Early chains: John R. Thompson

Although it is largely forgotten today, the Chicago-based John R. Thompson company was one of the largest “one arm” lunchroom chains of the early 20th century. We so strongly associate fast food chains with hamburgers that it may be surprising to learn that Thompson’s popular sandwiches included Cervelat, smoked boiled tongue, cold boiled ham, hot frankfurter, cold corned beef, cold salmon, and Herkimer County cheese, served on “Milwaukee Rye Bread” baked by the chain’s bakery. Thompson was proud that his meals were suited for sedentary office workers of the 1900s and 1910s. A 1911 advertisement claimed that lunch at Thompson’s “won’t leave you logy and lazy and dull this afternoon.”

Thompson, an Illinois farm boy, ran a rural general store as his first business. He sold it in 1891, moved to Chicago, and opened a restaurant on State Street. He proved to be a modernizer in the restaurant business as well as in politics.

He operated his restaurants on a “scientific” basis, stressing cleanliness, nutrition, and quality while keeping prices low. In 1912 he moved the chain’s commissary into a premier new building on North Clark Street (pictured, today). Thompson’s, then with 68 self-service lunchrooms plus a chain of grocery stores, became a public corporation in 1914, after which it expanded outside Chicago and into Canada. By 1921 there were 109 restaurants, 49 of which were in Chicago and 11 in New York (with a commissary in NYC). By the mid-1920s Thompson’s, Childs, and Waldorf Lunch were the big three U.S. chains, small by comparison to McDonald’s but significant nevertheless.

In politics Thompson served as a Republican committeeman and managed the campaign of a “good government” gubernatorial candidate in 1904. A few years later he failed in his own bid to run for mayor, promising he would bring efficiency to government while improving schools and roads. In the 1920s he financed a personal crusade against handguns.

Despite John R. Thompson’s progressive politics, his business would go down in history as one that refused to serve Afro-Americans. Or, as civil rights leader Marvin Caplan put it in 1985, “If the chain is remembered today, it is not for its food, but for its refusal to serve it.” J. R. died in 1927. Where he stood on the question of public accommodations is unclear but the chain faced numerous lawsuits by blacks in the 1930s. However the best known case occurred in 1950 when a group of integrationists led by Mary Church Terrell was refused service in a Washington D.C. Thompson’s. The group was looking for a case that would test the validity of the district’s 19th-century public accommodations laws. After three years in the courts the Thompson case (for which the Washington Restaurant Association raised defense funds) made its way to the Supreme Court which affirmed the so-called “lost” anti-discrimination laws of 1872 and 1873 as valid.

Over the years the Thompson chain absorbed others, including Henrici’s and Raklios. At some point, possibly in the 1950s, the original Thompson’s concept was dropped. By 1956 Thompson’s operated Holloway House and Ontra cafeterias. In 1971, as Green Giant prepared to buy Thompson’s, it had about 100 restaurants, including Red Balloon family restaurants, Henrici’s restaurants, and Little Red Hen Chicken outlets.

© Jan Whitaker, 2010

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Anatomy of a restaurateur: Mary Alletta Crump

Because she ran a tea room, Mary Alletta “Crumpey” Crump (pictured, age 31) actually would not have called herself a restaurateur. She made a distinction between a tea room and a restaurant: the former served light food, mainly lunch and afternoon tea, while a restaurant served heavy food and was open for dinner. Not so The Crumperie. It served sandwiches, salads, soup, and desserts only. At 6 P.M. she and her partner, her mother “Bee,” shut down for the day. (M. Alletta, as she signed herself, advised prospective tea room operators in 1922 that “a mother or older person is a great asset to a young girl who is contemplating the opening of a tea room.”)

