Tag Archives: 1980s

A tough business in a tough town

Most people realize that the expense and hassle of opening a restaurant in New York City is daunting, but a 1980 New York Magazine story by Paul Tharp laid it out in excruciating detail.

Generally new restaurants have a short run, but the piece underscored this observation by noting that the city’s Restaurant Association claimed that three of every four places shut down or had new owners within five years. Tharp added that a real estate broker said that one out of ten operating restaurants was for sale “at any given time.”

New York was a particularly tough city for restaurant operators. Higher food costs there meant that the consumer was going to pay four times the cost of a meal’s raw materials rather than three times, then the national norm.

Expenses involved in opening a new restaurant were staggering. Although the total estimate for a 40-seat restaurant of $162,018 given in the article seems quite low by today’s standards, it wasn’t then. The biggest chunks of money were for payroll, kitchen equipment, rent, and remodeling costs.

But that was just the monetary total. Tharp also outlined a time factor, noting that the amount of time spent getting set up was often not anticipated by those lacking previous experience.

The article observed that few new owners expected to be putting in 14-hour days the first year working in the kitchen or waiting on tables, virtually abandoning their personal life. Nor did they realize how much time and patience would be required to obtain licenses and satisfy city regulations, such as taking and passing a 15-hour Health Department course in sanitation and food handling.

And then there were the exasperating bureaucratic hurdles. For some it was a surprise that stove vents were required to extend to the top of buildings. If the Buildings Department found that the restaurant had not obtained a permit and met city standards for remodeling, an owner might need to tear out all the work that had already been done and start over.

Taking over an existing restaurant may have avoided the hassles of remodeling, but its costs were likely much higher and brought their own hazards. Tharp relates a horror story involving two inexperienced men, elsewhere termed “babes in the gastronomic woods,” who wanted to take over a former Toots Shor restaurant for a bargain price if the new owners also assumed the restaurant’s debt. They teamed with major investors who pulled out and left them at sea. They renamed it Jimmy’s after soon-to-vanish partner Jimmy Breslin. Although at first it was quite popular, business then fell off with the recession and they realized they couldn’t handle the large staff or deal with unexpected costs such as credit card service charges, electricity rate hikes, and a temporary loss of their liquor license. Even adding an upstairs cabaret and a downstairs jazz club and hiring Jack Lemmon as Monday night bartender failed to attract the disappearing crowds. After about 34 months capped by a flooded basement, Jimmy’s shut down.

If Tharp’s report didn’t contain enough warnings, a published letter from a Manhattan realtor added another note of caution. He pointed out that owners of “quality buildings,” fearful of restaurant failure rates, tacked on security deposits equal to as much as five months rent, plus additional payments to make up for premiums required by insurers who assessed a higher fire risk for a restaurant tenant. Altogether, he estimated the operating budget should be 30% to 40% higher than Tharp’s.

Perhaps to offset all the bad news, the story included five thumbnail sketches of restaurateurs who overcame obstacles. I took a closer look at their subsequent careers, which raised some questions about just how well they all did. Three seemed to be well-connected pros who, despite disappointments with some ventures, did well overall. One of those briefly profiled was Peter Aschkenasy who had a number of successes including Charley O’s and U.S. Steakhouse, but who hit a snag trying to revive the classic New York restaurant Lüchow’s [pictured at top].

One restaurateur had a place I could find absolutely no trace of anywhere, and another had a single tiny restaurant with a short life. It was operated by the only woman mentioned in the story, chef Leslie Revsin, whose professional biographies unfailingly cited that she was the first woman chef to be hired by the Waldorf-Astoria. She opened Restaurant Leslie in Greenwich Village in 1979. With only nine tables and no liquor or wine license, it lasted only a few years despite critical praise. Following that she cycled through about nine New York restaurant kitchens including Argenteuil, One Fifth Avenue, and The Inn at Pound Ridge, often as executive chef. Eventually she turned to writing cook books.

© Jan Whitaker, 2024

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Chocolate on the menu

Chocolate concoctions have always been found in the dessert section of restaurant menus. Right? You’ve already figured out that I’m going to say no. But, naturally, it’s a bit more complicated than that.

Until the later 19th century the main form in which Americans consumed chocolate in public eating places was not as a dessert but as a hot beverage.

Confusion arises over the meaning of dessert, which is used in various ways on American menus. In the 19th century, dessert often was the very last course, coming after “Pastry,” which included pies, cakes, puddings, and ice cream. In this case dessert meant fruit and nuts. But sometimes ice cream was listed under dessert. For example, the Hancock House hotel in Quincy MA displayed the following on a menu in June of 1853:

Puddings & Pastry
Sago Custards, Apple Pies, Mince Pies, Rhubarb Pies, Custards, Tarts
Dessert
Blanc Mange, Oranges, Almonds, Raisins, Strawberries, Ice Cream

In cheaper eating places, there was no fruit or nuts and dessert came closer to what we mean  today, which is how I will use it for the rest of this post – referring to sweet dishes that come toward the end of the meal and are rarely nuts and usually other than simple fruit.

