaurants, one conveniently near Saks Fifth Avenue. An advertisement informed “Madame or Mademoiselle” that at Longchamps they would find light French dishes as well as “soothing quiet, faultless service and a typically ‘Continental’ cuisine” that was above average “yet … not expensive.” While not exactly cheap, Longchamps was considered easily affordable by the middle-class.

The chain continued to grow rapidly after the repeal of Prohibition when it hired top modernist decorators and architects to give it ultra-sophisticated chic. With the assistance of German-born artist and designer Winold Reiss and architects Louis Allen Abramson and Ely Jacques Kahn, New York City gained some of its most glamorous restaurant interiors of the period. Reiss showed considerable talent in disguising irregular spaces with mirrors and murals, multiple levels, dramatic lighting, and flashy staircases that lured people cheerfully downward to dine below ground (see his interior sketch and menu cover below). From 1935 to 1940 Longchamps opened seven new restaurants, including two on Broadway, one at Lexington and 42nd Street, and one in the Empire State Building.

Cocktail bars were no small part of the slick 1930s Longchamps formula. The chain’s ninth unit at Madison and 59th Street, a site vacated by Reuben’s, had a long oval bar stationed above floor level in the middle of the dining room. With 50 bartenders staffing the bar, the restaurant itself seated 950 diners. When it opened in 1935 a Longchamps advertisement immodestly called it “The Outstanding Restaurant Creation of the Century.” Architectural critic Lewis Mumford found its red, black, gold, and yellow color scheme — carried out even on chair backs and table tops — overdone, but he sensed that his was a minority opinion and he was almost certainly right. Among others, it soon became a meeting place for James Beard and his old friends from Oregon.

During the war Longchamps’ did a booming business. Lustig, it turned out, was siphoning off cash as fast as he could and keeping two sets of books, one for him and one for the IRS. Keep in mind that he owned racehorses and had named his restaurants after a famous Paris racetrack. The game was up in 1946 when he was handed a bill for delinquent taxes and fines of more than $10M and sentenced to four years in federal prison. Nine restaurants, along with a good stock of wine (the Times Square unit alone was said to have 120,000 bottles in the cellar), miscellaneous pieces of Manhattan real estate, and the chain’s bakery, catering business, ice cream plant, candy factory, and commissary, then passed into the hands of a syndicate which owned the Exchange Buffet.

In 1952 a Longchamps was opened in Washington, D.C., becoming one of the few downtown restaurants in that city that served Afro-American patrons. About this time another Longchamps opened in the Claridge apartments on Philadelphia’s Rittenhouse Square. In 1959 the chain was acquired by Jan Mitchell, owner since 1950 of the old Lüchow’s. He revealed that the chain, which consisted of twelve red and gold restaurants, a poorly trained kitchen staff, and a diminishing patronage, had been losing money for the past five years but that he could revive it as he had done with Lüchow’s. Under his ownership the New York units began offering guests the dietary concoction Metracal in their cocktail lounges, as well as free glasses of wine and corn on the cob with their meal. After a couple of years the chain was in the black.

In 1967 Mitchell sold it to the Riese brothers, who owned the Childs restaurants and, with new corporation president Larry Ellman, were in the process of buying up classic New York restaurants – Cavanagh’s in 1968, Lüchow’s in 1969, and others. In 1969 the old Longchamps were mostly turned into steakhouse theme restaurants. The restaurant at Madison and 59th, though, was renamed the Orangerie, dedicated to “hedonistic New Yorkers,” and given a “festive mood of Monte Carlo.” Its $8.75 prix fixe dinner came with free wine, “Unique La ‘Tall’ Salade,” and after-dinner coffee with Grand Marnier. In 1971 a single Longchamps operated under that name, at Third Avenue and 65th Street, but I doubt it had anything in common with the classic Longchamps of the 1930s. The holding company “Longchamps, Inc.” vanished in 1975.