The two opened their first Greenwich Village Crumperie in 1917 (pictured), taking over the spot formerly occupied by photographer Jessie Tarbox Beals’ tea room and art gallery. Sharing the other half of the building at 6½ Sheridan Square with The Crumperie was a gift shop known as The Treasure Chest. By the time Crumpey’s mother passed away in 1926, The Crumperie had occupied five locations in the Village, first moving to Sheridan & Grove, then to the basement of 55 Christopher Street, then to 229 West 4th Street, and finally to 104 Washington Street. She would make one more — unsuccessful — attempt at running a Crumperie after her mother’s death, teaming up with Marie Saint Gaudens (niece of sculptor Augustus Saint Gaudens), at 13 West 51st Street in 1927. After this she abandoned the tea room business.

She and her mother opened the first Crumperie on a shoe string, spending only $100 for the first month’s rent plus all the furnishings and equipment. Start simple, that was their motto. Crumpey decorated with odds and ends: tables and chairs she painted herself, illustrations from magazines, a discarded old settle, family quilts, and table runners made from dime store toweling. Her mother did the cooking, specializing in crumpets of course, but also offering pea soup, “crumpled” eggs, and peanut butter sandwiches. Beverages included tea, coffee, and chocolate — nothing alcoholic!

The various Greenwich Village Crumperies were gathering places for New York City artists, musicians, literary figures, and actors with the Providence Players. The tea rooms were frequented by singer Enrico Caruso, artist Tony Sarg, and writers Theodore Dreiser, Eugene O’Neill, Sinclair Lewis, and Edna St. Vincent Millay. Writer and editor Christopher Morley steered his “Three Hours for Lunch” club to the Crumperie, though how they could have stretched out a meal there for that long I don’t know.

During and after her years in the food business, M. Alletta volunteered for war work, entertaining the troops in England with her ukulele playing during WWI (she also sang spirituals and folk songs in the tea room). After 1927 she apparently had a variety of jobs. She had studied at Smith College and trained to become a nurse before opening The Crumperie and may have returned to teaching or nursing. She taught a tea room management class in Brooklyn and worked for a time at the Grenfell Mission in Labrador. In 1958 she made five appearances on the TV quiz show “The $64,000 Question,” winning $16,000 which she used to fund a European trip.

© Jan Whitaker, 2010

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L’addition: on discrimination

Perhaps as his defenders claim Kentucky’s senatorial candidate Rand Paul is not a racist, but … Even though he says he would have voted for it, it seems unlikely he would enforce the 1964 Civil Rights Act with any vigor. He believes that it should not apply to businesses such as luncheonettes. On the Rachel Maddow show, despite his slippery answers to her queries on this subject, he did reply “Yes” to Maddow’s question of whether a private business should have the right to refuse to serve black people. He seemed to be saying that restaurants that are privately owned (i.e., almost all of them) are not public accommodations. He believes that it is preferable that racist restaurant owners be sanctioned by consumers who would refuse to patronize them rather than by the state. Oh sure. Rather than see them all go out of business it’s more likely we’d soon be back to the days when Afro-Americans needed a guide to know where they could go for a meal without facing rejection and humiliation.

Paul’s position is somewhat reminiscent of Lester Maddox, who operated the Pickrick restaurant in Atlanta for 20 years and was dedicated to a policy of racial discrimination. After the passage of the Civil Rights Act, but before he surrendered the restaurant to his employees after being sanctioned by the court for non-compliance, he created a “shrine” in the corner of the restaurant, “in memory of free enterprise.”

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Between courses: dining with reds

In July of 1928 the Communist Party in the United States opened a public cafeteria on the ground floor of their headquarters in New York City, home also to The Daily Worker. The headquarters, known as the Workers’ Centre, was at 26-28 Union Square East and also contained a cooperative barber shop in which the barbers did not accept tips.

The restaurant was called Proletcos Cooperative Cafeteria. Proletcos was said to be a name created by a garment worker who combined the first two syllables of PROLETarian with the CO of cooperative, then added an S.