The absence of anything chocolate on the Hancock House menu was not unusual for that time. I looked at quite a lot of menus and the first instance of chocolate other than as a beverage that I found was chocolate ice cream in the 1860s. It was not too unusual to find chocolate eclairs on a menu in the later 19th century, and chocolate cake turned up in the 1890s. According to an entry in The Oxford Companion to Food and Drink, however, chocolate cake in the late 1800s could refer to yellow cake with chocolate frosting.

By the early 20th century chocolate appeared on menus in various forms: as pudding, layer cake, devil’s food cake, ice cream, eclairs, and ice cream sodas and sundaes. In the 1920s, chocolate shops appeared and were similar to tea shops. They offered light meals, desserts, and chocolate as a drink or as candy, and other desserts. They were popular with women, as were department store tea rooms, another type of eating place that was heavy on sweet things. In the case of Shillito’s department store in Cincinnati, a 1947 menu offered quite a few chocolate treats.

Toasted Pecan Ice Cream Ball with Hot Fudge Sauce 35
Apple Pie 20
Black Raspberry Pie 20
Banana Cream Pie 20
Pineapple Layer Cake 20
Shillito’s Special Fudge Cake 20
Chocolate Doublette with Mint Ice Cream and Fudge Sauce 35
Chocolate Luxurro 35
Hot Fudge Sundae 25
Vanilla Ice Cream with Nesselrode Sauce 25
Fresh Peach Parfait 30
Pineapple or Orange Sherbet 15
Vanilla, Fresh Peach, Chocolate or Mint Ice Cream 20

Starting in the 1970s and reaching a high point in the 1980s began a chocolate frenzy that continues today. With the help of restaurant marketing, millions of Americans discovered they were “chocoholics.”

If you stepped into San Francisco’s Pot of Fondue in 1970 you could do Cheese Fondue for an appetizer, Beef  Bourguignonne Fondue as a main dish, and Chocolate Fondue for dessert. But the Aware Inn in Los Angeles pointed more forcefully at dessert trends to come with its 1970s “dangerous Chocolate Cream Supreme” costing $2 and described as “somewhere between chocolate mousse and fudge.”

Adjectives such as “dangerous” continued the sinful metaphor conveyed earlier by “devil’s food.” Soon “special” chocolate desserts were named for immoral inclinations (“decadence”) or perhaps fatal pleasures (“death by chocolate,” “killer cake”). All this led at least one journalist to protest against the unsubtle marketing of chocolate desserts in the 1980s. She pleaded with servers: “Do not expect me to swoon when you roll back your eyes in ecstasy as you recite a dessert list that offers nothing but chocolate, via cheesecake, chip cake, profiterols, madeleine, mousse, bombe, eclair, napoleon, torte, tart or brownie.”

From restaurant reviews from the 1980s it’s noticeable that most reviewers jumped on the chocolate bandwagon with descriptions along the lines of “scrumptious” chocolate desserts “to die for.” But quite a few were critical, especially of chocolate mousse, which was readily available to restaurants powdered or wet, even “pipeable.” After a 1978 visit to a restaurant expo overflowing with convenience food products, the Washington Post’s restaurant reviewer Phyllis Richman observed, “The final insult of your dinner these days could be chocolate mousse made from a mix, but that is only another in the long line of desecrations in the name of chocolate mousse.” Often critical reviewers deplored chocolate mousse that tasted as if made of instant pudding mix combined with a non-dairy topping product, which very likely it was.

“Chocolate Decadence” cake took a beating in a review by Mimi Sheraton who in 1983 no doubt irritated many chocolate lovers when she referred to the prevalence of “dark, wet chocolate cake that seems greasy and unbaked, the cloying quality of such a sticky mass being synonymous with richness to immature palates.” More recently, what I call a “fantasy escape” restaurant in upstate New York was cited unfavorably for serving a boxed cake provided by a national food service that it merely defrosted, sprinkled with fresh raspberries, grandly named “Towering Chocolate Cake,” and placed on the menu for a goodly price.

Let the buyer beware, but no doubt many restaurant patrons do in fact realize that they are willing co-conspirators in fantasy meals. Along these lines, nothing can be too chocolate-y, triple obviously outdoing double. Decorations of some sort are de rigueur. Along with whipped cream, ultra-chocolate desserts might be adorned with orange rind slivers, raspberry sauce, or dripping frosting. In 1985 the Bennigan’s chain brought their “Death by Chocolate” into the world, consisting of two kinds of chocolate ice cream, chopped up chocolate candy bars, a chocolate cracker crust, with the whole thing dipped in chocolate and served with chocolate syrup on the side.

One theory about what brought about restaurants’ chocolate dessert blitz relates it to declining sales of mixed drinks in the 1980s as patrons became aware of the dangers of drinking and driving. Then, according to a 1985 Wall Street Journal story, elaborate, expensive desserts offered a way to make up for lost cocktail sales. Fancy desserts are undoubtedly higher-profit items than many entrees, but I suspect that another major factor favoring the rise of ultra-chocolate desserts was the culture of consumer indulgence that increased restaurant patronage in the 1970s, 1980s, and beyond.

© Jan Whitaker, 2017

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