© Jan Whitaker, 2009

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Restaurant-ing on Thanksgiving

As a meal Thanksgiving dinner is steeped in agrarian values and customs that do not thrive in restaurants, which are primarily urban inventions. It is also incongruous to celebrate what has become a domestic festival in a commercial setting. Neither gourmet restaurants nor fast food eateries present the homeyness considered conducive to celebrating the holiday.

Nor is restaurant cuisine quite right for Thanksgiving. Thanksgiving dinner represents the ne plus ultra of comfort food. According to consumer researchers Melanie Wallendorf and Eric Arnould (“‘We Gather Together’: Consumption Rituals of Thanksgiving Day,” Journal of Consumer Research, June 1991), the typical dishes served are like baby food in that they are “baked, boiled, and mashed” foods which are soft in texture and prepared without much seasoning. The emphasis is on the presentation and consumption of abundance, which for participants implies almost compulsory overeating. Few people are interested in culinary innovation which, for most, threatens the essentially infantile pleasures of the occasion.

Despite restaurants’ apparent inadequacy in meeting the challenge of this American national gustatory ritual, there is some evidence that Thanksgiving restaurant-going has increased over the course of the past century. The tendency, though, is to see this more as symptom than innovation. The sentiment expressed in 1892, that Thanksgiving dinner in a restaurant is a “rather melancholy thing” has not been eradicated.

One would think that the restaurants best positioned to capture the Thanksgiving trade would be those with Early American decor, or venerable restaurants that can reference tradition, such as Brooklyn’s Gage and Tollner, or those that stress home-based values, such as tea rooms. In the Los Angeles area, which seems to have had a fair amount of Thanksgiving restaurant trade in the 1920s, diners could choose from Ye Golden Lantern Tea Room or the Green Tea Pot of Pasadena, among others. Harder to understand, though, was the appeal of restaurants serving chop suey to the strains of Hawaiian music. About the same time Indianapolis was well supplied with dining out choices for the holiday, ranging from traditional Thanksgiving fare at the Friendly Inn to barbecue at Ye Log Cabin to a “Special Turkey Tostwich, 25c” at Ryker’s. The city’s Bamboo Inn offered two styles of Thanksgiving dinner, one with turkey and the usual trimmings and the other a Mandarin Dinner with Shrimp Egg Foo Young and Turkey Chop Suey.

Although the president of the Saga Corporation, a restaurant supplier, insisted in 1978 that eating out on Thanksgiving and Christmas had lost its stigma, events such as turkey dinners given by churches and soup kitchens for the poor and homeless, as well as explanations given by restaurant patrons in surveys, would indicate otherwise. They seem to suggest that dining in a restaurant on Thanksgiving is frequently a compensation for some sort of lack on the homefront rather than a positive attraction in its own right. Wallenberg and Arnould reported that only 1.8% of the people they surveyed said they would prefer to spend Thanksgiving in a restaurant than at home.

© Jan Whitaker, 2009

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High-volume restaurants: Smith & McNell’s

Smith&McNellsAll things considered, the best restaurants that this country has produced probably have been unpretentious, inexpensive, high-volume eateries located close to sources of fresh food. In 19th-century New York City’s Smith & McNell’s, across from the booming Washington Market, was a leading example of the type. Its patronage came largely from dealers, farmers, and customers who worked and shopped at the market. Around 1891 the restaurant reportedly provided more meals than any eating place in the city, as many as 10,000 a day.

Service was so brisk at Smith & McNell’s that its waiters and kitchen workers were held to a high standard. Successful performance there was a job recommendation said to be equal in its own way to having worked at Delmonico’s. Fred Harvey, founder of the famed Santa Fe Railroad system of eating houses, found his first job at Smith & McNell’s shortly after immigrating from England in the early 1850s.

S&MHotel1900There are many discrepancies in accounts of this restaurant’s history but it seems most likely it was established in the late 1840s by Thomas R. McNell and Henry Smith. McNell was an Irish immigrant, born sometime between 1825 and 1830. According to one account he and Smith had been night watchmen before taking over the coffee house run by Frederick Way on Washington Street near the market. Both McNell and Smith became wealthy and McNell acquired a lordly estate in Alpine, New Jersey, as well as a California ranch. He continued working in the business until a ripe old age and died in 1917 a few years after the restaurant (and associated hotel) closed.