It’s not surprising that Communists would select a cafeteria as their preferred format for a restaurant. There is something socialistic about cafeterias, with their self-service and no-tipping customs. They were widely adopted in industrial plants and among working women’s organizations of the 1890s. Two home economists created a chain of cooperative cafeterias in NYC in 1920, called Our Cooperative Cafeterias, which dispersed an annual rebate to customers who were members. Evidently it was unrelated to the Communists’ project. Proletcos, whose prices were about average for a cafeteria, gave a 10% discount to its 600 shareholders. Its workers were guaranteed an 8-hour day and good working conditions.

Proletcos was enlarged in November of 1928 and was able to serve nearly 6,000 meals a day. Artist Hugo Gellert, a lifelong Marxist and co-founder of The New Masses magazine, created a mural for the expanded and refurbished restaurant in which sturdy workers and Communist heros such as Sacco and Vanzetti, John Reed, and Vladimir Lenin, all 10 feet tall, loomed over the dining room (pictured). According to a story in the New Yorker, the cafeteria was quite up to date, with tile floors, brass railings, and modern light fixtures.

The cafeteria had a short life lasting only a couple of years in which it served workers, many of them from the garment district, along with students who liked to hang out, drink coffee, and discuss the issues of the times. It evidently came to an end in 1930 when the CP moved its headquarters from Union Square to East 13th Street.

© Jan Whitaker, 2010

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Banqueting at $herry’s*

In 1898 Sherry’s and Delmonico’s faced off on two corners of Fifth Avenue and 44th Street. Which would win the favor of New York City’s high society whose core membership was known as the Four Hundred? Even before Sherry’s boldly moved onto Delmonico’s turf it had been successfully poaching “Del’s” clientele. For a time there seemed to be enough elite diners to go around, but the days were numbered for both of New York City’s grand restaurants. Before too long each would suffer from the negative impact of Prohibition and World War I on food and drink and social life. Nonetheless many spectacular balls and dinners were still in store at Sherry’s before its demise.

Louis Sherry began his professional life in restaurants in New Jersey and New York in the 1870s, working as a waiter, then steward and head waiter at establishments such as the Hotel Brunswick. In 1881 he started a confectionery and catering business at Sixth Avenue and 38th Street where he supplied ice cream, cakes, and deluxe dinner party staples such as lobster, salmon, deviled crab, chicken salad, and terrapin. He soon opened a restaurant at the casino at Narragansett Pier, Rhode Island. His businesses grew, and he moved to Fifth Avenue at 37th Street, and when that became too small he commissioned Stanford White to design a multi-story restaurant with ballrooms and residential suites opposite Delmonico’s.

Although he has been singled out as one of the few American-born proprietors of a fine NYC restaurant at the turn of the 20th century, it is likely that he was a native of Canada rather than Vermont as is frequently reported. On several passport applications he attests that he was born in Quebec, in 1855.

Sherry was known for getting every detail right, particularly table appointments and decorations which could include everything from asparagus served in a hollowed out block of ice to tabletop forests and lakes (1908 dinner pictured). But from time to time the expense and elaborateness of his dinners prompted critics to call them symptoms of a decadent society. This was especially true of the $250 per person dinner on horseback given by C. G. K. Billings to 36 members of his Equestrian Club in 1903 – and the 1905 dinner for 500 guests costumed as 18th-century French royalty given by James H. Hyde where even the waiters wore powdered wigs.

In 1912 Sherry’s was hit hard by a restaurant workers’ strike which targeted the city’s top eating places. He professed indifference but bitterly cited “Bolshevik waiters” as one of the reasons for closing the restaurant and hotel in 1919 and moving up to 58th Street to continue with catering and confectionery. In 1921 Sherry joined a corporation headed by Lucius Boomer that opened a Sherry’s restaurant and candy shop at 300 Park Avenue. A subsidiary of the corporation owned the Sherry-Netherland Hotel. Sherry, who did not seem to be actively involved in these enterprises, died in 1926. Later, under a succession of owners, there were Louis Sherry restaurants in the Metropolitan Opera and the Philharmonic, while ice cream is still (or was until fairly recently?) produced under the Louis Sherry name.

