When we get into questions of the origins of certain dishes we have left history behind and entered into the murky depths of lore and legend.
Take ye olde Caesar salad. Look this up on the internet you will most likely find out that it was created by Caesar Cardini at his restaurant in Tijuana on a holiday weekend in which he made the devastating discovery that he was out of all supplies except for romaine lettuce, eggs, lemons, garlic, olive oil, a wedge of Romano cheese, and some stale white bread. I call this the “loaves & fishes” story, despite the absence of anchovies which was not an ingredient he approved of.
Who else has claimed inventorship? According to Caesar, his competition consisted of several Hollywood restaurants including Paul’s Duck Press and The House of Murphy (where it was known as a Di Cicco salad), and maybe the Brown Derby and Chasen’s. Then there were also all the busboys and waiters he trained to make the salad tableside on that fateful day, in 1924 (or, by other accounts, in 1913, 1919, 1921, 1926, or 1927) who lodged claims as the inventors.
A strong inventorship claim was presented by Caesar’s brother, Alexander, in the 1960s. Caesar died in 1956, while running a grocery store in Los Angeles where he produced and bottled Caesar salad dressing. According to Alexander’s son, who ran Cardini’s in Mexico City, the two brothers had developed the salad together in a Tijuana restaurant in their younger days, improvising on a recipe their mother used when they were boys in Italy. In this “Mother’s recipe” account, the salad was initially called “Aviator’s salad” in honor of their customers who were soldiers, sailors, and airmen.
One of the busboys at the old Tijuana place invoked a combination of the “Mother’s recipe” origin myth with “loaves & fishes” (times 2!) in his inventorship claim. His mother was an Italian living in Austria during WWI. Facing food shortages she found herself with eggs, romaine, Parmesan cheese, wine vinegar and olive oil from which she improvised a salad. Her son, Livio Santini, emigrated to Mexico where he got a job working in Caesar Cardini’s restaurant kitchen. Feeling hungry one day, he mixed himself his mother’s salad whereupon a customer came into the kitchen, coveted it, and from there the salad landed on Caesar’s menu and began its upward ascent.
When confused about origins it is always wise to cherchez l’agent de PR, in this case Chet L. Switell. He was the most active public defender of Caesar’s claim as salad creator. Chet also fabricated a legend about the invention of popsicles (orange soda in a paper cup with a spoon in it forgotten outdoors overnight during a sudden freeze). Chet sent out letters to newspaper editors and columnists and succeeded in getting movie stars such as Cary Grant and Irene Dunne to prepare Caesar salads on screen. He claimed that the salad was named and popularized by Wallace Simpson, who frequented the Tijuana restaurant before she became the Duchess of Windsor. However, in a 1952 interview Caesar Cardini said that the salad did not become well-known until 1937 when a Hollywood screenwriter named Manny Wolfe provided the recipe to various restaurants. Or, perhaps it became popular after New York food editors were introduced to it at a special Waldorf-Astoria promotion around 1947.
Next mystery: who added the anchovies?
© Jan Whitaker, 2009
In the summer of 1953 
The advertisement shown here appeared at just about the exact time JB was stepping off the ferry, in the June 22, 1953, edition of “This Week in Nantucket.”
Imagine a restaurant management style diametrically opposed to Gordon Ramsay’s (as he takes command in nightmarish kitchens on TV), and you might well be picturing how Mary Love ran her restaurant, The Maramor in Columbus, Ohio.
In 1941 Mary described to a home economics conference how she ran her kitchen. She avoided frying and stressed the nutritional properties of food, preparing fresh vegetables to retain flavor and vitamins. Each day her planning department presented the production manager with the day’s menus, while a weighing and measuring specialist prepared trays with complete ingredients for every dish. The trays were given to the cooks, along with detailed instructions for cooking. “This,” Mary said, “helps them to keep their poise and self-respect through the working day, and a cook with poise and self-respect has a better chance of turning out a good product.” (Gordon?)
James Beard enjoyed eating out – in fact much of his life revolved around restaurants. When he was a child his mother often took him to places such as the Royal Bakery in his hometown of Portland OR and Tait’s in San Francisco (pictured). Although he was an accomplished cook, cooking teacher, and author of over 20 cookbooks, like many a New Yorker he patronized restaurants frequently, including 
He preferred restaurants that were “homey” and where he was known and liked, such as the Coach House and Quo Vadis. At the latter he became good friends with owners Bruno Caravaggi and Gino Robusti with whom he shared a love of opera. As a young man (pictured, age 19) he prepared for a musical career at London’s Royal Academy of Music. He said that his early performance training helped him with radio and TV appearances.