SmithMcNell'sca1910

Smith and McNell’s, following the customs of the time, operated 24 hours a day and did a strictly cash business, clearing a daily profit which the partners split after paying the help. Since the market was busiest at night, that was probably the time when most of their clientele piled in for meals of oysters, steaks, eggs, and griddle cakes. Judging from a 1900 menu, prices did not go up much over the decades. A meal of beefsteak pie or baked ham with champagne sauce still cost 15 cents, while an order of mashed potatoes or a chocolate eclair cost 5 cents each. The restaurant, which seated 1,000 and took up the entire first floor of the 400-room hotel, made its own wine. A glass of Concord or Catawba wine sold for 10 cents, a quart for 30 cents.

When the property was sold in 1920 it comprised almost the entire block bounded by Washington, Greenwich, Vesey, and Fulton streets across from Washington Market. The market continued to operate until around 1960 when the site was cleared for the World Trade Center, the acreage of which also encompassed the block once occupied by Smith & McNell’s. It could be argued that some of the restaurants operated by catering maestro Joe Baum in the WTC, such as The Big Kitchen, carried on the tradition of the old marketmen’s eatery.

© Jan Whitaker, 2009

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Anatomy of a restaurateur: Dario Toffenetti

Who would predict that a boy growing up in the Austrian Tyrol in the 1890s would make his fortune by selling Idaho baked potatoes? But that’s exactly what Dario Louis Toffenetti did. Born in 1889, he came to the U.S. in 1910, allegedly after being recruited to peddle ice cream from a cart in Cincinnati. Disillusioned with that project, he soon traveled westward, selling baked potatoes at a Wisconsin mining camp, then becoming a bus boy at the dining room of Chicago’s Sherman House. In 1914 he opened his first restaurant in Chicago.

He was ambitious and would quickly develop into a canny marketer. In 1916 he enrolled in night school at Northwestern University’s School of Commerce. In 1921 he opened his second restaurant, on S. Clark. At a time when advertising, marketing, and public relations were making giant leaps forward, he was quick to implement the latest tactics. He advertised heavily and “named” the food sold in his restaurants. When he promoted ham, it was not generic ham but “Roast Sugar Cured Ham” from packer Oscar Mayer. (“It’s no wonder these Ham Sandwiches make your mouth water! Oscar Mayer’s ‘Unusually Good’ Approved Hams are used.”) By 1937 he had six restaurants in the Chicago Loop under the name Toffenetti-Triangle.

TriangleAd32According to accounts, “D. L.” wrote his own colorful advertising copy, such as, “These hams are cut from healthy young hogs grown in the sunshine on beautifully rolling Wisconsin farms where corn, barley, milk and acorns are unstintingly fed to them, producing that silken meat so rich in wonderful flavor.” Equally over the top was his copy for Idaho baked potatoes, with references to a “bulging beauty, grown in the ashes of extinct volcanoes, scrubbed and washed, then baked in a whirlwind of tempestuous fire until the shell crackles with brittleness…” Customers who had not previously eaten baked potatoes soon learned to ask for “an Idaho.” Another heavily promoted dish, “Old Fashioned Louisiana Strawberry Shortcake,” was “topped with pure, velvety whipped cream like puffs of snow.”

To build trust with an always-skeptical public, he featured himself in his ads (bald head and all), often adding his signature. In a 1930s Depression advertisement (pictured), he pledged to keep prices low without reducing quality. When Prohibition ended, he announced that he would serve beer, but not “in any fashion that might offend our most fastidious women patrons.”