* In The Real New York (1902), Rupert Hughes suggested that because the restaurant was so expensive, its name should be written this way.

© Jan Whitaker, 2010

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Who invented … lobster Newberg?

The tale has often been told of Benjamin Wenberg who created a fabulous new dish at Delmonico’s restaurant in NYC sometime in the 1870s. The punch line revolves around how Charles Delmonico changed the name to Lobster Newberg to spite Wenberg after the two men had an argument. Do you believe the story? I am suspicious of it.

As a historian I run across many legends of this type. There is always a delightful little detail that makes the story click and lures journalists into repeating it so often that it becomes undisputed truth. Less catchy, and thus less repeated versions of the Lobster Newberg story, suggested that Wenberg did not want his name used so the name of the dish was altered slightly – or that the Delmonicos named the dish Newberg right from the start out of respect for Wenberg’s privacy.

It’s doubtful that Wenberg invented the dish. A sauce made of cream, egg yolks, butter, and sherry wine – the à la Newberg part of Lobster Newberg – was known as terrapin sauce and was in use before the 1870s.

Did Wenberg have anything to do with Lobster Newburg? Some stories imply he was the first to use the sauce with lobster. To me it seems doubtful that he would be more likely than top chefs to see its wider potential. In fact at least one Delmonico chef claimed to have developed the dish. In yet another version of the story, Delmonico’s named it for him because he ordered it so often.

Maybe. Whatever. As far as I can tell, no one has ever found the name Lobster Wenberg on a Delmonico’s menu. Nor has Lobster Newberg been found on menus from the 1870s or 1880s.

Although Benjamin Wenberg may be altogether irrelevant to the story of Lobster Newberg, he was an actual person, a well-known figure in New York City in the 1850s and until his death in 1885. He was in the shipping business, buying, selling, and chartering sea-faring vessels. At least one of his ships, Panchita, was suspected of engaging in the slave trade in 1856 and 1857.

The dish attributed to him became popular in the 1890s and the legend of its naming was oft repeated in this decade. It was a favorite chafing dish recipe for home entertaining and any restaurant with the least pretensions was bound to have it on the menu. Restaurants occasionally prepared it tableside in a chafing dish. Shrimp, crab, scallops, and sometimes frog legs were also offered à la Newburg.

These dishes were usually spelled with a U on restaurant menus. Which is another oddity since Wenberg’s name was usually spelled with an E.

© Jan Whitaker, 2010

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Good eaters: Andy Warhol

He certainly wasn’t from the same category of eaters as James Beard, yet both Beard and Andy Warhol celebrated American cuisine, even in its more humble pancake/sandwich/barbecue forms. Warhol was a typical American eater in many regards. He was conservative about his food, preferred simple dishes, and was happy eating in front of the TV.

As for restaurants, he explained in his 1975 book The Philosophy of Andy Warhol that he stayed thin by ordering things he disliked in restaurants — even fashionable and expensive ones such as La Grenouille. While his companions ate, he picked at his plate and then had the food wrapped up so he could leave it somewhere for a homeless person to find. He called this the “Andy Warhol New York City Diet.”

He much preferred “good, plain American lunchroom[s] or even the good plain American lunchcounter” to chic eateries. His favorites, already vanished by 1975, were the “old-style” Chock Full O’ Nuts and Schrafft’s. “The days were carefree in the 1940s and 1950s when I could go into a Chocks for my cream cheese sandwich with nuts on date-nut bread and not worry about a thing,” he wrote. He felt that people could not handle many challenges to their food habits without becoming upset. As he put it, “Progress is very important and exciting in everything except food.”