The Downing family of caterers and restaurateurs, Thomas and his sons George T. and Peter W., were activists in the causes of the abolition of slavery, black suffrage, and black education. They assisted Afro-Americans fleeing slavery before Emancipation as well as those escaping terrorism in the South in the post-Civil War period. Like many free blacks living in cities, they took up the catering trade. Similar to undertaking and barbering, catering was a personal service occupation which offered a degree of opportunity for enterprising people of color.
Thomas Downing (pictured), the son of freed slaves from Virginia, specialized in oysters. He opened an oyster cellar on Broad Street in New York City in the 1820s, gradually expanding it and earning a fine reputation. Often oyster cellars were “dives” but his was considered first class. He won awards for his pickled oysters which, along with his boned and jellied turkeys, were especially popular at Christmas (see 1856 ad). Over time he owned the Broad Street place and at least one other in NYC and, according to a Rhode Island directory, another in Providence. However, the press seemed always to confuse the various Downings, so it’s possible the latter was under the direction of a son.
Thomas’s place on Broad was patronized by men in political and financial circles and he was rumored to have influential connections. Both his sons, George and Peter, had enough pull to win concessions for restaurants in government buildings. Peter ran an eating place in the Customs House in NYC, while George, a friend of MA Senator Charles Sumner, managed one in the House of Representatives in Washington, D.C. George (pictured) was also well known as the proprietor of a resort hotel, the Sea Girt House, in Newport, Rhode Island.
Historically, few tea rooms have enjoyed financial success. So, while “empire” may be a bit grandiose, it’s hard not be impressed by the tea rooms enterprise Ida Frese and her cousin, Ada Mae Luckey, built in New York City in the early 20th century. Ida and Ada, both from a small town near Toledo OH, struck it rich by winning the patronage of wealthy society women. Over time they owned six eating places: the Colonia Tea Room (their first), the 5th Avenue Tea Room, the Garden Tea Room in the O’Neill-Adams dry goods store, the Woman’s Lunch Club, and two Vanity Fair Tea Rooms.
Clearly they valued a good location. The Vanity Fair at 4 West Fortieth Street began in 1911, bearing a notice on its postcard (pictured) that it was across the street from the “new” public library which also opened in 1911. The tea room’s upstairs ballroom was the site of many a party, such as a Shrove Tuesday celebration in February 1914 attended by 150 masked guests.
Adding to their financial success were several real estate coups. In 1914 Ida somehow obtained a lease on a coveted Fifth Avenue property. Her feat astonished everyone who followed real estate deals since the owner, a granddaughter of William H. Vanderbilt, had turned down repeated offers from would-be lessees and buyers. The house at #379 was one of the last residences on Fifth Avenue between 34th and 42nd streets which had not been turned into a store or office building. Ida and Ada moved the Colonia, previously on 33rd Street, to this address and rented the remaining space to retail businesses, dubbing the structure the “Women’s Commercial Building.”
Don Dickerman was obsessed with pirates. He took every opportunity to portray himself as one, beginning with a high school pirate band. As an art student in the teens he dressed in pirate garb for Greenwich Village costume balls. Throughout his life he collected antique pirate maps, cutlasses, blunderbuses, and cannon. His Greenwich Village nightclub restaurant, The Pirates’ Den, where colorfully outfitted servers staged mock battles for guests, became nationally known and made him a minor celebrity.
Over time he ran five clubs and restaurants in New York City. After failing to make a living as a toy designer and children’s book illustrator, he opened a tea room in the Village primarily as a place to display his hand-painted toys. It became popular, expanded, and around 1917 he transformed it into a make-believe pirates’ lair where guests entered through a dark, moldy basement. Its fame began to grow, particularly after 1921 when Douglas Fairbanks recreated its atmospheric interior for his movie The Nut. He also ran the Blue Horse (pictured), the Heigh-Ho (where Rudy Vallee got his start), Daffydill (financed by Vallee), and the County Fair.
On a Blue Horse menu of the 1920s Don’s mother is listed as manager. Among the dishes featured at this jazz club restaurant were Golden Buck, Chicken a la King, Tomato Wiggle, and Tomato Caprice. Drinks (non-alcoholic) included Pink Goat’s Delight and Blue Horse’s Neck. Ice cream specials also bore whimsical names such as Green Goose Island and Mr. Bogg’s Castle. At The Pirates’ Den a beefsteak dinner cost a hefty $1.25. Also on the menu were chicken salad, sandwiches, hot dogs, and an ice cream concoction called Bozo’s Delight. A critic in 1921 concluded that, based on the sky-high menu tariffs and the “punk food,” customers there really were at the mercy of genuine pirates.
In interviews and in her two books Alice espoused the value of fresh ingredients, garlic, meals with friends, and an experimental approach to cooking. Her words convey a free-wheeling, irreverent outlook. Some examples:
It's great to hear from readers and I take time to answer queries. I can't always find what you are looking for, but I do appreciate getting thank yous no matter what the outcome.
Restaurant-ing through history 