ToffenettiNYC1942Another factor in his success was winning catering contracts at two world’s fairs, Chicago in 1933 and New York in 1939-40. Following the NY fair he outbid Louis B. Mayer for an immensely valuable piece of Times Square real estate on the corner of 43rd and Broadway. He hired Skidmore, Owings & Merrill to design a two-story, glass-fronted moderne building (pictured), outfitted with an escalator and a show-off gleaming stainless steel kitchen. The restaurant served 8,500 meals on opening day.

Dario was president of the Chicago Restaurant Association for seven terms (1936-1943). After his death in 1962, the business was conducted by other Toffenetti family members until about 1980. The Times Square restaurant closed in 1968.

Unlike many other immigrant restaurant operators who were characterized (often unfairly) as running “holes in the wall,” Dario Toffenetti was celebrated by the organized restaurant industry as a model progressive restaurateur.

© Jan Whitaker, 2009

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Between courses: rate this menu

5betweencoursesREVI always find it difficult to judge menus from the 19th century because our eating habits, food preferences, and food resources have changed considerably since then. It is difficult to decide whether any given menu is fine, average, or poor. The following menu was designed by a hotel steward (stewards were in charge of expenses) for a banquet in 1893. Almost certainly wines would have been served with the seven courses (which are Soup, Fish, Roast, Punch, Entree, Dessert, and Coffee).

How would you rate it?
A = an excellent high-class dinner
B = a fine basic dinner
C = an inexpensive yet acceptable dinner

MENU
Bisque of Oysters
Planked Whitefish, Maitre d’Hotel
Browned Potatoes
Roast Tenderloin of Beef, Sauce Madere
Green Peas
Lemon Water Ice
Deviled Lobster au Gratin
Vanilla Ice Cream
Assorted Cake
American Cheese, Water Crackers
Coffee

See what the steward thought about this menu.

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You want cheese with that?

pattymelt60sLAIt seems as though almost all of history’s food forces have cooperated to give cheese top billing in restaurant meals today. Only one cheesy custom failed to catch on, that of finishing a meal with cheese and fruit as was done in small French and Italian restaurants in the later 19th century. Craig Claiborne argued in 1965 that even the best New York restaurants didn’t know how to handle the cheese course. They had poor selections which tended to be old, overripe, or served too cold. One restaurant admitted their chef was in the habit of popping cheese straight from the fridge into the oven to soften it. Restaurateurs that Claiborne interviewed insisted that Americans didn’t like cheese after a meal. I’d agree that most prefer their after-dinner cheese in the form of cheesecake.

pumpernikscheesecake352Cheese has been a staple food in American eating places probably since the first tavern opened. Regular meals were served only at stated hours but hungry customers could get cheese and crackers at the bar whatever the hour. For “Gentlemen en’passant,” the Union Coffee House in Boston promised in 1785 that it could always furnish the basics of life: oysters, English cheese, and London Porter. Across the river in Cambridge, the renowned Othello Pollard, aka “the Prince of Creams,” specialized in epicurean cheesecakes in 1805. By the 1850s, English chop houses in the East were famous for their Welsh rarebits, while pie came with a wedge of cheese just about everywhere.

When Germans immigrated to America in the 1850s and 1860s they brought their fondness for Limburger, often ridiculed in the press. The Italians introduced grated Parmesan for pasta dishes, as well as risotto, macaroni and cheese, and cheese-filled ravioli. In the late 19th century cheese became a standard item at “free lunch” counters in saloons, and many allegedly exhibited a solitary dried-up cheese sandwich as proof of their status as genuine restaurants during anti-saloon crackdowns in the early 20th century. In the 1920s toasted cheese sandwiches of all varieties became luncheonette favorites.

cheeseburger1960Cheeseburgers were a product of the fast food industry of the 1920s, claimed as inventions by both the Rite Spot of Southern California and the Little Tavern of Louisville. Strange there aren’t thousands of other contenders because what was there to invent, really? Cheeseburgers were strongly associated with Southern California before WWII — Bob’s Big Boy of LA introduced cheeseburgers in 1937. Another step forward came in the 1930s when a bill was introduced in the Wisconsin legislature requiring restaurants and cafes to serve 2/3 oz. of Wisconsin cheese with every meal costing 25 cents or more. In the same decade Kraft Cheese was among major food producers providing restaurants with standardized recipe cards.