He came close to becoming a restaurateur himself when he announced the coming of the “Andy-Mat,” an unpretentious neighborhood restaurant serving homely comfort food at reasonable prices which was slated to open in fall of 1977 on Madison Avenue at 74th Street in NYC, perhaps launching a chain. (See photo with Warhol and his partners, [standing L to R] architect Araldo Cossutta, developer Geoffrey Leeds, and financier C. Cheever Hardwick III.) Described as “a tinker toy for sophisticates,” Warhol’s concept included pneumatic tubes through which customers’ orders would be whooshed into the kitchen. The meals served in Andy-Mats, in keeping with the times, were to be frozen dinners requiring only reheating.

For some reason — poor location or failure to raise capital or maybe because the whole plan was cooked up over “twelve stingers at El Morocco” — the restaurant did not materialize.

© Jan Whitaker, 2010

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Birth of the theme restaurant

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Credit for the development of the first theme restaurants goes to Paris cafés and cabarets which opened in Montmartre in the later nineteenth century. They were primarily drinking spots rather than full-scale restaurants but they served food also. Like American theme restaurants today they were built around a concept and created an environment which appeared to be something other than a mere eating and drinking place.

In their early years these artistic cafés had a counter-cultural impetus that in some cases celebrated the revolutionary Paris Commune of 1871 which had been rooted in Montmartre.

That was particularly true of the Café du Bagne (Café of the Penitentiary) established in 1885 by Maxime Lisbonne (shown with waiters), a member of the Commune long exiled in a South Pacific penal colony. Posters on the wall of his café, which replicated a prison eating hall, hailed Commune heroes. Waiters were dressed as real convicts but with fake balls and chains. The place caused an instant sensation when it opened, with patrons lining up outside to get in. Possessed of a socialistic mission, Lisbonne posted a sign in 1886 announcing a free breakfast for the poor residents of Montmartre: “Come, and eat your fill, your appetite sharpened by the knowledge that it was from their [the capitalists] coffers the money was extracted.”

The Chateau d’If’ of the 1880s, possibly an imitator of the Café du Bagne, was designed to resemble the prison by the same name in Dumas’s The Count of Monte Cristo. Outside it had an imitation drawbridge which stretched from the street to a large oak door, while inside were cells and dungeons. The L’Abbaye de Thélème, with a medieval theme, dressed its servers as monks and nuns.

At Le Chat Noir, the decor was in Louis XIII style, with waiters dressed in the authentic green jackets of the Immortals of the French Academy whose job it was to protect the purity of the French language – the object being, of course, to mock them. When it was established in 1881, Le Chat Noir, which was also decorated with images of black cats throughout, served as a club for artists where they exhibited their work. Its fame spread quickly and it became a magnet for visitors to Paris. (Later incarnation of Le Chat Noir pictured below.)

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Many of the Montmartre cafés celebrated the macabre, with paintings and decor whose subjects included infanticide, crucifixion, and assassination, but in 1894 The Café of Death opened, furnished with coffins serving as tables. The police objected to its name and its habit of serving beer in imitation human skulls so its name was changed to the Cabaret du Néant [of Nothingness] (see above).

The 1890s marked a turning point at which original owners left the scene, artists stopped coming, bohemianism vanished, and new café owners took dead aim at tourists. Certainly few of the popular cafés and cabarets of the early 20th century had much connection with earlier enterprises even when old names remained. Many felt that the Café de l’Enfer (Café of Hell) exemplified the purely commercial type of enterprise.

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The spirit of Paris’s bohemian cafés passed into the United States first in New York City. Au Chat Noir was in business there in 1895, decorated with a wall frieze of black cats. Otherwise, though, it seemed like a fairly standard small French restaurant of the day serving dishes such as cold lobster, tripe, and deviled crabs. Later at least a couple of other cafés named The Black Cat appeared in NY and Coppa’s in San Francisco adopted a similar theme.

Other early theme restaurants undoubtedly inspired by Paris cafés include beefsteak dungeons in New York and elsewhere, as well as tea rooms and cabarets in Greenwich Village both before and after World War I, a prime example being the Pirates’ Den. As in Paris, theme restaurants and cafés rapidly lost any counter-cultural overtones.

