Category Archives: patrons

Who invented … lobster Newberg?

The tale has often been told of Benjamin Wenberg who created a fabulous new dish at Delmonico’s restaurant in NYC sometime in the 1870s. The punch line revolves around how Charles Delmonico changed the name to Lobster Newberg to spite Wenberg after the two men had an argument. Do you believe the story? I am suspicious of it.

As a historian I run across many legends of this type. There is always a delightful little detail that makes the story click and lures journalists into repeating it so often that it becomes undisputed truth. Less catchy, and thus less repeated versions of the Lobster Newberg story, suggested that Wenberg did not want his name used so the name of the dish was altered slightly – or that the Delmonicos named the dish Newberg right from the start out of respect for Wenberg’s privacy.

It’s doubtful that Wenberg invented the dish. A sauce made of cream, egg yolks, butter, and sherry wine – the à la Newberg part of Lobster Newberg – was known as terrapin sauce and was in use before the 1870s.

Did Wenberg have anything to do with Lobster Newburg? Some stories imply he was the first to use the sauce with lobster. To me it seems doubtful that he would be more likely than top chefs to see its wider potential. In fact at least one Delmonico chef claimed to have developed the dish. In yet another version of the story, Delmonico’s named it for him because he ordered it so often.

Maybe. Whatever. As far as I can tell, no one has ever found the name Lobster Wenberg on a Delmonico’s menu. Nor has Lobster Newberg been found on menus from the 1870s or 1880s.

Although Benjamin Wenberg may be altogether irrelevant to the story of Lobster Newberg, he was an actual person, a well-known figure in New York City in the 1850s and until his death in 1885. He was in the shipping business, buying, selling, and chartering sea-faring vessels. At least one of his ships, Panchita, was suspected of engaging in the slave trade in 1856 and 1857.

The dish attributed to him became popular in the 1890s and the legend of its naming was oft repeated in this decade. It was a favorite chafing dish recipe for home entertaining and any restaurant with the least pretensions was bound to have it on the menu. Restaurants occasionally prepared it tableside in a chafing dish. Shrimp, crab, scallops, and sometimes frog legs were also offered à la Newburg.

These dishes were usually spelled with a U on restaurant menus. Which is another oddity since Wenberg’s name was usually spelled with an E.

© Jan Whitaker, 2010

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Good eaters: Andy Warhol

He certainly wasn’t from the same category of eaters as James Beard, yet both Beard and Andy Warhol celebrated American cuisine, even in its more humble pancake/sandwich/barbecue forms. Warhol was a typical American eater in many regards. He was conservative about his food, preferred simple dishes, and was happy eating in front of the TV.

As for restaurants, he explained in his 1975 book The Philosophy of Andy Warhol that he stayed thin by ordering things he disliked in restaurants — even fashionable and expensive ones such as La Grenouille. While his companions ate, he picked at his plate and then had the food wrapped up so he could leave it somewhere for a homeless person to find. He called this the “Andy Warhol New York City Diet.”

He much preferred “good, plain American lunchroom[s] or even the good plain American lunchcounter” to chic eateries. His favorites, already vanished by 1975, were the “old-style” Chock Full O’ Nuts and Schrafft’s. “The days were carefree in the 1940s and 1950s when I could go into a Chocks for my cream cheese sandwich with nuts on date-nut bread and not worry about a thing,” he wrote. He felt that people could not handle many challenges to their food habits without becoming upset. As he put it, “Progress is very important and exciting in everything except food.”

He came close to becoming a restaurateur himself when he announced the coming of the “Andy-Mat,” an unpretentious neighborhood restaurant serving homely comfort food at reasonable prices which was slated to open in fall of 1977 on Madison Avenue at 74th Street in NYC, perhaps launching a chain. (See photo with Warhol and his partners, [standing L to R] architect Araldo Cossutta, developer Geoffrey Leeds, and financier C. Cheever Hardwick III.) Described as “a tinker toy for sophisticates,” Warhol’s concept included pneumatic tubes through which customers’ orders would be whooshed into the kitchen. The meals served in Andy-Mats, in keeping with the times, were to be frozen dinners requiring only reheating.

For some reason — poor location or failure to raise capital or maybe because the whole plan was cooked up over “twelve stingers at El Morocco” — the restaurant did not materialize.

© Jan Whitaker, 2010

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