pizzahutpizzaIt was after WWII that cheese spread its melted gooeyness everywhere — on pizza, hamburgers, Mexican dishes, and pasta, until today, well … just picture TV advertisements for TGI Friday and Olive Garden. Mass-produced cheesecake made its restaurant debut around 1950. McDonald’s introduced cheeseburgers in 1960. In the 1970s vegetarian and health food restaurants fell in love with dishes such as 7-cheese meatless lasagna, cheese-stuffed cauliflower, and cheese-smothered veggies on brown rice. From 1960 to 1978 annual cheese consumption doubled from 8.3 to 17.4 pounds per capita. Now we each eat close to 34 pounds of cheese a year, mainly on pizza and hamburgers.

© Jan Whitaker, 2009

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Pie in the skies – revolving restaurants

laRonde346They are so clever and, yes, so corny in a circus-y way that revolving restaurants seem like they must be a product of American ingenuity – but they aren’t. The restaurant in Seattle’s 1962 World’s Fair Space Needle was not the first. Nor was it the second, third, or fourth. According to Chad Randl in A History of Buildings that Rotate, Swivel, and Pivot, the first revolving tower with a restaurant opened in 1959 in Dortmund, Germany. Sometime in 1961 came spinning restaurants in Frankfurt, Cairo, and Honolulu (pictured), in about that order.

belgeddes1930The revolving building itself actually came earlier and was rather simple technologically. In 1898 a leading attraction in Yarmouth, a seaside resort in England, was a rotating observation tower on the beach. Decades later designer Norman Bel Geddes proposed a restaurant set atop a rotating column for the Chicago World’s Fair of 1933 (pictured). Unlike his, though, the design used by most restaurants features an interior ring containing the restaurant’s kitchen that does not rotate.

They’ve often appeared in movies and TV shows. A 1934 British film, Give Her a Ring, featured a set with a revolving restaurant, decades before Elvis Presley and his date enjoyed dinner in the Space Needle in the 1963 film It Happened at the World’s Fair. A few years later evil scientist Ernst Blofeld operated a secret mountaintop laboratory in the Swiss Alps in the James Bond movie On Her Majesty’s Secret Service. After the film was completed the structure reverted to its original purpose, a revolving restaurant which of course uses the film as its theme.

A fantasy played out in fiction and occasionally in real life has the restaurant spinning out of control. The ideal rate of rotation is about one full turn per hour; a test of smoothness is a penny which remains set on edge for several rotations. Double the speed, as happened mistakenly at The Pinnacle in Chicago in 1965, and the ride gets jerky. Customers feel tipsy while the waitstaff can’t find their tables when they come out of the service core.

RevolvRestStars339Despite being fairly easy to engineer and not really all that new, in the 1960s revolving buildings became symbols of progress. Often set atop communications towers, they were intended to help defray costs of tower construction and operation. Today, whether in towers or on hotel roofs (where they look like flying saucers that have landed), they continue to represent modernity in developing countries around the world. While North America has largely stopped building them or has shut down forever their little 1-HP motors, still they spin on in Kuala Lumpur, P’yongyang, and countless other places.

butlinsDetail2337For diners gazing from on high – whether upon the Pyramids, distant mountains, or, more often, streets clogged with traffic – revolving restaurants are pleasant. Who doesn’t enjoy the feeling of god-like detachment while sipping a martini and surveying a cityscape? Yet, on the whole revolving restaurants are geared more to “peak” dining occasions than to the consumption of haute cuisine. Their forgettable yet expensive food has tended not to win them steady local trade. Plus, tackiness such as found in Florida hotels with Polynesian restaurants twirling in the sky, or “Certificates of Orbit” such as once were given out at Butlin’s Revolving Restaurant in London’s post office tower (detail pictured), have branded them cheesy tourist traps in many people’s minds.

That raises the question of why it took so long for Las Vegas to get one.