© Jan Whitaker, 2010

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Restaurant-ing with “royalty”

Of course he wasn’t the only “sociopath” ever to become a restaurateur, but Michael Romanoff was very likely the most flamboyant. He was clever, spoke with a British accent, and dressed impeccably. His sense of style never left him. Imprisoned in NYC’s Tombs in the 1920s, he reportedly made quite an impression by strolling in the exercise yard with a walking stick. This story could be false, though, because not only did he twist the facts perpetually but so did some of the journalists who covered his bizarre 30-year career as a con-man.

He came to the attention of the press in 1910 when he presented himself as the grandson of England’s premier Gladstone in order to obtain two cameras on credit. He was unmasked as a former juvenile delinquent named Gilbert E. Gerguson. By the early 1930s he had used at least 17 aliases, including his favorite, Prince Michael Romanoff, younger brother of the former czar of Russia, Nicholas II. Although his “real” name is widely accepted as Harry F. Gerguson, I suspect it was actually Michael Romanoff, from Brooklyn. U.S. immigration authorities, however, were convinced he had been born outside this country and deported him every chance they got, about 10 times.

Romanoff1948MenucoverHe claimed to have spent seven years of his life in jail. At times, when not sponging off rich patrons, stowing away on luxury ocean liners, or successfully passing bad checks, he was penniless and went hungry. He may have spent time in a mental hospital and attempted suicide at least once. Although he was sometimes described as a former pants presser, oil field worker, and buttonhole maker, it was not his style to hold a regular job although he once managed a farm in Virginia for over a year, possibly his longest gig.

He never apologized for his lifestyle. Quite the contrary. In 1933 he declared, “For years I have been supplying adventure, by proxy, to those who have desired it. I have given more enjoyment, I think, than I have received.” By then everyone knew he was no prince, but he defended himself by saying, “At least I have the attitude of a prince – I have lived courageously and have, I think, put up the stock of princes.” Well, the stock of princes wasn’t terribly high in the 1930s and, courageous or not, he engaged in some shady activities.

His life improved immensely when he became a frankly fake prince rather than a fraudster trying to pass for Russian royalty. And where better to be what he called a “real phony” than Hollywood? He opened a restaurant there around 1940 which quickly became one of Hollywood’s famous haunts. By then he was 47 or 50 years old, depending upon which birthdate you accept. According to various newspaper stories, the restaurant’s capital was put up by director Darryl Zanuck, writer Robert Benchley, and others. In 1951 it moved to South Rodeo Drive in Beverly Hills, and somewhat later spread into San Francisco and Palm Springs.

The Hollywood Romanoff’s was a celebrity den where Mike entertained his guests — sometimes by snubbing them. How much time he spent supervising staff or bothering himself with mundane chores such as buying provisions or going over the books is unclear, as is the quality of the cuisine. By one account it was so-so but was upgraded to “above-average” in the late 1950s. An undated menu shows numerous dishes with Stroganoff and Romanoff suffixes. He made a good income, but by December 1962 business had fallen off to such a degree that the Beverly Hills Romanoff’s closed. I have not been able to determine the fate of the other two locations.

Mike’s story was clearly movie material, yet it seems that two announced films (“Ellis Island,” “The Incredible Romanoff”) never appeared. He had small parts in numerous films, sometimes playing a butler, aristocrat, or himself as restaurateur. In 1958 Congress voted to grant him permanent resident status and he became a naturalized citizen.

© Jan Whitaker, 2010

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Righting civil wrongs in restaurants

This year marks the 50th anniversary of the Woolworth’s lunch counter sit-ins in Greensboro NC (pictured) which set off a wave of similar protests across the South and turned the tide against segregated eating facilities. But these were far from the first such actions. Integration of American eating places came about from a patchwork of regulations that sometimes successfully impeded discrimination and by the courageous actions of individuals and groups, black and white, who negotiated with, sued, picketed, and physically occupied restaurants beginning in the 1870s.

The Civil Rights Act of 1964, which offered the strongest protection against discrimination in restaurants up to then, was neither sudden nor was it evidence of the steady march of progress. A federal Civil Rights Act of 1875 was repealed by the Supreme Court just eight years later, after which Southern states enacted separate accommodations laws (Jim Crow), while other states passed or amended civil rights acts.

Few state civil rights laws covered eating facilities, the most controversial area of public accommodations. White public opinion was strongly against blacks and whites eating together in restaurants. Segregationist sentiment grew stronger around the turn of the last century and again in the World War I period when many black Americans migrated North for jobs. Blacks lodged relatively few protests because the odds of winning in court were poor. Also, anyone brave enough to challenge discrimination needed enough social stature to refute the accusation of simply being a low-class ruffian. By the “Catch-22″ logic that long prevailed, any black person who went into a white-only restaurant was considered of poor character since proper black people knew better than to go where they were not wanted.

The following are examples of challenges against racism in restaurants that nevertheless occurred in the 20th century before passage of the Civil Rights Act of 1964.

1926 Organized by a cook, the black staff of an Alice Foote MacDougall tea room in NYC unites behind a black waitress discharged for serving a black customer. They all walk out, forcing MacDougall to change her policy.

1929 The president of the United Colored Socialist party is accosted by a waitress as he and a black associate enter the Mills Restaurant in Cleveland. Restricted to a table on the mezzanine, they are treated hatefully and a hefty service charge is added to their bill. They win in court after refusing to give up despite six postponements.

1935 Black activists test a new PA civil rights law in Philadelphia, leading to the arrest of four employees at Horn & Hardart’s Automat who seat five white parties while two black people stand by and wait for an hour. At Stouffer’s three black patrons receive their meals smothered in salt. The manager asserts that all Stouffer’s meals are “highly seasoned.”

1936 After two black New Yorkers are refused service at a restaurant in Bel Air MD, 17 bus loads of fellow (but white) WPA workers en route to a Washington conference protest. The demonstration is peaceful yet 40 state police armed with machine guns and tear gas arrive and arrest the two blacks.

1943 Howard University students sit-in at a “white trade only” eatery in DC, a city in which few restaurants are open to people of color including the cafeteria in the Department of Justice.

1943 The newly formed Congress of Racial Equality (CORE) initiates a sit-in at the Jack Spratt café in Chicago where one of CORE’s founders, executive director James Farmer (pictured in 1965), had been treated rudely the previous year.

1946 The United Packinghouse Workers union (CIO) files charges against Hackney’s Seafood restaurant in Atlantic City on behalf of two black delegates refused admittance and files false-arrest charges against the police department which arrested protesting union picketers.

1947 After 11 bias suits against Bullock’s department store in Los Angeles fail to alter the store’s discrimination policy, CORE initiates sit-ins in the store’s tea room. Several white bystanders join the protest by informing waitresses they will wait to be served after the black patrons.

1951 Long-time civil rights activist Mary Church Terrell (pictured), in her late 80s and using a cane, joins picketers in front of Washington DC’s Hecht’s department store, which does not permit its many black customers to use its cafeteria. The store changes its policy in 1952.

1958 Dime store lunch counters are integrated in Louisville KY after unpublicized sit-ins, but other restaurants continue to refuse to serve blacks.

1960 Martin Luther King is among the 51 protesters arrested at the famed Magnolia Room at Rich’s Department store in Atlanta. A few months later the store changes its policy.

1964 As passage of the bill nears in the House, Ku Klux Klan members sit-in at a Krystal Hamburger stand in Atlanta to prevent SNCC (Student Nonviolent Coordinating Committee) members from occupying it.

Read more about discrimination in American restaurants.

© Jan Whitaker, 2010

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