© Jan Whitaker, 2009

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“Way out” coffeehouses

greenspiderA345What could be more starkly different from the somber coffee shops of today with their earnest and wired denizens than the beatnik coffeehouses of the 1950s? Could Starbucks be anything but square to the beat generation?

The classic coffeehouses of the beatnik era were sites for conversation, poetry readings, folk music, improvisational jazz, stand-up comedy à la Mort Sahl, and experimental theater. In an era driven by the conformist quest for success and button-down normalcy they sheltered misfits, art, and European culture in settings decorated in moody “opium-den style” or stained-glass/marble/wrought iron “junkyard posh” assembled from the detritus of American cities then being dismantled.

Along with beats, coffeehouses were attractive to teens as well as curiosity seekers and wannabees. (See Dupo IL high school coffeehouse photo.) Authorities had an almost obsessive dislike of coffeehouses and their patrons. Even church basement coffeehouses came under attack. A John Birch Society member lectured youths at a YMCA coffeehouse in a Chicago suburb about how dissolute their gathering place was (“You can’t tell the difference between boys and girls”).

dupoIL1962HSAlthough the word beatnik came into usage around 1958 (inspired partly by Sputnik), the phenomenon of dropping out of the “rat race” to lead an existentialist, non-consumerist life was part of the aftermath of World War II akin to the “Lost Generation” after World War I. The first coffeehouses sprang up in Greenwich Village in the late 1940s, but the beats weren’t averse to hanging out in cafeterias either — their “Paris sidewalk restaurant thing of the time.” When coffeehouses began levying cover charges for performances, beatniks tended to drop out of them too.

bizarre1958The heyday of the coffeehouse was the late 1950s into the early 1960s. Few did much cooking so they weren’t restaurants in the true sense, but many of them offered light food such as salami sandwiches (on exotic Italian bread) and cheesecake, along with “Espresso Romano,” the most expensive coffee ever seen in the U.S. up til then. Of course the charge for coffee was more a rent payment than anything else since patrons sat around for hours while consuming very little. Other then-unfamiliar food offerings included cannolis at La Gabbia (The Birdcage) in Queens, Swiss cuisine at Alberto’s in Westwood CA, Irish stew at Coffee ’n’ Confusion in D.C., les fromages at Café Oblique in Chicago, “Suffering Bastard Sundaes” at The Bizarre in Greenwich Village, and snacks such as chocolate-covered ants and caterpillars at the Green Spider in Denver.

Coffeehouses went in for oddball names such as above and also the Hungry i in San Francisco, Cosmo Alley in Hollywood, Fickle Pickle and College of Complexes in Chicago, The Cup of Socrates in Detroit, Café Wha in Greenwich Village, House of Fencing Masters in New Orleans, Laughing Buddha in St. Louis’s Gaslight Square, and Café Mediterraneum in Berkeley.

© Jan Whitaker, 2009

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Taste of a decade: 1890s restaurants

1893NYCAs the decade starts there are over 19,000 restaurant keepers, a number overshadowed by more than 71,000 saloon keepers, many of whom also serve food for free or at nominal cost. The institution of the “free lunch” has become so well entrenched that an industry develops to supply saloons with prepared food. As big cities grow, the number of restaurants swells, with most located in New York, Pennsylvania, Illinois, Massachusetts, and the Midwest where young single workers live in rooming houses that do not provide meals. Southern states and the thinly populated West, apart from California, have few restaurants.

Cheap restaurants such as lunch counters, lunch wagons, and ethnic cafés are the leading types, buoyed by the heavy immigration of Southern Europeans, particularly Southern Italians. Chinese restaurants become more common in the East. More unescorted women patronize restaurants, particularly in downtown shopping districts and around office buildings where they work. Bigotry increases and, despite civil rights laws, Afro-Americans face greater rejection by restaurants.

An economic panic in 1893 sends the country into a severe four-year-long Depression. Self-service lunchrooms which operate on the honor system begin to notice that one out of every ten patrons shaves their check. Interest grows in an “automat” from Germany in which food is not accessible until money is deposited in a slot. Rumors spread that one will debut in St. Louis and another in Philadelphia.

1893LadyinRedNear the decade’s end, the “Gay 90s” commence and those who are able and so inclined pursue the good life, which increasingly includes going to restaurants for the evening. It is still considered somewhat disreputable to do this, so some people go out to dinner only when visiting another city.

Highlights

1891 The Vienna Bakery restaurant of Los Angeles creates a stir when it advertises that it never serves “come backs” (food left on other people’s plates). “When a meal is served its remains are thrown away,” it insists. The following week it reaffirms the claim and further boasts, “No Chinaman Handles any of the food cooked at THE VIENNA.”

1893 Chicago is full of horse-drawn lunch wagons which cluster around railroad depots and the entrances to Jackson Park to take advantage of the crowds attending the World’s Columbian Exposition.

delmonicobdwy5th26th921893 A drunken man fires five shots into Delmonico’s in New York City (5th Ave. and 26th St., pictured), later declaring he believes in equality among the classes and wanted to “give the rich people I saw in there enjoying themselves a good scare.”

1894 The Maverick Restaurant opens in Golden, Colorado, for the express purpose of serving 5-cent meals to the vast army of unemployed men who earn credit to pay for the meal of meat, potatoes, and a vegetable by cutting and stacking wood. Unlimited amounts of bread are included but no butter.

1894 In Chicago, jobless men are thankful for free food that saloons provide with the purchase of a beer. One declares, “This free lunch is all that keeps me alive. I have been out of work for three months…. Five cents now buys me a meal and another nickel goes for lodging. That is what I live on and I consider myself lucky.”

Marston's3501895 Competition from cafés and restaurants in Massachusetts has just about wiped out the old boarding houses where renters had all their meals supplied. One reason is that people prefer restaurants because they get to choose what and when they eat. – Boston’s Marston restaurant, established by sea captain Russell Marston in the 1840s, opens a women’s lunch room on Hanover Street.

1896 With the passage of the Raines Law, which permits only hotels to sell liquor on Sunday (the busiest day for many restaurants), some New York restaurants begin to permit prostitutes to ply their trade in upstairs rooms which they have furnished with beds to qualify as hotels. The Maryland Kitchen on 34th Street, known for Southern cooking, and Gonfarone’s Italian restaurant in the Village are two of the many which take this route.

1897 In Michigan and Indiana bills are introduced in the legislature to outlaw French on menus. The Michigan bill is introduced by a legislator who had an embarrassing experience in a Chicago restaurant. Unable to figure out a menu, he ended up with two bowls of soup and some toothpicks.

1897 In the midst of the bicycling craze, two debutantes open a pink and white tea room serving lettuce sandwiches and café frappé to cyclists in Greenwich CT. Meanwhile a black cyclist who stops at Chicago’s Old Vienna café on Cottage Grove orders a lunch that never arrives. When he presses the manager, he is told, “You ought to know we don’t serve n*****s here.”

1898 During the war between the United States and Spain, public opinion against Spain whipped up by “yellow” (nationalist, sensationalist) journalism causes some restaurant keepers to rename “Spanish omelets.” Instead they are listed on menus as “tomato omelets.”

1899 A Chicago newspaper runs a story with a headline that reads: “Swell Gothamites Now Dine in Cafes. Members of New York’s Smart Set, with Some Exceptions, Have Adopted a Bohemian Fad Inaugurated in Paris and London. Society People Now Court Publicity and Love to Exhibit Their Marvelous Toilets [clothes] for the Admiration of the Vulgar. It Is Predicted That This Innovation, of Questionable Taste, Will Spread to Chicago.”

Read about other decades: 1800 to 1810; 1810 to 1820; 1820 to 1830; 1860 to 1870; 1920 to 1930; 1930 to 1940; 1940 to 1950; 1950 to 1960; 1960 to 1970; 1970 to 1980

© Jan Whitaker, 2009

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